In Spanish and English. Includes bibliographical references.

La Vida Sacra: Contemporary Hispanic Sacramental Theology is an original, insightful approach to the sacraments from the perspective and actual practice of Latinos over the centuries. It offers a distinctive take on the actual belief and enculturation of the sacraments in the Latino experience and context. Due to the growing presence of Hispanics in this country, churches are looking for new and innovative ways to fit them into their congregations. The existence of Hispanics and, more importantly, the value of their religious experiences are being gradually accepted in theological societies. Eduardo Fernández and James Empereur's new book fills the need for a more comprehensive and richer context for sacramental theology. As the newest book in the Celebrating Faith Series, it is ideal for theology courses, as well as directors of ministerial programs and their students who are looking to place Hispanic sacramentality in the larger framework of sacramental theology.

Reprint of the original, first published in 1877.

"The Discoveries of America to the Year 1525" by Arthur James Weise is a historic gem in both the fields of American history and literature. It briefly touches on all the major discoveries made by explorers as they came to the new world. Though there are more updated books, this remains a loved reference.

Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.

A world list of books in the English language.