An exhilarating page-turner set in 1920s Vancouver post prohibition, when liquor was the fuel driving big business, big government—and major crime. In this spellbinding follow-up to his mystery The White Angel, John MacLachlan Gray captures the spirit of Vancouver in those gritty, gin-soaked days, as the city was remaking itself between wars. Alcohol is once again legal in Vancouver after the failed experiment of prohibition, but pro-temperance sentiments remain strong. Politicians like Attorney-General Gordon Cunning attempt appeasement by establishing the Liquor Control Board, which oversees supply, from the lofty circles of power down to bleak public drinking factories called “beer parlours.” But when Cunning is found deceased, an empty martini glass at his side, quickly followed by Mrs. Harlan Crombie, the wife of a prominent bureaucrat, who falls dead after an afternoon book club meeting, suspicions are raised. Is it pure coincidence that the deceased were both drinking the same brand of “tonic”? Or is it a spillover from American prohibition, where deliberately tainted booze is killing thousands? Fans of The White Angel will be delighted by the return of straight-shooting constable Calvin Hook, frustrated poet-cum-reporter Ed McCurdy and unpredictable, eavesdropping telephone operator Mildred Wickstram, as they pool their skills in order to get to the truth. The result is a clash between temperance activists, the Klu Klux Klan, the Liquor Control Board and global events on the mean streets of Vancouver—a rough little city on the edge of empire.

Identifies specific demons, spirits, strongholds, and other elements of darkness, and offers biblical teachings and strategies for defeating them and achieving self-deliverance.

In The Enemy of an Enemy, darkness came to the Empire, and magic was born from the bowels of men's fears. The great and mighty Imperial Navy had to face and overcome unspeakable horrors. In The Academy, fledgling wizards were gathered and trained to fight back and keep the light, while the darkness laid in wait, biding its time and silently gathering its forces. Now as warriors of light, those wizards must begin to make a stand against the rising tide of darkness or watch their realm be overcome! Shadow must build and train a team of wizards to venture out of the safety of their fortress to discover the source of the strength behind the powerful pirate forces that have taken control of the majority of space around Alpha Academy. This quest will put them on the road to discover a dark truth about their realm's past that none had ever even imagined.

The legendary Pluto had mysteriously fallen. The direct son of Pluto, Yan Ming, possessed the orthodox bloodline of Pluto, but was trapped in the Nine Hells Abyss by his younger brother. What they didn't know was that Xiao Zhu, who had the innate Netherworld Ghost Body, had the good fortune to obtain the Obsidian Stone, and Yan Ming, who was hiding in the Obsidian Stone, was her chosen one ...

An exploration of the wild spirits that once roamed the lands and inhabited the waters and the pagan rites used to gain their good will • Explores medieval stories and folk traditions of brownies, fairies, giants, dragons, will-o’-the-wisps, and demons • Explains the specific rites performed to negotiate with the local spirits and ensure their permission before building on new land • Shows how these beliefs carried through to modern times, especially in architecture Our pagan ancestors knew that every forest has brownies and fairies, every spring its lady, and every river malevolent beings in its depths. They told tales of giants in the hills, dragons in the lakes, marshes swarming with will-o’-the-wisps, and demons and wild folk in the mountains who enjoyed causing landslides, avalanches, and floods. They both feared and respected these entities, knowing the importance of appeasing them for safe travel and a prosperous homestead. Exploring medieval stories, folk traditions, spiritual place names, and pagan rituals of home building and site selection, Claude Lecouteux reveals the multitude of spirits and entities that once inhabited the land before modern civilization repressed them into desert solitude, impenetrable forests, and inaccessible mountains. He explains how, to our ancestors, enclosing a space was a sacred act. Specific rites had to be performed to negotiate with the local spirits and ensure proper placement and protection of a new building. These land spirits often became the household spirit, taking up residence in a new building in exchange for permission to build on their territory. Lecouteux explores Arthurian legends, folk tales, and mythology for evidence of the untamed spirits of the wilderness, such as giants, dragons, and demons, and examines the rites and ceremonies used to gain their good will. Lecouteux reveals how, despite outright Church suppression, belief in these spirits carried through to modern times and was a primary influence on architecture, an influence still visible in today’s buildings. The author also shows how our ancestors’ concern for respecting nature is increasingly relevant in today’s world.

-A ""system agnostic"" fantasy word played and refined since its creation in 1990. Run it using any fantasy or generic/universal RPG rules. We also have tailored rules available. -Intended to overlay your favourite adventures and gazetteers. Strinrath provides the depth needed for immersive play to fully simulate strong personas in a rich milieu. -Distinctive without being so exotic players struggle with it. Cultures are loosely based on the Saxons, Picts, Slavs, Assyrians, Celts and Norse updated to a Viking Age feel. -The mythology of the world has ongoing relevance and internal consistency that is the wellspring from which the workings of gods and heroes arise. Gods are idiosyncratic. -A world of floating islands provides total flexibility. Cultural regions have a consistent tone. -A strong context explains how why heroes are intrinsic to everything. Heroes become larger than life as they become legendary and transform the world. -Flexible magic with strong internal logic expands possibilities.

Jeremiah Burroughs (1599-1646), was a brilliant Reformed preacher of the Gospel, and an astute theologian. He ministered with pastoral sensitivity and a zealous desire to glorify God in his preaching and writing. This amazing study by Jeremiah Burroughs is set on Isaiah 47:4, “THE LORD OF HOSTS is his Name.” It was initially preached as a result of the impending civil war in England, but has much to teach Christians concerning God as a God of war, and the church as the church militant. His purpose is to point Christians to this, “name of God,” and to sanctify this name in our hearts, in such times of reformation when there is much opposition to reforming the church and living a godly life. He shows that God is a God of War, that he orders war in his providence, that he will use it for his glory and that it will show forth his name as glorious. In a spiritual manner, and a practical one, Burroughs also demonstrates that God raises up all his children to be soldiers under Christ’s military discipline. Such warriors under Christ look to be humble and contrite in spirit, will not be a slave to the devil, or any of his own lusts or the lusts of other men. Such a resoluteness of spirit manifests itself in dangerous times, in a readiness to join with the brethren of the church in difficult services, in which there is much trouble while they live in this world. They have a spirit which is befitting this great Captain, and aims at pleasing God in all their works. One might think, initially, “Why study the God of war?” Since God is the LORD OF HOSTS, which is no small theme throughout the Bible, and is the very substance of triumph and victory in the covenant of God, through Christ, in the power of the Spirit, then such thoughts should raise our minds to give glory to the LORD OF HOSTS, the God of war, as the majestic warrior King. This work is not a scan or facsimile, and has been updated in modern English for easy reading. It also has an active table of contents for electronic versions.