On the works of Vinayak Krishna Gokak, b. 1909, Kannada author.

Poem on Indian civilization, with reference to the coalescence of Aryan and Dravidian traditions.

This Is The First Comprehensive Anthology Of English Verse Written By Indians, Compiled And Edited By One Who Himself Was A Poet And A Critic Of Distinction. Such A Volume Is Of Considerable Historical Value And Contemporary Interest, For English Has Been For More Than 150 Years, And Continues To Be, A Vehicle Of Creative Expression For Many Of Our Poets And Writers. The Anthology Includes Selections From 108 Poets From Derozio And Toru Dutt Of The Last Century To A.K. Ramanujan And Kamala Das Of The Recent Times.

In this biographical study, Antonio Rigopoulos explores the fundamental role of a hagiographer within a charismatic religious movement: in this case, the postsectarian, cosmopolitan community of the Indian guru Sathya Sai Baba. The guru's hagiographer, Narayan Kasturi, was already a distinguished litterateur by the time he first met Sathya Sai Baba in 1948. The two lived together at the guru's hermitage more or less continuously from 1954 up until Kasturi's death, in 1987. Despite Kasturi's influential hagiography, Sathyam Sivam Sundaram, little scholarly attention has been paid to the hagiographer himself and his importance to the movement. In detailing Kasturi's relationship to Sathya Sai Baba, Rigopoulos emphasizes that the hagiographer's work was not subordinate to the guru's definition of himself. Rather, his discourses with the holy man had a reciprocal and reinforcing influence, resulting in the construction of a unified canon. Furthermore, Kasturi's ability to perform a variety of functions as a hagiographer successfully mediated the relationship between the guru and his followers. Drawing on years of research on the movement as well as interviews with Kasturi himself, this book deepens our understanding of this important pan-Indian figure and his charismatic religious movement.

Includes entries for maps and atlases.

The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, bio­graphy, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publish­ing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

Coleridge'S Transcendentalism Has Been A Stumbling Block In The Way Of His Admirers As Well As Students Of His Poetry And Criticism. Readers Are In Love With His Subtle-Souled Psychology In Poetry And Delicate Imagery. They Also Admire His Brilliant And Perceptive Criticism Seen In His Remarks On The Genius Of Shakespeare Or The Poetic Diction Of Wordsworth. But The Philosophical And Psychological Assumptions That Underlie His Criticism, Especially With Regard To The Origin And Composition Of Poetry, Baffle And Intrigue His Readers. Several Efforts Have Been Made To Elucidate Them But Without Much Success. Professor Gokak, A Well Known Poet And Perceptive Critic And A Celebrated Professor Of English Language And Literature, Has, In These Pages, Brought To Bear On Coleridge S Aesthetics, Not Only His Poetic Sensibility And Critical Acumen And Scholarship, But Also His Indian Cultural Background And His Study Of Indian Aesthetics. The Result Is That He Is Able To Present A Fascinating Exposition Of Coleridge S Aesthetic Principles: What Seemed To Be Utter Confusion Mixed Up With Opium Dreams, Is Now Seen To Be A Profound Psychological Account Of The Genesis And Evolution Of Poetry. Professor Gokak Has Succeeded In Lighting Up Most Of The Obscure Corners In Coleridge S Theory.