Behind every myth, fairy tale, and legend—hidden within the art, song, and structures of ancient times—is an encoded layer of wisdom, science, and truth passed down throughout history. This book will examine how information went “viral” long before the Internet, and served as the foundation for mythology, sacred architecture, and symbolic imagery throughout the ancient world. Viral Mythology reveals: How primitive and ancient cultures conveyed cutting-edge scientific knowledge in their origin stories and myths Why esoteric knowledge was hidden in symbols, art, and architecture during times of religious oppression and persecution How stories, songs, and art served to describe actual historical events Why diverse civilizations told the same stories and created the same art with common themes and symbols, despite no apparent communication From the great myths of the Greek, Roman, and Norse to the texts of the world’s major religions, from folklore and fairy tales of old to sacred edifices and monuments, from cave paintings to the mysterious symbology of the Tarot, Viral Mythology uncovers the information highway of the past, and explores how it affects the more modern methods of communication today. It all began once upon a time....

Yasmin's handy pull-out-and-keep Bulls*%t Detection Kit.

Renowned historian, Jeffrey Burton Russell, famous for his studies of medieval history, sets the record straight against the New Atheists and other cultural critics who charge Christianity with being outdated, destructive, superstitious, unenlightened, racist, colonialist, based on fabrication, and other significant false accusations.

The dictionary defines mythology as a collection of ancient tales handed down over millennia, mainly dealing with gods and goddesses, that explains the way the world works, from natural events to society at large. Many people think of the deities of Greece and Rome when they think of mythology, forgetting that almost every culture has its own set of myths to interpret and explain its distinct worldview, often showing striking and fascinating similarities to the classical myths most people are familiar with. The Complete Idiot's Guide to World Mythologyexplores the gods and goddesses, heroes and heroines, monsters and angels of the myths from every corner of the globe - the Americas, the Middle East and Africa, Asia, and more. Additionally, it explores the parallels between every culture, including Greece and Rome - striking similarities in mythic figures and the structure, action, wording, and result of the stories themselves.

Based on original reporting from West Africa and the United States, and the poet 's experiences as a doctor and journalist, If God Is A Virus charts the course of the largest and deadliest Ebola epidemic in history, telling the stories of Ebola survivors, outbreak responders, journalists and the virus itself. Documentary poems explore which human lives are valued, how editorial decisions are weighed, what role the aid industrial complex plays in crises, and how medical myths and rumor can travel faster than microbes. These poems also give voice to the virus. Eight percent of the human genome is inherited from viruses and the human placenta would not exist without a gene descended from a virus. If God Is A Virus reimagines viruses as givers of life and even authors of a viral-human self-help book.

Calling all fans of myths, action-adventure, and the Percy Jackson series - don't miss this first book in the Blackwell Pages trilogy from bestselling authors K.L. Armstrong and Melissa Marr. While thirteen-year-old Matt Thorsen has always known he's a modern-day descendent of Thor, he's been living a normal kid's life. In fact, most people in the small town of Blackwell, South Dakota, are direct descendants of either Thor or Loki, including Matt's classmates Fen and Laurie Brekke. No big deal. But now Ragnarok is coming, and it's up to the champions to fight in the place of the long-dead gods. Matt, Laurie, and Fen's lives will never be the same as they race to put together an unstoppable team, find Thor's hammer and shield, and prevent the end of the world. In their middle grade debut, bestselling authors K.L. Armstrong and Melissa Marr begin the epic Blackwell Pages series with this action-packed adventure, filled with larger-than-life legends, gripping battles, and an engaging cast of characters who bring the myths to life.

The most fatal virus known to science, rabies-a disease that spreads avidly from animals to humans-kills nearly one hundred percent of its victims once the infection takes root in the brain. In this critically acclaimed exploration, journalist Bill Wasik and veterinarian Monica Murphy chart four thousand years of the history, science, and cultural mythology of rabies. From Greek myths to zombie flicks, from the laboratory heroics of Louis Pasteur to the contemporary search for a lifesaving treatment, Rabid is a fresh and often wildly entertaining look at one of humankind's oldest and most fearsome foes. "A searing narrative." -The New York Times "In this keen and exceptionally well-written book, rife with surprises, narrative suspense and a steady flow of expansive insights, 'the world's most diabolical virus' conquers the unsuspecting reader's imaginative nervous system. . . . A smart, unsettling, and strangely stirring piece of work." -San Francisco Chronicle "Fascinating. . . . Wasik and Murphy chronicle more than two millennia of myths and discoveries about rabies and the animals that transmit it, including dogs, bats and raccoons." -The Wall Street Journal

This clear, lively, and systematic presentation examines the scientific evidence for evolution and reaches for the widest possible audience—from scientific minds to those with no science background at all. Forcefully rejecting creationist objections to evolution and including a critique of Intelligent Design, it argues that they are part of a larger social agenda. With discussion that celebrates the fascination to be found in studying the diversity and complexity of life, this examination suggests with some urgency that the science of evolution is crucial to the existence of science itself.

This book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy. This volume investigates three case studies of how leading East Berlin stages excavated fragmentary materials from Weimar dramatist Bertolt Brecht’s oeuvre and repurposed them for their post‐fascist society: Uta Birnbaum’s 1967 Man Equals Man at the Berliner Ensemble, Joachim Herz’s 1977 Rise and Fall of the City of Mahagonny at the Komische Oper, and Heiner Muller’s own productions of his trailblazing plays. In each instance, reused theatrical artifacts dialectically expressed the contradictions inherent in East German political legitimacy, at once amplifying and critiquing it. Illuminated by original archival research and translations of letters and artistic ephemera published in English for the first time, and engaging with alternative East German feminist epistemologies, this book’s critical investigation of culture and political legitimacy in the shadow of Germany’s fascist past resonates beyond the Iron Curtain into the twenty‐first century. Its final chapter examines how performative artifacts influence the process of political legitimation in more recent history, ranging from Checkpoint Charlie tourism to the January 6, 2021 US insurrection. This study will be of great interest to students and scholars in theater and performance studies, art history, musicology, German studies, anthropology, and political science.