This book considers how a combination of place-based writing and location responsive technologies produce new kinds of literary experiences. Building on the work done in the Ambient Literature Project (2016–2018), this books argues that these encounters constitute new literary forms, in which the authored text lies at the heart of an embodied and mediated experience. The visual, sonic, social and historic resources of place become the elements of a live and emergent mise-en-scène. Specific techniques of narration, including hallucination, memory, history, place based writing, and drama, as well as reworking of traditional storytelling forms combine with the work of app and user experience design, interaction, software authoring, and GIS (geographical information systems) to produce ambient experiences where the user reads a textual and sonic literary space. These experiences are temporary, ambiguous, and unpredictable in their meaning but unlike the theatre, the gallery, or the cinema they take place in the everyday shared world. The book explores the potentiality of a new literary form produced by the exchange between location-aware cultural objects, writers and readers. This book, and the work it explores, lays the ground for a new poetics of situated writing and reading practices.

“An unforgettable look at the peculiar horrors and humiliations involved in solitary confinement” from the prisoners who have survived it (New York Review of Books). On any given day, the United States holds more than eighty-thousand people in solitary confinement, a punishment that—beyond fifteen days—has been denounced as a form of cruel and degrading treatment by the UN Special Rapporteur on Torture. Now, in a book that will add a startling new dimension to the debates around human rights and prison reform, former and current prisoners describe the devastating effects of isolation on their minds and bodies, the solidarity expressed between individuals who live side by side for years without ever meeting one another face to face, the ever-present specters of madness and suicide, and the struggle to maintain hope and humanity. As Chelsea Manning wrote from her own solitary confinement cell, “The personal accounts by prisoners are some of the most disturbing that I have ever read.” These firsthand accounts are supplemented by the writing of noted experts, exploring the psychological, legal, ethical, and political dimensions of solitary confinement. “Do we really think it makes sense to lock so many people alone in tiny cells for twenty-three hours a day, for months, sometimes for years at a time? That is not going to make us safer. That’s not going to make us stronger.” —President Barack Obama “Elegant but harrowing.” —San Francisco Chronicle “A potent cry of anguish from men and women buried way down in the hole.” —Kirkus Reviews

Truman Capote’s first novel is a story of almost supernatural intensity and inventiveness, an audacious foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South. “Intense, brilliant . . . . Capote has an astonishing command . . . a magic all his own.” —The Atlantic At the age of twelve, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully’s Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face—and heart—of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.

Winner of the International Prize for Arabic Fiction, this novel weaves together a series of devastating confessions about life in contemporary Arab society “Barakat isn't writing about ‘the immigrant.’ She's writing about the human.”—Rumaan Alam, 4columns “Spare and deep, Voices of the Lost captivates. Hoda Barakat is one of Lebanon's greatest gifts to literature, and Booth allows her English audience to explore this painful and irresistible present.”—Amy Bloom, author of White Houses In an unnamed country torn apart by war, six strangers are compelled to share their darkest secrets. Taking pen to paper, each character attempts to put in writing what they can’t bring themselves to say to the person they love—mother, father, brother, lost love. Their words form a chain of dark confessions, none of which reaches the intended recipient. Profound, troubling, and deeply human, Voices of the Lost tells the moving story of characters living on the periphery, battling with displacement, devastating poverty, and the demons within themselves. From one of today’s most talented Arabic writers, Voices of the Lost is an urgent story of lives intimately woven together in a society that is tearing itself apart.

Concert of Voices combines poetry, fiction, drama, and essays in an anthology of world literature in English. This second edition preserves the first edition’s breadth and its balance of established and less widely known authors, while including a large selection of exciting new material. Biographical information and explanatory notes have been updated and expanded, and new pieces by Cyril Dabydeen, Vikram Seth, Wole Soyinka, Pauline Johnson, Rudy Wiebe, and many other authors have been added.

Other Voices, Other Places is a novel about an evangelistic witness by thousands of born-again redeemed spirits in Heaven, made ready for spiritual service to a failing humanity on Earth. These spiritual workers have received the most complete, personal, and experiential knowledge from teachings by Old and New Testament characters, writers, and prophets. Challenges, though, exist. A world awaits, full of doubt, suspicion, and ridicule. Evil is also actively involved with its own commentaries and plans. The voice of Sybil Davies, a storyteller from Heaven, calls out to humanity on Earth to keep hope, faith, and trust alive. She is reporting on the eventual full victory of “good” over “evil” and the awarding of eternal life.

This is the little book that started a revolution, making women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate—and helped many women and men to see themselves and each other in a different light.Carol Gilligan believes that psychology has persistently and systematically misunderstood women—their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology's misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.

Young Memer takes on a pivotal role in freeing her war-torn homeland from its oppressive captors.

Patronage, medicine, madness and eroticism. Harvey explores the discourse of power and sexuality in a fascinating range of early modern texts, and examines the use of the feminine voice by male authors.