Voices from Louisiana provides thoughtful, timely profiles of some of the state’s most highly regarded and popular contemporary authors. Readers interested in Louisiana’s rich literary tradition will appreciate these evocative essays on writers whose works emanate from the cultures and landscapes of the Gulf South. Ann Brewster Dobie explores the works of eleven well-known authors and concludes with a look at several emerging talents. These writers work in a broad range of genres, from coming-of-age stories and historical narratives that recover the voices of silenced and oppressed peoples, to crime thrillers set in New Iberia and New Orleans, to poetic invocations of the natural world and narratives capturing the realities of working-class lives. Whether native to the state or transplants, these writers produce works that reflect the vibrant culture that defines the intricate literary landscape of the Pelican State. Dobie highlights the careers of Darrell Bourque, James Lee Burke, Ernest Gaines, Tim Gautreaux, Shirley Ann Grau, Greg Guirard, William Joyce, Julie Kane, Tom Piazza, Martha Serpas, and James Wilcox. Newcomers also profiled include Wiley Cash, Ashley Mace Havird, Anne L. Simon, Katy Simpson Smith, Ashley Weaver, Steve Weddle, and Ken Wheaton.

In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.

Provides a comprehensive guide to the history of Louisiana, its diverse people, and the impact the purchase of this state from the French has had on the United States, complete with period maps and first-person accounts.

In 1727, twelve nuns left France to establish a community of Ursuline nuns in New Orleans, the capital of the French colony of Louisiana. Notable for founding a school that educated all free girls, regardless of social rank, the Ursulines also ran an orphanage, administered the colony's military hospital, and sustained an aggressive program of catechesis among the enslaved population of colonial Louisiana. In Voices from an Early American Convent, Emily Clark extends the boundaries of early American women's history through the firsthand accounts of these remarkable French missionaries, in particular Marie Madeleine Hachard. These fascinating documents reveal women of determination, courage, and conviction, who chose to forgo the traditional European roles of wife and mother, embrace lives of public service, and forge a community among the diverse inhabitants -- enslaved and free -- who occupied early New Orleans.

Wiseguys called him "the Keith Richards of the American Mafia" and JFK hero Jim Garrison denounced him as "one of the most notorious vice operators in the history of New Orleans" ... but you can just call him MR. NEW ORLEANS. Mr. New Orleans tells the incredible story of Frenchy Brouillette, a redneck Cajun teenager who stole his big brother's motorcycle and embarked on a 60-year vacation to New Orleans, where he became a legendary gangster and the underworld political fixer for his cousin, Louisiana Governor Edwin Edwards. Written by Crescent City native Matthew Randazzo V, the wickedly funny Mr. New Orleans is the first book to ever break the code of secrecy of the New Orleans Mafia Family, the oldest and most mysterious criminal secret society in America. "Mr. New Orleans is a rollicking, disturbing ride through the underbelly of a bygone New Orleans, lined with moments of dark, side-splitting hilarity. If you're a fan of James Lee Burke, drop what you're reading and pick this one up. In an era when popular wisdom tells us T.V. has stolen all depth from the literary true-crime narrative, Matthew Randazzo has found a way to beat that trend mightily; he's gone straight to the source and captured the singular, confounding voice of the New Orleans' mafia's top political fixer with fast-paced, riveting prose and a fine journalist's eye for detail." Chris Rice, New York Times Bestselling Author "Mr. New Orleans is a total knockout: Take everything you ever imagined about the sleazy good times to be had in New Orleans -- the sleazy good times capital of America -- and quadruple it, and you have a hint of what's inside these sticky pages." Bill Tonelli, Author of The Italian American Reader and Editor for Esquire and Rolling Stone

Tiger Ann Parker wants nothing more than to get out of the rural town of Saitter, Louisiana--far away from her mentally disabled mother, her "slow" father who can't read an electric bill, and her classmates who taunt her. So when Aunt Dorie Kay asks Tiger to sp the summer with her in Baton Rouge, Tiger can't wait to go. But before she leaves, the sudden revelation of a dark family secret prompts Tiger to make a decision that will ultimately change her life. Set in the South in the late 1950s, this coming-of-age novel explores a twelve-year-old girl's struggle to accept her grandmother's death, her mentally deficient parents, and the changing world around her. It is a novel filled with beautiful language and unforgettable characters, and the importance of family and home. My Louisiana Sky is a 1998 Boston Globe - Horn Book Award Honor Book for Fiction.

