Synopsis: In 1969, a young black girl in Omaha, Nebraska named Vivian Strong was killed by a white cop firing a single bullet to the back of her head, setting off one of the worst race riots of the 1960’s. Nobody knew anything about her, except her age and the circumstances of her death. Through memoir like monologues inspired by real events, two actors portray multiple characters, bringing a fictional account of Vivan’s life to the stage. Cast Size: 1 Female, 1 Male

In this biography, Heidi Von Gunden explores Fine's life and her music. The body of the work covers Fine's long life and career, and is followed by several useful resources including a chronology, catalog, discography, and bibliography.

This book lists nearly 3,000 original choral works written by 76 composers active in the United States from roughly 1920 until the present. Styles range from the lush Romanticism of Charles Wakefield Cadman to the stark, dissonant harmonies of Morton Feldman.

The Best New Ten-Minute Plays, 2021 presents thirty new ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theatre enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time. Selections include: The Architecture of Desire by Brian Leahy Doyle Count Dracula's Café by Scot Walker Extended Play by B.V. Marshall Go to the Light by Laurie Allen Greater than Nina by Bruce Bonafede The Home for Retired Canadian Girlfriends by John Bavoso Judas Iscariot's Day Off by David Macgregor Last Dance with MJ by Lindsay Partain The Lobster Quadrille by Don Nigro Meanwhile at the Pentagon by Jenny Lyn Bader Most Wonderful by Jennifer O'grady Reconcile, Bitch by Desi Moreno-Penson Trumpettes Anonymous by Rex Mcgregor You Are Here by Nandita Shenoy

Through their reminiscences, Ives's relatives, friends, colleagues, and associates reveal aspects of his life, character, and personality, as well as his musical activities.

From the end of the nineteenth century a national musical consciousness gradually developed in the USA as composers began to turn away from the European conventions on which their music had hitherto been modelled. It was in this period of change that experimentation was born. In this book, the composer and scholar David Nicholls considers the most influential figures in the development of American experimental music, including Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell, and the young John Cage. He analyses the music and ideas of this group, explaining the compositional techniques invented and employed by them and the historical and cultural context in which they emerged.

Building on his 2006 book, Which Side Are You On?, Dick Weissman's A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit.