Five classic settings of love songs for men's voices are joined together in this new collection. May be performed separately or as a suite. Titles: Loch Lomond * Green Grow the Rashes, O * Stodole Pumpa * Down by the Sally Gardens * Vive l'Amour.

After a hundred years of war, with France on the brink of destruction, Saint Margaret of Antioch is returned to the earth to aide Joan of Arc in the liberation of her homeland, but what can she do when Heaven itself seems to be conspiring to send Joan to the Fire? “An intimate meditation, textured and ingenious...we see Joan as part of something endless - and troubling, yes - but also exuberant and, finally, mysteriously, larger than one life and most certainly larger than one death.” -- Tim Wynne-Jones, author of Blink & Caution, winner of the 2011 Boston Globe-Horn Book Award “Despite the unusual narration, Ng manages to draw readers to Joan's side during her tribulations, and he creates sympathetic characters in both Joan and Margaret...An engrossing religious and historical account that would make a valuable companion to a high school history unit on Joan of Arc.” -- Kirkus Reviews

This comprehensive method of music instruction enables the beginner to progress to an advanced stage of technical skill.

How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture. Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film. Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly.

This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Feii Lu’s Taiwan Cinema: Politics, Economics, Aesthetics, translated by Chris Berry (Duke University Press and Hong Kong University Press, forthcoming). Taiwan and its internationally renowned cinema ar " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.