From two-time Newbery Medalist Kate DiCamillo comes a story of discovering who you are — and deciding who you want to be. When Louisiana Elefante’s granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn’t overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from her best friends, Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as Louisiana’s life becomes entwined with the lives of the people of a small Georgia town — including a surly motel owner, a walrus-like minister, and a mysterious boy with a crow on his shoulder — she starts to worry that she is destined only for good-byes. (Which could be due to the curse on Louisiana's and Granny’s heads. But that is a story for another time.) Called “one of DiCamillo’s most singular and arresting creations” by The New York Times Book Review, the heartbreakingly irresistible Louisiana Elefante was introduced to readers in Raymie Nightingale — and now, with humor and tenderness, Kate DiCamillo returns to tell her story.

This richly illustrated volume documents in detail the exhibition "New Orleans Music Observed: The Art of Noel Rockmore and Emilie Rhys" at the New Orleans Jazz Museum from January 30, 2020 to September 1, 2021, curated by the museum's own David Kunian and expanded upon in this book by Emilie Rhys (wearing several hats as contributing artist, contributing writer, co-editor, photo editor, layout designer, and publisher). Noel Rockmore, well-known in New Orleans for his mid-1960s oil portraits of Preservation Hall musicians, and his daughter Emilie Rhys, whose artwork of contemporary musicians all around town has gained her recent public notice, are brought together for their first joint exhibition in which a selection of their drawings and paintings is paired with a wide variety of artifacts and historic instruments, culled mostly from the Jazz Museum's incomparable archives. As the curator of this profusely illustrated book, Emilie Rhys not only provides a visual record of the exhibition, she expands upon it through the presentation of significant new material by several Louisiana natives who are close observers of the vibrant cultural life that makes New Orleans a veritable global magnet. They are novelist, journalist, and art collector John Ed Bradley; print and public radio journalist Gwen Thompkins; and scientist and art collector Myles Robichaux. For the lead chapter in this book, Bradley has written the first ever literary exploration of the intertwined lives of Rockmore and Rhys, "Picture in a Picture: Noel Rockmore and Emilie Rhys in New Orleans." In Chapter 3, Robichaux's original essay speaks to the profound impact on him of discovering Rockmore's art in 2002 and meeting Rhys in 2011. For Chapter 4, "Depiction/Being Depicted," Thompkins conducted interviews in 2020 with 14 musicians exploring their interest in visual art, their thoughts about the development of their own image, and how they feel about their image appearing in drawings, paintings, and photographs by visual artists. The book has 368 illustrations including 302 in full color, a large number of which have never been seen in public previously and have been selected by Rhys, many from her extensive personal archives.

When Professor Clarence Nero and his teaching colleagues walked into their classrooms for the first time after the tumultuous summer of 2016-a summer that in Baton Rouge had seen the murders of Alton Sterling and innocent police officers as well as a vast and historic flood-they had no idea what to expect from students. This wasn't any ordinary semester at Baton Rouge Community College. Many enrolled students had lost their homes due to flooding; most were still reeling from the shootings and the subsequent protests and riots that rocked the capital city. There were students who had been traumatized in ways that defied simple explanations. Not only did Professor Nero understand that they were pain-he had lived with and through the same hellish nightmare that summer-he was determined to let them give expression to their experiences and reactions. Having seen this type of racial tension fuel students' creativity in the film Freedom Writers, based on actual classroom experiences of Erin Gruwell, Professor Nero showed the movie to students in his English classes. The result was an instant connection: the diverse women and men he was teaching identified with the students in Ms. Gruwell's class who had shared stories of frustration and pain growing up in racially hostile, violent communities in South Central Los Angeles. Before long, students in Professor Nero's classes were sharing their own stories, too, writing narratives and engaging in intense conversations in the classroom around race in south Louisiana. The idea caught on like wildfire around the college; other professors similarly challenged their students, and the school's Creative Writing Club members likewise joined in the effort. Students who had begun the semester in varying states of distress were writing powerful and unforgettable accounts of their shared experiences coming of age in the South. Thus, Voices from the Bayou was born: a collection of heartwarming and heartbreaking narratives told by college students who bravely put it all on the line during a time when our country is most divided, after a contentious presidential election. Their courageous stories of dealing with racism, the police, and the flood in Baton Rouge will leave an indelible impression, reminding readers that our young people are ever watching and their voices must be heard and studied for peace and humanity's survival. BATON ROUGE COMMUNITY COLLEGE FOUNDATION, a 501(c)(3) tax-exempt, nonprofit, has generously aided in the publication of this collection of student narratives. All proceeds from sales of this book will go towards the foundation; in turn, the foundation will help the students who participated in this project continue their education, will assist BRCC faculty with professional development, will facilitate student programming at the college and at literary events for high school students, and will provide scholarship funding for future BRCC students. Visit MYBRCC.edu/foundation to order your ebook copy today for only $10 dollars!