Can science fiction--especially sci-fi cinema--save the world? It already has, many times. Retired officers testify that films like Doctor Strangelove, Fail-Safe, On the Beach and War Games provoked changes and helped prevent accidental war. Soylent Green and Silent Running recruited millions of environmental activists. The China Syndrome and countless movies about plagues helped bring attention to those failure modes. And the grand-daddy of "self-preventing prophecy"--Nineteen Eighty-Four--girded countless citizens to stay wary of Big Brother. It's not been all dire warnings. While optimism is much harder to dramatize than apocalypse, both large and small screens have also encouraged millions to lift their gaze, contemplating how we might get better, incrementally, or else raise grandchildren worthy of the stars. Come along on a quirky quest for unusual insights into the power of forward-looking media. How the romantic allure of feudalism tugs at men and women who benefited vastly from modernity. Or explore why almost every Hollywood film preaches Suspicion of Authority, along with tolerance, diversity and personal eccentricity, and how those messages helped keep us free. No one is spared scrutiny! Not Spielberg or Tolkien or Cameron or Costner... nor Dune or demigods or zombie flicks. Certainly not George Lucas or Ayn Rand! Though some critiques are offered from a lifetime of respect and love... and gratitude.

Taking off from The Creative Writer’s Survival Guide, John McNally’srelentlessly blunt, bracingly cheerful, and immensely helpful map to being a writer, Vivid and Continuousis an equally blunt, cheerful, and helpful map to learning to be a writer. While acknowledging that many fine books cover such essentials of fiction writing as point of view, characterization, and setting, McNally sets out in this new book—intended as a supplement to beginning fiction-writing classes or as the sole text for upper-level or graduate courses—to solve the tricky second-tier problems that those books cover only in footnotes. Vivid and Continuous takes its inspiration from John Gardner, whose essential truths in On Becoming a Novelist clarified McNally’s goal of communicating a “vivid and continuous dream” with his own writing. In fifteen concise, energizing chapters, he dispenses advice gained from almost thirty years of studying, writing, and teaching. How do you avoid the pitfalls inherent in the most common subjects for stories? How do you create memorable minor characters? What about managing references to pop culture without distracting your readers, revising a story to bring its subtext into focus, or exploring the twenty most common craft-related quirks that lessen immediacy for your readers? How do you keep from overdosing on similes and metaphors or relying on too many flashbacks to provide necessary backstory? How do you learn to listen when your story tries to talk to you? Finally, how can you resist “John McNally’s Sure-Fire Formula for Becoming Funnier in 30 Days”? McNally cites many novels and short stories as examples that best illustrate the lessons he wants to impart, the writer’s life, or the writer’s craft, as well as his own favorite authors’ novels and short story collections. Exercises at the end of each chapter reinforce its point and serve as practical catalysts for new writings and directions. Just blunt enough to get your attention but not blunt enough to crush you, challenging but not discouraging, personal but not ego-ridden, snarky but not mean, John McNally will prompt you to think more deeply about a variety of issues that will push you toward writing more meaningful, more accomplished work.

From the author of the acclaimed The Dry Grass of August comes a richly researched yet lyrical Southern-set novel that explores the conflicts of gentrification—a moving story of loss, love, and resilience. In 1961 Charlotte, North Carolina, the predominantly black neighborhood of Brooklyn is a bustling city within a city. Self-contained and vibrant, it has its own restaurants, schools, theaters, churches, and night clubs. There are shotgun shacks and poverty, along with well-maintained houses like the one Loraylee Hawkins shares with her young son, Hawk, her Uncle Ray, and her grandmother, Bibi. Loraylee’s love for Archibald Griffin, Hawk’s white father and manager of the cafeteria where she works, must be kept secret in the segregated South. Loraylee has heard rumors that the city plans to bulldoze her neighborhood, claiming it’s dilapidated and dangerous. The government promises to provide new housing and relocate businesses. But locals like Pastor Ebenezer Polk, who’s facing the demolition of his church, know the value of Brooklyn does not lie in bricks and mortar. Generations have lived, loved, and died here, supporting and strengthening each other. Yet street by street, longtime residents are being forced out. And Loraylee, searching for a way to keep her family together, will form new alliances—and find an unexpected path that may yet lead her home.

