This chronological account takes you through the key events in the lives of Virginia and Leonard Woolf through a history of their home, Monk’s House in Sussex, where Virginia wrote most of her major novels. The story of this magical garden includes selected quotations from the writings of the Woolfs which reveal how important a role the garden played in their lives, as a source of both pleasure and inspiration. Bought by them in 1919 as a country retreat, Monk's House was somewhere they came to read, write and work in the garden. Virginia wrote first in a converted tool shed, and later in her purpose-built wooden writing lodge tucked into a corner of the orchard. Enriched with rare archive images and embroidered garden plans, the book takes the reader on a journey through the various garden ‘rooms’, (including the Italian Garden, the Fishpond Garden, the Millstone Terrace and the Walled Garden), each presented in the context of the lives of the Woolfs, with fascinating glimpses into their daily routines at Rodmell.

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

Place of publication from publisher's website.

This book looks at Virginia Woolf's various homes in Kensington, Richmond, and Bloomsbury, and her Sussex country retreats. It explains how the buildings and streets were far more to her than a home--London was a symbol of the vitality she attempted to put into her novels. This guidebook brings to life Woolf's city by tracing the footsteps of some of her characters, while giving a flesh and blood picture of her, impossible to find elsewhere. The book is illustrated with drawings of all Woolf's homes, and walking route maps.

A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. “Transcendent.”—The Washington Post • “You’d be hard put to find a more moving appreciation of Woolf’s work.”—The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived “This searching memoir pays homage to To the Lighthouse, while recounting the author’s fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth’s writing is evocative and incisive.”—The New Yorker “Like H Is for Hawk, Smyth’s book is a memoir that’s not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father’s vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh.”—Vogue “Deeply moving – part memoir, part literary criticism, part outpouring of longing and grief… This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art.”—The Times Literary Supplement “Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life.”—Time

This carefully crafted ebook: "A Haunted House and Other Short Stories (The Original Unabridged Posthumous Edition of 18 Short Stories)" is formatted for your eReader with a functional and detailed table of contents. A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf. It was produced by her husband Leonard Woolf after her death. The first six stories appeared in her only previous collection Monday or Tuesday in 1921: "A Haunted House" "Monday or Tuesday" "An Unwritten Novel" "The String Quartet" "Kew Gardens" "The Mark on the Wall" The next six appeared in magazines between 1922 and 1941 : "The New Dress" "The Shooting Party" "Lappin and Lappinova" "Solid Objects" "The Lady in the Looking-Glass" "The Duchess and the Jeweller" The final six were unpublished, although only "Moments of Being" and "The Searchlight" were finally revised by Virginia Woolf herself : "Moments of Being" "The Man who Loved his Kind" "The Searchlight" "The Legacy" "Together and Apart" "A Summing Up"

A “skillfully rendered and emotionally insightful” reimagining of the Bloomsbury group and Virginia Woolf’s last years (Publishers Weekly). In 1925, she began writing To the Lighthouse, an epic piece of prose that instantly became a beloved classic. In 1941, she walked into the River Ouse, never to be heard from again. What happened in between those two moments is a story to be told, one of insight and camaraderie, loneliness and loss—the story of a woman, named Adeline at birth, heading toward an inexorable demise. With poetic precision and psychological acuity, Norah Vincent paints an intimate portrait of what might have happened in those last years of Virginia Woolf’s life. From her friendships with the so-called Bloomsbury Group, which included the likes of T. S. Eliot, to her struggles with her husband, Leonard, Vincent explores the intimate conversations, tormented confessions, and internal struggles Woolf may have faced. Praised by USA Today as “daring” and by the New Statesman as “electrifyingly good,” Adeline takes a keen look at one of the most beloved, mourned, and mysterious literary giants of all time. “Vincent is a sensitive recorder of a mind’s movements as it shifts in and out of inspiration, and as it fights before submitting to despair.” —The New York Times Book Review “Skillfully rendered and emotionally insightful.” —Publishers Weekly

'The Germans were over this house last night and the night before that. Here they are again. It is a queer experience, lying in the dark and listening to the zoom of a hornet, which may at any moment sting you to death. It is a sound that interrupts cool and consecutive thinking about peace. Yet it is a sound - far more than prayers and anthems - that should compel one to think about peace. Unless we can think peace into existence we - not this one body in this one bed but millions of bodies yet to be born - will lie in the same darkness and hear the same death rattle overhead.' Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

As Nurse Lugton dozes, the animals on the patterned curtain she is sewing come alive.

Carlyle’s House and Other Sketches marks the first publication of one of Virginia Woolf’s very earliest notebooks. Recently unearthed from a collection of private papers, it contains a series of six striking and semi–autobiographical sketches, each transcribed and edited by Dr. David Bradshaw. From the cold formality of London town–houses with their rows of austere portraits, to the dull chaos of the academic’s abode, and the eccentric spinster’s Hampstead home, Virginia Woolf paints a series of portraits of everyday life, capturing character and setting in exquisite detail. Experimental in style, and heralding the later masterpieces Mrs Dalloway and To the Lighthouse, this early notebook is quintessential Woolf.