The year 1900, fin de siecle, in Europe evokes polar thoughts: on the one hand, sensational slashers and femmes fatales, destitute and dangerous new urban districts, criminal violence and sexual excess; on the other, science and reason triumphant, a near arrogant confidence in progress, the emergence of new expert knowledge. The tensions between these poles take on the character of a single myth, a story of origins, essences, and destinies that Scott Spector tells through a focus on Vienna and Berlin. Together, these two cities stand for the New Metropolis, crucial sites in the development of modern conceptions of gender and sexuality, also of political emancipation movements these conceptions inspired. Vienna and Berlin witnessed the birth of the science of sexology, the earliest articulations of homosexuality as an identity, the concomitant movement to abolish persecution of sexual minorities, and the first-wave feminisms of the turn of the century. These cities also, and simultaneously became host to fantasies of violence associated with liminal figures: the pervasive image of the dangerous and erotic femme fatale, reports and fictions of sexual murder, along with the violent underworld of prostitution, and the surprising and forceful reemergence of the blood libel, representations of homosexual rings or secret associations. Spector shows how these prurient fantasies were given life in high culture (literature and philosophy), science (especially sexology, urban sociology, and criminology), and popular culture (including pulp novels as well as sensational court cases reported in the popular press). Among the characters populating Spector s account are Karl Heinrich Ulrichs (homosexual emancipation leader), Karl Kraus (playwright, poet, satirist), Otto Weininger (misogynist, anti-Semitic medical philosopher), Robert Musil (master novelist of violent fantasy), Rosa Mayreder, and other feminists, and Georg Simmel (sociologist of the city). As a contribution to modernist studies and European cultural history, Spector s book will win awards, and as a contribution to the history of sexuality, criminology, psychology, and ideas, it will find classroom use eventually. It s pathbreaking, and it s great reading."

American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.

Widespread media narratives portray an epidemic of neighborhood violence in urban areas—often ignoring the structural explanations advanced by community organizers fighting violence and activists such as those in the Movement for Black Lives. In this book, Dexter R. Voisin provides a compelling and social-justice-oriented analysis of current trends in neighborhood violence in light of the historical and structural factors that have reproduced entrenched patterns of racial and economic inequality. America the Beautiful and Violent is built around the powerful voices and insights of black youth in Chicago and their parents and communities. Voisin interweaves their narratives with data, research findings, and historical accounts that provide context for their experiences. He highlights the broad historical, political, economic, and racial factors that shape the construction, concentration, and narratives of violence in black neighborhoods. Voisin explores these forces and the violence they produce; the behavioral health consequences of repeated exposures to neighborhood violence; and the ways youth, families, and communities cope with such traumas. America the Beautiful and Violent offers a set of practice and policy recommendations to address the patchwork inequality that leads to concentrated violence and to support children and adolescents struggling with the precarious conditions and threat of violence in their daily lives.

A scientific treatment should not diminish, but increase the general interest taken in character. To bring together the various aspects of the subject, which, in literature, are treated in isolation from one another; to lead up to a general conception of it; to study the methods by which the knowledge of it may be increased in accuracy and extent; these are to make approaches to a scientific treatment of character. While I have had chiefly to confine myself to a study of the tendencies of the emotions and sentiments, this has been, throughout, my aim. This book, then, is a study of method. Yet I do not claim that this method is essentially new. It is in the main the hypothetical method of the sciences; it has had to be adapted to the treatment of character: that is all. A complete science of mind would include a science of character. The best approach to such a science is through the study of the primary emotions and their connected instincts. This study is to be directed to an analysis of tendencies. (PsycINFO Database Record (c) 2005 APA, all rights reserved).