Don Lomax's critically acclaimed Vietnam Journal series returns with all new stories. THIS ISSUE: "The Three Legged Phantom of Tbong Khmum" - Scott "Journal" Neithammer is recovering from an injury received when he was ambushed on his last trip into Cambodia. Recovery is slow and he finds it necessary to use a cane to assist him in getting around. His future as a journalist is in doubt due to a warrant for his arrest recently issued by the Adjutant General, who is now investigating him for several counts including treason. With help from the troops, who have a fondness for him, he avoids the AG’s goon squad that is hot on his heals with the intent of arresting him and forcing him to cool his heals in Long Binh Jail until he can be tried on the charges. If found guilty of treason a long sentence in the Federal prison at Leavenworth way well be in his future. A Caliber Comics release.

Don Lomax's critically acclaimed Vietnam Journal series returns with all new stories. THIS ISSUE: "The Diary" - Bay, and his younger brother, Trong, were the last two surviving siblings of a Montagnard family devastated by war. Though the paths they took, not of their own choosing, would lead to even more tragedy, the end was inevitable in an insane war where everyone was scarred to some degree. Though some much more than others. Scott 'Journal' Neithammer, reporting. Praise for Vietnam Journal: “Lomax bases his fictional work on his real experiences in Vietnam in 1966, with powerful results. It is Lomax's concern for average soldiers that, in the end, makes his work significant.” - Publishers Weekly.

Don Lomax's critically acclaimed Vietnam Journal series returns with all new stories. Scott 'Journal' Niethammer returns to report on the seemingly endless conflict and this time he heads into Cambodia as the incursion of that country is well underway by United States and South Vietnamese military forces. He is accompanied by a slightly erratic photographer with the unhealthy attitude that he is impervious to enemy fire when behind the camera's lens. While in Cambodia they meet a pistol packing, single-minded Nun and dozens of ethnic Vietnamese orphans who have been delivered a death sentence by Cambodia's new acting Prime Minister, Lon Nol. With Journal's help they make a desperate race for the border and salvation. Now wanted by the Judge Advocate General's office for questioning, Journal retreats back into Cambodia hoping the farce will all blow over. But he meets a female reporter as much an outcast from the mainstream media as he. Their similarities create a bond until the war finds a way to force the heavy hand of horror into their fledgling relationship. And lastly, racism and drugs rear their ugly heads as rear echelon United States troops are moved forward in a support capacity for the line troops. Their real world prejudices and minimal training threaten to rot the core of the effort from the inside out. And the ever present enemy awaits any opportunity to hand the Americans a sound defeat should there be a misstep in their favor. Collects issues #6-10 of Vietnam Journal Series Two. "Lomax bases his fictional work on his real experiences in Vietnam in 1966, with powerful results. It is Lomax's concern for average soldiers that, in the end, makes his work significant." - Publishers Weekly. "Vietnam Journal by Don Lomax is the best comic book portrayal of Vietnam I have ever read. It's probably one of the best works ever put down in any art form about the war." - Daniel Robert Epstein. A Caliber Comics release.

Don Lomax's critically acclaimed Vietnam Journal series returns with all new stories. THIS ISSUE: "Cambodian Sucker Punch" - Scott "Journal" Neithammer witnesses first hand as racism and drugs rear their ugly heads as rear echelon United States troops are moved forward in a support capacity for the line troops. Their real world prejudices and minimal training threaten to rot the core of the effort from the inside out. And the ever present enemy awaits any opportunity to hand the Americans a sound defeat should there be a misstep in their favor. A Caliber Comics release.

Don Lomax's critically acclaimed Vietnam Journal series returns with all new stories. THIS ISSUE: "The Sniper" - In 1969 the Vietnam War was finally winding down. Journalist Scott Neithammer had already been incountry over two years and had been in the bush with the combat troops since he arrived to cover the war as a freelance reporter. Being there, in the horror, with the 11 Bravos gave him credibility in their eyes. So when he was invited to go along with the troops on a LRRP (Long Range Reconnaissance Patrol) to neutralize a North Vietnamese Major who was extorting outlandish taxes from the local peasant population, it seemed like a good idea at the time... Praise for Vietnam Journal: “Vietnam Journal by Don Lomax is the best comic book portrayal of Vietnam I have ever read. It’s probably one of the best works ever put down in any art form about the war.” - Daniel Robert Epstein

HARVEY AWARD NOMINEE comic writer and artist Don Lomax assembles his Gulf War comic series and brings back the central character from his critically acclaimed VIETNAM JOURNAL books. THIS ISSUE: "Ground War". The hammer falls on the occupation Iraqi forces! Panicking troops steal anything that will run and try to escape north toward Baghdad only to be slaughtered in a shooting gallery of death! But the joy for Scott 'Journal' Neithammer" at the end of the First Gulf War is no match for the heartbreaking tragedy which nearly destroys him!

In this dramatic history of race relations during the Vietnam War, James E. Westheider illustrates how American soldiers in Vietnam grappled with many of the same racial conflicts that were roiling their homeland thousands of miles away. Over seven years in the making, Fighting on Two Fronts draws on interviews with dozens of Vietnam veterans - black and white - and official Pentagon documents to paint the first complete picture of the African American experience in Vietnam.

Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.

WINNER OF THE AMERICAN HISTORICAL ASSOCIATION'S JOHN K. FAIRBANK PRIZE SHORTLISTED FOR THE CUNDHILL HISTORY PRIZE 2017 'This is the finest single-volume history of Vietnam in English. It challenges myths, and raises questions about the socialist republic's political future' Guardian 'Powerful and compelling. Vietnam will be of growing importance in the twenty-first-century world, particularly as China and the US rethink their roles in Asia. Christopher Goscha's book is a brilliant account of that country's history.' - Rana Mitter 'A vigorous, eye-opening account of a country of great importance to the world, past and future' - Kirkus Reviews Over the centuries the Vietnamese have beenboth colonizers themselves and the victims of colonization by others. Their country expanded, shrunk, split and sometimes disappeared, often under circumstances far beyond their control. Despite these often overwhelming pressures, Vietnam has survived as one of Asia's most striking and complex cultures. As more and more visitors come to this extraordinary country, there has been for some years a need for a major history - a book which allows the outsider to understand the many layers left by earlier emperors, rebels, priests and colonizers. Christopher Goscha's new work amply fills this role. Drawing on a lifetime of thinking about Indo-China, he has created a narrative which is consistently seen from 'inside' Vietnam but never loses sight of the connections to the 'outside'. As wave after wave of invaders - whether Chinese, French, Japanese or American - have been ultimately expelled, we see the terrible cost to the Vietnamese themselves. Vietnam's role in one of the Cold War's longest conflicts has meant that its past has been endlessly abused for propaganda purposes and it is perhaps only now that the events which created the modern state can be seen from a truly historical perspective. Christopher Goscha draws on the latest research and discoveries in Vietnamese, French and English. His book is a major achievement, describing both the grand narrative of Vietnam's story but also the byways, curiosities, differences, cultures and peoples that have done so much over the centuries to define the many versions of Vietnam.

For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study--the first to consider such a broad range of military comics. War and military life are examined through the inside jokes of the men and women who served. The author analyzes themes of culture, hierarchy, enemies and allies, geography, sexuality, combat, and civilian relations and describes how comics function within a community. A number of artists included were known for their work with Disney, Marvel Comics, the New Yorker and Madison Avenue but many lesser known artists are recognized.