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Excerpt from Views of Ancient Monuments in Central America, Chiapas and Yucatan Existence we should be ignorant of, but for the contemplation of their colossal works, still before our eyes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."--Simon Jenkins, Times Literary Supplement What happens when the past--or, more specifically, a piece of cultural heritage--is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century--as communication and technology flourish, so too do our opportunities to be deceived.

This volume gathers articles by archeologists, art historians, and philologists concerned with the afterlives of ancient rock-cut monuments throughout the Near East. Contributions analyze how such monuments were actively reinterpreted and manipulated long after they were first carved.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Originally published in 1848 as the first major work in the nascent discipline as well as the first publication of the newly established Smithsonian Institution, Ancient Monuments of the Mississippi Valley remains today not only a key document in the history of American archaeology but also the primary source of information on hundreds of mounds and earthworks in the eastern United States, most of which have now vanished. Despite adhering to the popular assumption that the moundbuilders could not have been the ancestors of the supposedly savage Native American groups still living in the region, the authors set high standards for their time. Their work provides insight into some of the conceptual, methodological, and substantive issues that archaeologists still confront. Long out of print, this 150th anniversary edition includes David J. Meltzer's lively introduction, which describes the controversies surrounding the book’s original publication, from a bitter, decades-long feud between Squier and Davis to widespread debates about the links between race, religion, and human origins. Complete with a new index and bibliography, and illustrated with the original maps, plates, and engravings, Ancient Monuments of the Mississippi Valley provides a new generation with a first-hand view of this pioneer era in American archaeology.