"I'm the Idea Girl, the one who can always think of something to do." Angel Eastland knows she's different. It's not just her violet eyes that set her apart. She's smarter than her classmates and more athletically gifted. Her only real competition is Michael Vallant, who also has violet eyes -- eyes that tell her they're connected, in a way she can't figure out. Michael understands Angel. He knows her dreams, her nightmares, and her most secret fears. Together they begin to realize that nothing around them is what it seems. Someone is watching them, night and day. They have just one desperate chance to escape, one chance to find their true destiny, but their enemies are powerful -- and will do anything to stop them.

“A fast, smart novel, brighter than a meteor and twice as scary. Stephen Woodworth provides shocks and thoughts in equal measure, and climbs right to the top!”—Greg Bear In a world where the dead can testify against the living, someone is getting away with murder. Because to every generation are born a select few souls with violet-colored eyes, and the ability to channel the dead. Both rare and precious—and rigidly controlled by a society that craves their services—these Violets perform a number of different duties. The most fortunate increase the world's cultural heritage by channeling the still-creative spirits of famous dead artists and musicians. The least fortunate aid the police and the law courts, catching criminals by interviewing the deceased victims of violent crime. But now the Violets themselves have become the target of a brutal serial murderer—a murderer who had learned how to mask his or her identity even from the victims. Can the FBI, aided by a Violet so scared of death that she is afraid to live, uncover the criminal in time? Or must more of her race be dispatched to the realm that has haunted them all since childhood? Praise for Through Violet Eyes “Chilling . . . shades of Minority Report and The Eyes of Laura Mars . . . tantalizing puzzle rife with red herrings, one made all the more entertaining by brisk pacing and strong internal logic.”—Publishers Weekly a“Wow . . . one cool idea and Stephen Woodworth makes it work like fine oiled machinery. Full of energy and suspense, Through Violet Eyes is a great and original first novel. I look forward to his next.”—Joe R. Lansdale “An eerie and compelling page-turner that maps the terra incognita between the living and the dead, loss and redemption, desire and grief, at the same time exploring what it means to be human in a frightening otherworld that too closely evokes our own reality.”—Elizabeth Hand

THEIR BITES ARE MORE THAN DEADLY... The small town near the Everglades was supposed to offer Rachel and her son a fresh start. Instead it offered the start of a nightmare, when an unknown breed of flies migrated through the area, leaving painful bites in their wake. The media warned people to stay inside until the swarm passed. But the flies didn't leave. And then the radios and TVs went silent. That's when the spiders came. Spiders that could spin a deadly web large enough to engulf an entire house overnight. Spiders that left stripped bones behind as they multiplied. Spiders that, like the flies, sought hungrily for tender flesh...through Violet Eyes.

Originally published by G.P. Putnam's Sons, 2015.

Angel had no memory of the secret message, but the writing was hers. It read, "Violet eyes lie." SILVER EYES In a world where humans work on Mars and loyalty is controlled by a brain chip, eighteen-year-old Angel Eastland can't retrieve her memory. Violet-eyed from the effects of a genetic experiment, she is hired as an investigator by the SilverDollar Mining Company. When she captures an nineteen-year-old fugitive named Michael Vallant, Angel senses an intimate connection with him -- one that disturbs her, especially when they kiss. Angel's chip and her silver-eyed boss, Anaximander, one of the Augmented, tell her that Mike is a threat and must go through Loyalty Induction. But more secret messages compel Angel to resist and to help Mike. As Spacer terrorists from Mars attack SilverDollar, Angel and Mike race to Þnd out who's really behind the unrest. Against an evil enemy who will kill to win, Angel has one chance to Þnd her memory -- and to save her life.

Seventeen-year-old Violet is amazed when a storm brings the dashing Prince Richard to her impoverished family’s farm. The two fall in love at first sight, but although Richard has given his heart to Violet, his parents will only let him marry a princess of their choosing, a lady of the highest nobility and sensitivity. Now on a quest to be reunited with her true love, Violet must rely on her wits—and a little help from an unexpected source—to compete with princesses, pass the king and queen’s tests, and prove herself worthy of being Richard’s bride.

Natalie Lindstrom has a gift: the power to speak to the dead, to solve crimes by interviewing murder victims. But now Natalie wants to escape. Escape from the voices that fill her head. Escape from the organization that has used her as a crime-solving tool…and now wants to recruit her daughter. So Natalie takes a job as far from crime and punishment as she can get: with an archaeologist in the mountains of Peru. Her job: to find a trove of priceless artifacts–by channeling those who lived and died at an ancient Incan site. But in the towering Andes, Natalie enters a 500-year-old storm of betrayal, murder, greed, and rage–and she cannot silence the voices of the dead. The slaughtered reach out to her. The slaughterers boast of their crimes. Alone, cut off from her family, Natalie faces a chilling realization: every truth she uncovers is leading her one step closer to a terror beyond imagining.

Natalie Lindstrom was once one of an elite group of investigators with the power to interview the dead victims of violent crime. But now Natalie has had enough. Enough of the violence. Enough of the darkness that has already gotten too close to her five-year-old daughter. Yet as she tries to build a new life and protect her child from the world she has left, Natalie still knows injustice when she sees it. And she knows that in a high-profile California trial, a young man is getting away with murder. The case against Prescott Hyland Jr. is airtight–until a corrupt Violet delivers devastating testimony against another man. Now Natalie is being drawn back into her former career and a danger far worse than she can imagine. For while one killer is being tried in a courtroom, another has gone horribly free: to unleash a storm of vengeance–aimed straight for the heart of Natalie’s new life. Because, in the world of the Violets, sometimes your past can literally come back to haunt you. . . .

The Washington advent of Senator and Mrs. Elizabeth Taylor, the latest coming of Ted Kennedy, and the defection of Secretary of Symbolism Duane Delacourt to the high-ozone camp of Jerry Brown are chronicled in Trudeau's cartoons.

Movie stars establish themselves as brands--and Taylor's brand , in its most memorable outings, has repeatedly introduced a broad audience to feminist ideas. In her breakout film, "National Velvet" (1944), Taylor's character challenges gender discrimination,: Forbidden as a girl to ride her beloved horse in an important race, she poses as a male jockey. Her next milestone, "A Place in the Sun" (1951), can be seen as an abortion rights movie--a cautionary tale from a time before women had ready access to birth control. In "Butterfield 8" (1960), for which she won an Oscar, Taylor isn't censured because she's a prostitute, but because she chooses the men: she controls her sexuality, a core tenet of the third-wave feminism that emerged in the 1990s. Even "Who's Afraid of Virginia Woolf?" (1966) depicts the anguish that befalls a woman when the only way she can express herself is through her husband's stalled career and children. The legendary actress has lived her life defiantly in public--undermining post-war reactionary sex roles, helping directors thwart the Hollywood Production Code, which censored film content between 1934 and 1967. Defying death threats she spearheaded fundraising for AIDS research in the first years of the epidemic, and has championed the rights of people to love whom they love, regardless of gender. Yet her powerful feminist impact has been hidden in plain sight. Drawing on unpublished letters and scripts as well as interviews with Kate Burton, Gore Vidal, Austin Pendleton, Kevin McCarthy, Liz Smith, and others, The Accidental Feminist will surprise Taylor and film fans with its originality and will add a startling dimension to the star's enduring mystique.