The editor, Ken Smith, has been involved socially, politically, culturally, economically and spiritually in the life of Alaska for over sixty years. He has been Martins friend for this same period of time. Martin, who physically passed away soon after deciding to write these books, had great expectations for this trilogy. It is our hope that we have at least partially fulfilled those expectations. Martin R. Strand Sr. is a unique transitional person between Tlingit culture and Caucasian culture within the State of Alaska, not just in the past but also in the present. As you read the various selections in the trilogy you will gain an accurate understanding of this personality who was forever seeking to understand other persons, the natural habitat in which he was raised, and the cultural nuances that he received from his grandparents only to be passed on to his grandchildren and others. He is proud but at the same time loving. He is curious but also satisfied with little. Above all else he wants to make a difference and through these writings he does.

What does God think of Homosexuality? After all He created it. He also created heterosexuality. This short book is an attempt to find out what God thinks and so we use as much scripture as we can to find out. Objectivity is difficult, when you are related to the subject. That has been the aim of the author. Also there is a willingness to abide by the conclusions. The author invites you on a journey through the Bible riding and abiding on the subject of sexuality.

The editor, Ken Smith, has been involved socially, politically, culturally, economically and spiritually in the life of Alaska for over sixty years. He has been Martins friend for this same period of time. Martin, who physically passed away soon after deciding to write these books, had great expectations for this trilogy. It is our hope that we have at least partially fulfilled those expectations. Martin R. Strand Sr. is a unique transitional person between Tlingit culture and Caucasian culture within the State of Alaska, not just in the past but also in the present. As you read the various selections in the trilogy you will gain an accurate understanding of this personality who was forever seeking to understand other persons, the natural habitat in which he was raised, and the cultural nuances that he received from his grandparents only to be passed on to his grandchildren and others. He is proud but at the same time loving. He is curious but also satisfied with little. Above all else he wants to make a difference and through these writings he does.

The editor, Ken Smith, has been involved socially, politically, culturally, economically and spiritually in the life of Alaska for over sixty years. He has been Martin’s friend for this same period of time. Martin, who physically passed away soon after deciding to write these books, had great expectations for this trilogy. It is our hope that we have at least partially fulfilled those expectations Martin R. Strand Sr. is a unique transitional person between Tlingit culture and Caucasian culture within the State of Alaska., not just in the past but also in the present. As you read the various selections in the trilogy you will gain an accurate understanding of this personality who was forever seeking to understand other persons, the natural habitat in which he was raised, and the cultural nuances that he received from his grandparents only to be passed on to his grandchildren and others. He is proud but at the same time loving. He is curious but also satisfied with little. Above all else he ‘wants to make a difference’ and through these writings he does.

A national bestseller, the story of “a boy’s last days of youth and a history his father can’t leave behind” (The Daily Beast). Tom Harry has a streak of frost in his black pompadour and a venerable bar called The Medicine Lodge, the chief watering hole and last refuge in the town of Gros Ventre, in northern Montana. Tom also has a son named Rusty, an “accident between the sheets” whose mother deserted them both years ago. The pair make an odd kind of family, with the bar their true home, but they manage just fine. Until the summer of 1960, that is, when Rusty turns twelve. Change arrives with gale force, in the person of Proxy, a taxi dancer Tom knew back when, and her beatnik daughter, Francine. Is Francine, as Proxy claims, the unsuspected legacy of her and Tom’s past? Without a doubt she is an unsettling gust of the future, upending every certainty in Rusty’s life and generating a mist of passion and pretense that seems to obscure everyone’s vision but his own. The Bartender’s Tale wonderfully captures how the world becomes bigger and the past becomes more complex in the last moments of childhood.

#1 SAN FRANCISCO CHRONICLE BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE CHICAGO TRIBUNE “A picaresque, swashbuckling adventure.”—The Washington Post Book World They’re an odd pair, to be sure: pale, rail-thin, black-clad Zelikman, a moody, itinerant physician fond of jaunty headgear, and ex-soldier Amram, a gray-haired giant of a man as quick with a razor-tongued witticism as with a sharpened battle-ax. Brothers under the skin, comrades in arms, they make their rootless way through the Caucasus Mountains, circa a.d. 950, living as they please and surviving however they can—as blades and thieves for hire and as practiced bamboozlers, cheerfully separating the gullible from their money. But when they are dragooned into service as escorts and defenders to a prince of the Khazar Empire, they soon find themselves the half-willing generals in a full-scale revolution—on a road paved with warriors and whores, evil emperors and extraordinary elephants, secrets, swordplay, and such stuff as the grandest adventures are made of. Praise for Gentlemen of the Road “Within a few pages I was happily tangled in [Chabon’s] net of finely filigreed language, seduced by an old-school-style swashbuckling quest . . . laced with surprises and humor.”—San Francisco Chronicle “[Chabon] is probably the premiere prose stylist—the Updike—of his generation.”—Time “The action is intricate and exuberant. . . . It’s hard to resist its gathering momentum, not to mention the sheer headlong pleasure of Chabon’s language.”—The New York Times Book Review “[A] wild, wild adventure . . . abounds with lush language . . . This book roars to be read aloud.”—Chicago Sun-Times

Declan O Donnell has sailed out of Oregon and deep into the vast, wild ocean, having had just finally enough of other people and their problems. He will go it alone, he will be his own country, he will be beholden to and beloved of no one. No man is an island, my butt, he thinks. I am that very man. . . . But the galaxy soon presents him with a string of odd, entertaining, and dangerous passengers, who become companions of every sort and stripe. The Plover is the story of their adventures and misadventures in the immense blue country one of their company calls Pacifica. Hounded by a mysterious enemy, reluctantly acquiring one new resident after another, Declan O Donnell's lonely boat is eventually crammed with humor, argument, tension, and a resident herring gull. Brian Doyle's The Plover is a sea novel, a maritime adventure, the story of a cold man melting, a compendium of small miracles, an elegy to Edmund Burke, a watery quest, a battle at sea---and a rapturous, heartfelt celebration of life's surprising paths, planned and unplanned.

The present anthology consists of papers presented at the International Conference of Chu Hsi held July 6–15 1982, in Honolulu. The symposium, convened as one of the continuing East-West Philosophers' Conferences and in conjunction with the seventy-fifth anniversary of the University of Hawaii, was the first on this Neo-Confucian thinker.

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.