Legendary singer, songwriter and poet Vladimir Vysotsky (1938-1980) is loved and admired like no other. A recent survey placed him as the most important cultural figure of twentieth century, and some say he is the greatest Russian poet since Pushkin; others talk of him as the Russian Bob Dylan, or Jacques Brel. His songs championed the underdog, and even today, forty years after his death at a tragically young age, people in countries as far apart as Bulgaria and Kazakhstan weep at the mere mention of his name. Yet remarkably this is the first landmark collection of his lyrics and poetry in English. The translators set themselves the hard task of translating Vysotsky’s songs as first of all songs, not poetry, enabling readers to perform them in English. This collection of lyrics also includes sample sheet music for six Vysotsky’s songs. Vysotsky himself used the seven string guitar; the songs are adapted here to the western six string classical guitar by John Farndon and West-End singer Anthony Cable.

Poems Russian composer Vladimir Vysotsky in English. Vladimir Visotsky - "the most famous Russian bard," "the greatest Russian bard of the second half of the 20-th century," "voice for the heart of a nation." Vysotsky, Vladimir Semyonovich. (b. Jan. 25, 1938, Moscow, Russia, U.S.S.R.1--d. July 24, 19802, Moscow), Russian actor, lyricist, and folksinger whose social and political satire spoke of the ironies and hardships of a strictly regulated Soviet society. While risking official displeasure, he became an immensely popular figure who was revered by the Russian people even after his death.

Legendary singer, songwriter, and poet Vladimir Vysotsky is loved and admired like no other. A recent survey placed him as the most important cultural figure of twentieth-century.

This acclaimed twenty-first–century Russian novel is “a Dantean descent” into the abandoned Soviet gulags, written “with a clear poetic sensibility” (The Wall Street Journal). In Sergei Lebedev’s debut novel, an unnamed young man travels to the vast wastelands of the Far North to uncover the truth about a mysterious neighbor who once saved his life, and whom he knows only as Grandfather II. What he finds among the forgotten mines and decrepit barracks of former gulags is a world relegated to oblivion, where it is easier to ignore both the victims and the executioners than to come to terms with a terrible past. This disturbing tale evokes the great and ruined beauty of a land where man and machine work in tandem with nature to destroy millions of lives during the Soviet century. Emerging from today’s Russia, where the ills of the past are being forcefully erased from public memory, this masterful novel is an epic literary act of bearing witness, attempting to rescue history from the brink of oblivion. A Wall Street Journal Top 10 Novel of the Year “Not since Alexander Solzhenitsyn has Russia had a writer as obsessed as Sergei Lebedev with that country’s history or the traces it has left on the collective consciousness . . . The best of Russia’s younger generation of writers.” ―The New York Review of Books

Winner of the EBRD Literature Prize 2019 On New Years' Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest - based on the tragic life of the Uzbek poet-queen Oyhon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyhon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla's inability to tell fact from fiction will be his undoing. The Devils' Dance brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov's virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry. With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.

An enchanting collection of the very best of Russian poetry, edited by acclaimed translator Robert Chandler together with poets Boris Dralyuk and Irina Mashinski. In the late eighteenth and early nineteenth centuries, poetry's pre-eminence in Russia was unchallenged, with Pushkin and his contemporaries ushering in the 'Golden Age' of Russian literature. Prose briefly gained the high ground in the second half of the nineteenth century, but poetry again became dominant in the 'Silver Age' (the early twentieth century), when belief in reason and progress yielded once more to a more magical view of the world. During the Soviet era, poetry became a dangerous, subversive activity; nevertheless, poets such as Osip Mandelstam and Anna Akhmatova continued to defy the censors. This anthology traces Russian poetry from its Golden Age to the modern era, including work by several great poets - Georgy Ivanov and Varlam Shalamov among them - in captivating modern translations by Robert Chandler and others. The volume also includes a general introduction, chronology and individual introductions to each poet. Robert Chandler is an acclaimed poet and translator. His many translations from Russian include works by Aleksandr Pushkin, Nikolay Leskov, Vasily Grossman and Andrey Platonov, while his anthologies of Russian Short Stories from Pushkin to Buida and Russian Magic Tales are both published in Penguin Classics. Irina Mashinski is a bilingual poet and co-founder of the StoSvet literary project. Her most recent collection is 2013's Ophelia i masterok [Ophelia and the Trowel]. Boris Dralyuk is a Lecturer in Russian at the University of St Andrews and translator of many books from Russian, including, most recently, Isaac Babel's Red Cavalry (2014).

"In this short, surreal twist on the classic Russian novel, a doctor travels to a distant village to save its citizens from an epidemic, but a metaphysical snowstorm gets in his way"--

A study of the phenomenon of guitar poetry, a type of acoustic protest music that flourished in the Soviet Union between the post-Stalinist and Gorbachev years.