Contains two leaflets for the Vigilant Society for the Investigation of Public and Private Institutions, Prevention of Cruelty to Women and Children, Suppression of Vice and Enforcement of Law and Order, asking people to bring to their attention any wrong doing and a statement of demands on "houses of ill-fame."

In this companion work to Peace Weavers, her award-winning first book on Puget Sound’s cross-cultural marriages, author Candace Wellman depicts the lives of four additional intermarried indigenous women who influenced mid-1800s settlement in the Bellingham Bay area. She describes each wife’s native culture, details ancestral history and traits for both spouses, and traces descendants’ destinies, highlighting the families’ contributions to new communities. Jenny Wynn was the daughter of an elite Lummi and his Songhees wife, and was a strong voice for justice for her people. She and her husband Thomas owned a farm and donated land and a cabin for the second rural school. Several descendants became teachers. Snoqualmie Elizabeth Patterson, daughter of the most powerful native leader in western Washington, married a cattleman. After her death from tuberculosis, kind foster parents raised her daughters, who ultimately grew up to enhance Lynden’s literary and business growth. Resilient and strong, Mary Allen was the daughter of an Nlaka’pamux leader on British Columbia’s Fraser River. The village of Marietta arose from her long marriage. Later, her sons played important roles in southeast Alaska’s early fishing industry. The indigenous wife of Fort Bellingham commander George W. Pickett (later a brigadier general in the Civil War) left no name to history after her early death, but gifted the West with one of its most important early artists, James Tilton Pickett. Interwoven Lives was a finalist for the 2020 Willa Literary Award, scholarly nonfiction.

A new look at how the issues of concern in the public sphere were influenced by journalism and political organizing in American cities in the second half of the 19th century.

Genealogists and other historical researchers have valued the first two editions of this work, often referred to as the genealogist's bible."" The new edition continues that tradition. Intended as a handbook and a guide to selecting, locating, and using appropriate primary and secondary resources, The Source also functions as an instructional tool for novice genealogists and a refresher course for experienced researchers. More than 30 experts in this field--genealogists, historians, librarians, and archivists--prepared the 20 signed chapters, which are well written, easy to read, and include many helpful hints for getting the most out of whatever information is acquired. Each chapter ends with an extensive bibliography and is further enriched by tables, black-and-white illustrations, and examples of documents. Eight appendixes include the expected contact information for groups and institutions that persons studying genealogy and history need to find. ""

Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbanization. Images themselves were inextricably associated with these world-changing forces; they were commodities, but as representations of people, they also possessed special cultural qualities that gave them new meaning and significance. Visual media transcended traditional boundaries of language and culture that divided diverse groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader cultural transformations in the commodification, implementation, and popularity of images. For the city's inhabitants and sojourners, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.

Bloody Bay recounts the gritty history of law enforcement in San Francisco. Beginning just before the California gold rush and through the six decades leading up to the twentieth century, a culture of popular justice and grassroots community peacekeeping was fostered. This policing environment was forged in the hinterland mining camps of the 1840s, molded in the 1851 and 1856 civilian vigilante policing movements, refined in the 1877 joint police and civilian Committee of Safety, and perfected by the Chinatown Squad experiment of the late nineteenth century. From the American takeover of California in 1846 during the U.S.–Mexico War to Police Commissioner Jesse B. Cook’s nationwide law enforcement advisory tour in 1912 and San Francisco’s debut as the jewel of a new American Pacific world during the Panama Pacific International Exposition in 1915, San Francisco’s culture of popular justice, its multiethnic environment, and the unique relationships built between informal and formal policing created a more progressive policing environment than anywhere else in the nation. Originally an isolated gold rush boomtown on the margins of a young nation, San Francisco—as illustrated in this untold story—rose to become a model for modern community policing and police professionalism.