Why has Heinrich Racker’s original work on transference and countertransference proven so valuable? With a passionate concern for the field created by the meeting of analyst and patient, and an abiding interest in the central importance of transference and countertransference in analytic practice, Robert Oelsner has brought together the thought and work of seventeen eminent analysts from Europe, the United States, and Latin America. In new essays commissioned for this volume, the writers have set aside the lines that can often divide psychoanalytic groups and schools in order to examine in depth the variety of approaches and responses that characterize the best analytic practice today. The result is a collection of fresh, contemporary material centred on the two interrelated subjects – transference and countertransference – that make up the core of psychoanalytic work. Both in the clarity of their language and in moving clinical examples the writers reveal, in distinctively personal ways, how Heinrich Racker’s original thought, which brought the analyst’s unconscious responses into the equation, has allowed them to evolve their own perspectives. Yet it is particularly interesting to find unexpected parallels among the chapters that point toward a shared vision. Clearly, whether in work with adults or children, transference and countertransference are now seen as encompassing a field that embraces both participants in the consulting room. Making Transference and Countertransference Today still more valuable as a resource for teachers and students are several major contributions by authors whose work is not otherwise readily available in English. Psychoanalysts and others will find few other books that present such a thoughtful picture of these crucial and fascinating analytic topics.

Here Today, Here Tomorrow is a personal history of spiritual experiences, with examples of messages from those in spirit. Its sprinkled with humor, poetry and philosophy, as those discarnate spirits are described (fleshed out) as the beings they were, with their flaws and their glory, while on earth and in the world of spirit. The author doesnt call them dead, because theyre alive and still progressing, and they can be with you at the drop of a thought - or whenever they choose. You may be convinced, or at least intrigued, with the ample supply of experiences related, that life does go on. Or maybe you already know that, and you just want to have a couple of laughs.

SHE’S A TOUGH CRIME REPORTER IN A LEAGUE OF HEAVY HITTERS. BUT THAT’S OKAY— SHE KNOWS HOW TO PLAY HARDBALL … Jessica James has a nose for a good story, but she isn’t sure how much she likes the story she’s getting from her mother’s charming, handsome new beau with the improbable name of Charlie Browne. Especially since the tale is attached to the Hare—a stolen painting that is now hidden under Jesse’s own bed. Jesse’s investigation into Charlie's background turns up a hole big enough to smuggle the Mona Lisa through, which has her worried about her romantic, not-altogether-practical mom. And for good reason—in a few short days, Kate James has gotten herself entangled in art theft, bashed over the head by a burglar, and involved in a tête-à-tête with a murderer. Now Jesse must crack a stolen art ring and solve two murders—one forty years old and one all too recent—before the killer paints another masterpiece in scarlet.

Helmut Gaus (1942) is doctor of Modern History and a professor in the Faculty of Social and Political Science at the University of Ghent in Belgium.

Angeles Monrayo (1912–2000) began her diary on January 10, 1924, a few months before she and her father and older brother moved from a sugar plantation in Waipahu to Pablo Manlapit’s strike camp in Honolulu. Here for the first time is a young Filipino girl’s view of life in Hawaii and central California in the first decades of the twentieth century—a significant and often turbulent period for immigrant and migrant labor in both settings. Angeles’ vivid, simple language takes us into the heart of an early Filipino family as its members come to terms with poverty and racism and struggle to build new lives in a new world. But even as Angeles recounts the hardships of immigrant life, her diary of "everyday things" never lets us forget that she and the people around her went to school and church, enjoyed music and dancing, told jokes, went to the movies, and fell in love. Essays by Jonathan Okamura and Dawn Mabalon enlarge on Angeles’ account of early working-class Filipinos and situate her experience in the larger history of Filipino migration to the United States.