This groundbreaking work established Neo-Palladianism as the national style, overthrowing Baroque trends and anointing Inigo Jones as the British Vitruvius. Its 300 illustrations include facades, grounds, exteriors, and perspective views.

A consortium of British architects and their patrons rebelled against the early eighteenth century's Baroque excesses and turned instead toward the Renaissance works of Andrea Palladio for inspiration. These Neo-Palladians guided the course of British architecture toward classical principles, and the Vitruvius Britannicus (British Vitruvius) reflects their vision. A sumptuous collection of magnificent copperplate engravings, it depicts great English country houses and public buildings. Published between 1715 and 1725 in a three-folio set, the Vitruvius Britannicus documents in meticulous detail many of the buildings from the previous two centuries. Its 300 illustrations include facades, ground plans, exterior elevations, and perspective views. Featured buildings include those designed by Inigo Jones, the seventeenth-century architect who introduced Palladianism to England; the work of Sir John Vanbrugh, whose innovative Classical-Revival architecture retained a Baroque flair; and contemporary designs, including those of the author, Scottish architect Colen Campbell. The popularity of this volume fostered the development of the Neo-Palladian movement, and Vitruvius Britannicus continues to influence architects and designers. Handsome and modestly priced, this new edition is an essential complement to any design library.

The Baroque excesses of the early eighteenth century inspired a rebellion among a consortium of British architects and their patrons. Taking their cue from the Renaissance works of Andrea Palladio, these Neo-Palladians returned the direction of British architecture toward classical principles. The Vitruvius Britannicus (British Vitruvius) reflects their vision, offering magnificent copperplate engravings of great English country houses and public buildings. The sequel to Dover’s first edition of Vitruvius Britannicus, this volume comprises three folios, originally published between 1739 and 1771. More than one hundred plates depict facades, ground plans, exterior elevations, and perspective views of grand buildings, including royal palaces at Richmond, Kensington, and Hampton Court as well as country homes and gardens throughout England and Scotland. The Neo-Palladian works featured in this volume and its predecessor continue to influence architects and designers. Handsome and modestly priced, this new edition of an architectural classic is an essential complement to any design library.

This classic portfolio uses elevations, floor plans, and other line drawings by Scotland's first great classical architect to document the high Scottish style of the eighteenth century. It was assembled by William Adam (1689–1748), whose sons were the developers of the "Adam style," and published posthumously in 1812. The elder Adam designed, extended, and remodeled numerous country homes and undertook many public contracts. Vitruvius Scoticus's 160 plates include 100 of his own designs. Unlike the Vitruvius Britannicus books, this volume features plans for many smaller buildings that served as models for American builders and architects of the nineteenth century. Its engravings include images of such stately homes as Mavisbank House, Haddo House, and Fasque House; Hamilton Palace, one of the nation's grandest homes, and Holyrood Palace, the official residence of the monarch in Scotland; and a series of bridges at Inveraray in the county of Argyll. Never before available in an affordable edition, this volume is an essential reference for architectural historians and students. It includes an Introduction and Notes to the Plates by James Simpson.

This book charls the fascinating history of architectural theory from the Renaissance to the present day. Addressing its subject country by country and featuring over 850 illustrations, it offers a chronological overview of the most important architects and architectural theoreticians from Alberti to Koolhaas. Book jacket.

As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.

Gibbs's legendary 1728 folio includes perspectives and blueprints for such magnificent commissions as London's St. Martin in the Fields; the Senate House of the University of Cambridge; plus fine drawings of marble cisterns, iron gates, funeral monuments, and more.

Many homes across America have designs based on plans taken from pattern books or mail-order catalogs. In Houses from Books, Daniel D. Reiff traces the history of published plans and offers the first comprehensive survey of their influence on the structure and the style of American houses from 1738 to 1950. Houses from Books shows that architectural publications, from Palladio&’s I Quattro Libri to Aladdin's Readi-Cut Homes, played a decisive role in every aspect of American domestic building. Reiff discusses the people and the firms who produced the books as well as the ways in which builders and architects adapted the designs in communities throughout the country. His book also offers a wide-ranging analysis of the economic and social conditions shaping American building practices. As architectural publication developed and grew more sophisticated, it played an increasingly prominent part in the design and the construction of domestic buildings. In villages and small towns, which often did not have professional architects, the publications became basic resources for carpenters and builders at all levels of expertise. Through the use of published designs, they were able to choose among a variety of plans, styles, and individual motifs and engage in a fruitful dialogue with past and present architects. Houses from Books reconstructs this dialogue by examining the links between the published designs and the houses themselves. Reiff&’s book will be indispensable to architectural historians, architects, preservationists, and regional historians. Realtors and homeowners will also find it of great interest. A catalog at the end of the book can function as a guide for those attempting to locate a model and a date for a particular design. Houses from Books contains a wealth of photographs, many by the author, that enhance its importance as a history and guide.