Philosophers, anthropologists, political thinkers and artists take a closer look at what the idea of beauty can mean to their disciplines, in an effort to redefine what beauty is and what it means to the design practice and art. The book focuses on the question of how the age-old notion of beauty can regain an importance appropriate to the 21st century.

This is a unique, revolutionary and totally natural self-care programme developed to treat muscle based health problems and reduce the signs of ageing. The fully-illustrated handbook guides you through stretching and massage techniques to relax the facial, neck and shoulder muscles, with particular emphasis on the jaw, where tension is often held. The exercises address health issues such as teeth clenching and grinding, pain in the face, jaw, head or neck, and can even improve the effects of Bell's Palsy. They also achieve positive cosmetic results such as reduced facial lines and healthy glowing skin. The strengthening exercises will help to lift the facial features and prevent facial sagging. The impact of each exercise is clearly explained so you can concentrate on techniques to target your individual situation, needs and goals. This supportive guide will help anyone who wants to improve the wellbeing and appearance of the face and neck, and will also be of particular interest to those working in the fields of health and beauty.

Glenn Parsons and Allen Carlson offer an in-depth philosophical study of the relationship between function and aesthetic value, breaking with the philosophical tradition of seeing the two as separate. They begin by developing and defending, in a general way, the concept of Functional Beauty, exploring how the role of function in aesthetic appreciation has been treated by some notable thinkers in the history of aesthetics. They then consider the relationship to Functional Beauty of certain views in current aesthetic thought, especially what we call 'cognitively rich' approaches to the aesthetic appreciation of both art and nature. Turning to work on the nature of function in the philosophy of science, they argue that this line of enquiry can help solve certain philosophical problems that have been raised for the idea that knowledge of function plays an important role in aesthetic appreciation. Although philosophical discussions of aesthetic appreciation tend to focus largely and sometimes almost exclusively on artworks, the range of aesthetic appreciation is, of course, much larger. Not simply art, but also nature, architecture, and even more mundane, everyday things—cars, tools, clothing, furniture, and sports—are objects of frequent and enthusiastic aesthetic appreciation. Accordingly, in the second half of the book, Glen Parsons and Allen Carlson consider the place and importance of Functional Beauty in the aesthetic appreciation of a broad range of different kinds of things. The final chapters explore Functional Beauty in nature and the natural environment, in architecture and the built environment, in everyday artefacts, events, and activities, and finally in art and the artworld. In each case, Parsons and Carlson argue that Functional Beauty illuminates our aesthetic experiences and helps to address various theoretical issues raised by these different objects of appreciation.

Rethink conventional notions of beauty and wellness, abandon established regimes and commercial products, and embrace your “renegade” beauty In this essential full-color guide, Nadine Artemis introduces readers to the concept of "renegade" beauty—a practice of doing less and allowing the elements and the life force of nature to revive the body, skin, and soul so our natural radiance can shine through. Anyone stuck in perpetual loops of new products, facials, and dermatologist appointments will find answers as Artemis illuminates the energizing elements of sun, fresh air, water, the earth, and plants. This book is a comprehensive resource for anyone who wants to simplify their self-care routine, take their health into their own hands, and discover their own radiant beauty.

John Ruskin was the most influential art critic during the Victorian period. His five volume book Modern Painters was written in opposition against art critics who were opposed to the paintings of J.M.W. Turner. Ruskin was a collector of Turner's works and the two were friends. In his writings, Ruskin was a harsh critic towards classical art, and believe that the landscape paintings of Turner and others demonstrated a superior understanding of "truth."

Darwin’s concept of natural selection has been exhaustively studied, but his secondary evolutionary principle of sexual selection remains largely unexplored and misunderstood. Yet sexual selection was of great strategic importance to Darwin because it explained things that natural selection could not and offered a naturalistic, as opposed to divine, account of beauty and its perception. Only now, with Darwin and the Making of Sexual Selection, do we have a comprehensive and meticulously researched account of Darwin’s path to its formulation—one that shows the man, rather than the myth, and examines both the social and intellectual roots of Darwin’s theory. Drawing on the minutiae of his unpublished notes, annotations in his personal library, and his extensive correspondence, Evelleen Richards offers a richly detailed, multilayered history. Her fine-grained analysis comprehends the extraordinarily wide range of Darwin’s sources and disentangles the complexity of theory, practice, and analogy that went into the making of sexual selection. Richards deftly explores the narrative strands of this history and vividly brings to life the chief characters involved. A true milestone in the history of science, Darwin and the Making of Sexual Selection illuminates the social and cultural contingencies of the shaping of an important—if controversial—biological concept that is back in play in current evolutionary theory.