In 1946, Viola Desmond was wrongfully arrested for sitting in a whites-only section of a movie theatre in New Glasgow, Nova Scotia. In 2010, the Nova Scotia Government recognized this gross miscarriage of justice and posthumously granted her a free pardon. Most Canadians are aware of Rosa Parks, who refused to give up her seat on a racially segregated bus in Alabama, but Viola Desmond’s act of resistance occurred nine years earlier. However, many Canadians are still unaware of Desmond’s story or that racial segregation existed throughout many parts of Canada during most of the twentieth century. On the subject of race, Canadians seem to exhibit a form of collective amnesia. Viola Desmond’s Canada is a groundbreaking book that provides a concise overview of the narrative of the Black experience in Canada. Reynolds traces this narrative from slavery under French and British rule in the eighteenth century to the practice of racial segregation and the fight for racial equality in the twentieth century. Included are personal recollections by Wanda Robson, Viola Desmond’s youngest sister, together with important but previously unpublished documents and other primary sources in the history of Blacks in Canada. NEW: Teaching Guide Available Here

Meet Viola Desmond, community leader and early civil rights trailblazer! On the night of November 8th 1946, Nova Scotia businesswoman Viola Desmond stood up for her right to be in the "unofficial" whites-only section of a New Glasgow movie theatre . . . and was arrested for it. Supported by the Nova Scotia Association for the Advancement of Coloured People (NSCAACP) and the black-owned newspaper The Clarion, Viola took her quest for the right to freedom from discrimination to the courts. While she ultimately did not succeed, she was a beacon to other early civil-rights activists. Her sister Wanda worked hard to promote Viola's legacy, which has been finally honoured by Viola's inclusion on the new Canadian $10 bill. This new picture book biography series features simple text and full-colour, comic-flavoured illustration with speech balloons that help bring the story alive. Historical photos and a timeline support the narrative.

Many Canadians know that Viola Desmond is the first Black, non-royal woman to be featured on Canadian currency. But fewer know the details of Viola Desmond’s life and legacy. In 1946, Desmond was arrested for refusing to give up her seat in a whites-only section of a movie theatre in New Glasgow, Nova Scotia. Her singular act of courage was a catalyst in the struggle for racial equality that eventually ended segregation in Nova Scotia. Authors Graham Reynolds and Wanda Robson (Viola’s sister) look beyond the theatre incident and provide new insights into her life. They detail not only her act of courage in resisting the practice of racial segregation in Canada, but also her extraordinary achievement as a pioneer African Canadian businesswoman. In spite of the widespread racial barriers that existed in Canada during most of the twentieth century, Viola Desmond became the pre-eminent Black beauty culturist in Canada, establishing the first Black beauty studio in Halifax and the Desmond School of Beauty Culture. She also created her own line of beauty products. Accessible, concise and timely, this book tells the incredible, important story of Viola Desmond, considered by many to be Canada’s Rosa Parks.

Tells the story of Viola Desmond, an African Canadian woman who, in 1946, challenged a Nova Scotia movie theater's segregation policy by refusing to move from her seat to an upstairs section designated for use by blacks.

In Sister to Courage, Wanda takes us inside the world she shared with Viola and ten other brothers and sisters. Through touching and often hilarious stories, she traces the roots of courage and ambition, good fun and dignity, of the household that produced Viola Desmond. Tough and compassionate, Viola shines through beyond the moment she was carried out of Roseland movie theatre for refusing to sit I the blacks-only section. Viola emerges as a defender of family and a successful entrepreneur whose momentum was blocked by racism. With honesty and wit, Wanda Robson tells her own brave story, giving new life to two remarkable women and the family she loved.

Thomas Wynne (d.1692), a Welsh Quaker, married twice and emigrated from Wales (via England) to Philadelphia in 1682. Descendants and relatives lived in Pennsylvania, Ohio, Indiana, Illinois and elsewhere. Includes many ancestors in Wales, Ireland and Europe.

Trans-Allegheny Pioneers is, without a doubt, one of the most celebrated accounts of life on the Virginia frontier ever written. The author's focal point is the region of the New River-Kanawha in present-day Montgomery and Pulaski counties, Virginia. This is essential reading for anyone interested in frontier history or the genealogies of mid-18th century families who resided in the Valley of Virginia.

In the mid 1960s the city of Halifax decided to relocate the inhabitants of Africville--a black community that had been transformed by civil neglect, mismanagement, and poor planning into one of the worst city slums in Canadian history. Africville is a sociological account of the relocation that reveals how lack of resources and inadequate planning led to devastating consequences for Africville relocatees. Africville is a work of painstaking scholarship that reveals in detail the social injustice that marked both the life and the death of the community. It became a classic work in Canadian sociology after its original publication in 1974. The third edition contains new material that enriches the original analysis, updates the account, and highlights the continuing importance of Africville to black consciousness in Nova Scotia.

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Controlled Damage explores the life of Canadian civil rights icon Viola Desmond and how her act of bravery in a Nova Scotia movie theatre in 1946 started a ripple effect that is still felt today. An ordinary woman forced to be extraordinary by an unyielding and racist world, Desmond never gave up -- despite the personal cost to her and those who loved her. Andrea Scott's highly theatrical examination of Desmond and her legacy traces the impact that she had on our culture, but also casts light on the slow progress of the fight for social justice and civil rights in Canada.