From diggers and weeders, to artists and colourists, writers and dreamers to trend-setters, plantswomen to landscape designers, women have contributed to the world of gardening and gardens. Here Deborah Kellaway, author of The Making of an English Country Garden and Favourite Flowers , has collected extracts from the 18th century to the present day, to create a book that is replete with anecdotes and good-humoured advice. Colette, Margery Fish, Germaine Greer, Eleanor Sinclair Rohde, Vita Sackville-West, Rosemary Verey, Edith Wharton and Dorothy Wordsworth are some of the writers represented in this book.

Deborah Kellaway's meticulously edited collection of garden writing is at once a literary delight, a visual pleasure and an inspiring and practical companion full of good-humoured advice. The expertise, toil and creativity of women gardeners throughout the last century is celebrated in this comprehensive anthology, featuring outstanding horticultural writing and illustrated throughout by colour photographs and paintings of the gardens and gardeners. From diggers and weeders to plantswomen and landscape designers, this delightful book is now available in a new paperback edition and is an invaluable reference for all gardeners - from the truly green-fingered to those of the armchair variety.

From Flora, Roman goddess of plants, to today's gardeners at Kew, women have always gardened. Women gardeners have grown vegetables for their kitchens and herbs for their medicine cupboards. They have been footnotes in the horticultural annals for specimens collected abroad. They taught young women about gardening twenty-five years before women's horticultural schools officially existed. And their influence on the style of our gardens, frequently unacknowledged, survives to the present day. From these triumphs to the battles fought against male-dominated institutions, from the horticultural pioneers to the bringers of change in society's attitudes, this book is a celebration of the best of the species -- gardening women.

From diggers and weeders, to artists and colourists, writers and dreamers to trend-setters, plantswomen to landscape designers, women have contributed to the world of gardening and gardens. Here Deborah Kellaway, author of The Making of an English Country Garden and Favourite Flowers, has collected extracts from the 18th century to the present day, to create a book that is replete with anecdotes and good-humoured advice.

'Mr. Skeffington' is a drama genre novel written by Elizabeth von Arnim. The story revolves around a spoiled woman named Fanny Trellis, who is a renowned beauty with many suitors. She loves her brother Trippy and would do anything to help him. Fanny learns that Trippy has embezzled money from his employer Job Skeffington. To save her brother from prosecution, Fanny pursues and marries the lovestruck Skeffington. Disgusted by the arrangement, in part because of his prejudice against Skeffington being Jewish, Trippy leaves home to fight in the Lafayette Escadrille in World War I.

First in a trilogy, Merry Hall is the account of the restoration of a house and garden in post-war England. Though Mr. Nichols's horticultural undertaking is serious, his writing is high-spirited, riotously funny, and, at times, deliciously malicious.

Irreverently funny and surprisingly moving, All Passion Spent is the story of a woman who discovers who she is just before it is too late. After the death of elder statesman Lord Slane—a former prime minister of Great Britain and viceroy of India—everyone assumes that his eighty-eight-year-old widow will slowly fade away in her grief, remaining as proper, decorative, and dutiful as she has been her entire married life. But the deceptively gentle Lady Slane has other ideas. First she defies the patronizing meddling of her children and escapes to a rented house in Hampstead. There, to her offspring’s utter amazement, she revels in her new freedom, recalls her youthful ambitions, and gathers some very unsuitable companions—who reveal to her just how much she had sacrificed under the pressure of others’ expectations.