During the later years of the Venetian occupation of Crete (1211-1669) the island enjoyed the intellectual and cultural stimulus of the Renaissance. This bore fruit not only in the work of painters such as Dominikos Theotokopoulos, alias El Greco, but also in poetry, where Vitsentzos Kornaros composed the most important work of early modern Greek literature, Erotokritos. Written c. 1600, this romance takes over the theme of a minor French poem, Paris et Vienne of Pierre de la Cypède, and puts it in a Hellenic setting where knights, both Greek and foreign, come to joust in an imaginary pre-christian Athens. It is here presented for the first time in a complete English prose translation with a scholarly introduction and notes.

"Erotokritos is a verse romance written about 1600 in Cretan dialect by Vitsentzos Kornaros. Together with other poetic and dramatic works of the 16th and 17th centuries, it belongs to the Cretan-Renaissance period of Modern Greek literature and has had manifold influences on later writers."--Page 4 of cover.

During the later years of the Venetian occupation of Crete (1211-1669) the island enjoyed the intellectual and cultural stimulus of the Renaissance. This bore fruit not only in the work of painters such as Dominikos Theotokopoulos, alias El Greco, but also in poetry, where Vitsentzos Kornaros composed the most important work of early modern Greek literature, Erotokritos. Written c. 1600, this romance takes over the theme of a minor French poem, Paris et Vienne of Pierre de la Cypède, and puts it in a Hellenic setting where knights, both Greek and foreign, come to joust in an imaginary pre-christian Athens. It is here presented for the first time in a complete English prose translation with a scholarly introduction and notes.

Erotokritos is a romance composed by Vitsentzos Kornaros in early 17th century Crete. It consists of 10,012 fifteen-syllable rhymed verses, the last twelve of which refer to the poet himself. It is written in the Cretan dialect of the Greek language. Its central theme is love between Erotokritos (only referred to the work as Rotokritos or Rokritos) and Aretousa. Around this theme, revolve other themes such as honour, friendship, bravery and courage.

The Renaissance studiolo was a space devoted in theory to private reading. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors.

This book analyses aspects of the material culture of early modern Greece from an object-based perspective, using surviving artefacts from that period as primary sources. A printed book, a wine jug, an ecclesiastical embroidery, and a pocket watch are used as entry points to examine the consumer practices of the emerging Greek bourgeoisie under Ottoman rule in the long eighteenth century. The acquisition and usage of novel products – especially imported ones – by Greeks was connected to personal expression, identity building, and self-determination in the context of the Enlightenment. The enjoyment of innovative artefacts opened new horizons to them and facilitated their individual and collective empowerment. The originality of the book lies in its eclectic and interdisciplinary approach towards early modern Greek material culture, an under-researched topic. The study is embedded within contemporary discourses on transnational trade, the materiality of everyday life, pleasurable consumption, and the negotiation of identities. This volume will appeal to students and scholars of early modern and modern Greek history, Ottoman history, European history, material culture, history of technology, museum studies, and cultural heritage studies, as well as museum professionals, collectors, and the wider educated public.

This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media. The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit. Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.

Known by the Greeks as ‘Megalónisos,’ or the ‘Great Island,’ the island of Crete has a long and varied history. Steeped in historical and cultural heritage, Crete is the most visited of the Greek islands. It has also been of paramount strategic importance for thousands of years, thanks to its location close to the junction of three continents and at the heart of the eastern Mediterranean Sea. For much of its long history, the island has been ruled by foreign invaders. Under the rule of the Mycenaeans, Dorians, Romans, Byzantines, Arabs, Venetians, Ottoman Turks and, briefly, the Third Reich, Cretans, who are fierce lovers of freedom, have adapted to living with their conquerors and to the influence of foreign rule on their culture. In a dazzling contrast to these three thousand years of domination, we see two periods of the island’s independence: the vibrant apogee of the Minoan civilization and the brief period of autonomy before union with Greece at the beginning of the twentieth century. To guide us through this spectacular history, Chris Moorey, who has lived in Crete for over twenty years, provides an engaging and lively account of the island spanning from the Stone Age to the present day. A History of Crete steps in to fill a gap in scholarship on this fascinating island, providing the first complete history of Crete to be published for over twenty years, and the first ever that is written with a wide readership in mind.

Traces the history of the Greek language from the immediately postclassical or Hellenistic period to the present day. In particular, the historical roots of modern Greek internal bilingualism are traced. First published by Hutchinson in 1969, the work has been substantially revised and updated.

“His Words were Nourishment and his Counsel Food”: A Festschrift for David W. Holton brings together essays on Greek literature from medieval romances to postmodern fiction. It provides an illuminating first insight into the variety of Modern Greek literature for the general reader, while also catering to more specialised students and scholars with new research findings and close studies of individual texts. The editors and authors, all former doctoral students of Professor Holton at Cambridge, conceived this volume as a thanksgiving present to him on the occasion of his retirement and as a collection which reflects the high quality and significance of Modern Greek studies at the University of Cambridge. The essays explore themes ranging from the erotic gaze and nightingales to cannibalism and dictatorships. Individual contributions discuss the relationship of Greek works with French and Persian medieval romances, the Italian Renaissance and German expressionism, and the influence of Shakespeare on the best-known Modern Greek poet, C. P. Cavafy. Others explore the interrelation of architecture and literature in the Cretan Renaissance masterpiece Erotokritos, the influence of religious texts on Roidis’s Pope Joan, and the assimilation of Byzantium into Greek historiography by intellectuals of Greek Romanticism. On a more personal level, the reader will learn about the experiences of a British Victorian woman translator in 1880s Athens, and the friendship between George Seferis and Sir Steven Runciman. Cretan cities figure in three essays which investigate the literary and historical context of the long Ottoman siege of Chandax in the seventeenth century and issues of identity in the modern-day lives of Chania’s Greek and Turkish inhabitants. Shifting notions of identity are further explored in the contemporary Greek novels of an Albanian immigrant author. His Words were Nourishment demonstrates the remarkable capacity of Greek literature to thrive within the context of cultural exchange and shifting historical boundaries.