Using biographies, letters, diaries, demographic data, and dozens of Victorian novels, this book presents statistical, personal, and imaginative records of changes in family size as well as in education, economy, and social organization in 19th century Britain. The nineteenth-century transition to a small family size in the Western world was unprecedented, and the reasons people began to have fewer children are still not clear. Using contemporary novels, letters, biographies and poetry, this book brings forward the voices of the past to give their own comments and views on a wide range of issues which may have influenced that decision. Individuals in fact and fiction discuss families, love and marriage, as well as childbearing, child survival and what children meant to them - and their reactions to unwanted pregnancies. Their experiences reflect and amplify the demographic evidence of the period, and add life to the statistics. In the same way, their perspectives on education, religion and the ideas and controversies of the period, as well as on social mobility and social change, provide personal notes to the historical background against which their voices are heard.

This engrossing book explores family experiences of dying, death, grieving, and mourning in the years between 1830 and 1920. So many Victorian letters, diaries, and death memorials reveal a deep preoccupation with death which is both fascinating and enlightening. Pat Jalland has examined the correspondence, diaries, and death memorials of fifty-five families to show us deathbed scenes of the time, good and bad deaths, the roles of medicine and religion, children's deaths, funerals and cremations, widowhood, and mourning rituals.

In lively, accessible prose, Victorians Undone fills the space where the body ought to be, proposing new ways of thinking and writing about flesh in the nineteenth century.

Here Brian Cooper explores the role of economic theory in 'normalizing' the family in the first half of the nineteenth century. Drawing on a wide range of sources, the book examines the impacts of these different forms on contemporary debate.

Tracing representations of re-imagined Victorian families in literature, film and television, and social discourse, this collection, the second volume in Rodopi’s Neo-Victorian Series, analyses the historical trajectory of persistent but increasingly contested cultural myths that coalesce around the heterosexual couple and nuclear family as the supposed ‘normative’ foundation of communities and nations, past and present. It sheds new light on the significance of families as a source of fluctuating cultural capital, deployed in diverse arenas from political debates, social policy and identity politics to equal rights activism, and analyses how residual as well as emergent ideologies of family are mediated and critiqued by contemporary arts and popular culture. This volume will be of interest to researchers and students of neo-Victorian studies, as well as scholars in contemporary literature and film studies, cultural studies and the history of the family. Situating the nineteenth-century family both as a site of debilitating trauma and the means of ethical resistance against multivalent forms of oppression, neo-Victorian texts display a fascinating proliferation of alternative family models, albeit overshadowed by the apparent recalcitrance of familial ideologies to the same historical changes neo-Victorianism reflects and seeks to promote within the cultural imaginary.

Speculative fiction from the acclaimed bestselling author of Exit, Pursued by a Bear and Star Wars: Ahsoka. Victoria-Margaret is the crown princess of the empire, a direct descendent of Victoria I, the queen who changed the course of history. The imperial tradition of genetically arranged matchmaking will soon guide Margaret into a politically advantageous marriage. But before she does her duty, she'll have one summer of freedom and privacy in a far corner of empire. Posing as a commoner in Toronto, she meets Helena Marcus, daughter of one of the empire's greatest placement geneticists, and August Callaghan, the heir to a powerful shipping firm currently besieged by American pirates. In a summer of high-society debutante balls, politically charged tea parties, and romantic country dances, Margaret, Helena, and August discover they share an extraordinary bond and maybe a one-in-a-million chance to have what they want and to change the world in the process. Set in a near-future world where the British Empire was preserved not by the cost of blood and theft but by the effort of repatriation and promises kept, That Inevitable Victorian Thing is a surprising, romantic, and thought-provoking story of love, duty, and the small moments that can change people and the world. ★ "This witty and romantic story is a must-read.”—SLJ, starred review ★ "Compelling and unique—there's nothing else like it."—Booklist, starred review. ★ "[A] powerful and resonant story of compassion, love, and finding a way to fulfill obligations while maintaining one’s identity."—PW, starred review

The race to the crown -- The birth of "pocket Hercules"--The lonely, naughty princess -- An impossible, strange madness -- "Awful scenes in the house"--Becoming queen: "I shall not fail" -- The coronation: "a dream out of the Arabian nights" -- Learning to rule -- A scandal in the palace -- Virago in love -- The bride: "I never, never spent such an evening" -- Only the husband, not the master -- The palace intruders -- King to all intents: "like a vulture into his prey" -- Perfect, awful, spotless prosperity -- Annus Mirabilis: the revolutionary year -- What Albert did: the Great Exhibition of 1851 -- The Crimea: 'This unsatisfactory war' -- London boils over -- Royal parents: "everything passes so quickly!" -- "Who will call me Victoria now?" -- "The whole house seems like Pompeii." -- Resuscitating the widow at Windsor -- The queen's stallion -- The faery queen awakes -- Enough to kill any man -- Two ironclads colliding: the queen and Mr. Gladstone -- The monarch in a bonnet -- The "poor munshi" -- The diamond empire -- The end of the Victorian Age - "The streets were indeed a strange sight

“There are no secrets that time does not reveal.” Savannah, Georgia – 1858 Celia Browning dreams of the day when her childhood sweetheart Sutton Mackay comes home to Savannah after two years in Jamaica managing his family's shipping interests. Sutton has all but proposed, and their marriage will unite two of the city's most prominent families. But just as Sutton returns, a newspaper reporter arrives in town, determined to pry into twin tragedies that took place at the Browning mansion on Madison Square when Celia was a child. While the journalist pursues his story, someone is trying to frighten Celia. When she receives a series of anonymous notes, and a bracelet imbued with a chilling message, Celia realizes that her family’s past has the power to destroy her future. As the clouds of war gather over Savannah, and her beloved father’s health worsens, Celia determines to uncover the truth about what really happened all those years ago. Inspired by actual events in one of Savannah’s most prominent 19th-century families, The Bracelet is the story of a young southern woman whose dreams fracture under the weight of her family’s tragic past. "Historical romance with a sprinkle of secrets for readers to solve, Dorothy Love's latest puts a new spin on an old idea." —Romantic Times, 4-star review

Victorian sensation novels, with their compulsive plots of crime, transgression and mystery, were bestsellers. Deborah Wynne analyses the fascinating relationships between sensation novels and the magazines in which they were serialized. Drawing upon the work of Wilkie Collins, Mary Braddon, Charles Dickens, Ellen Wood, and Charles Reade, and such popular family journals as All The Year Round, The Cornhill, and Once a Week , the author highlights how novels and magazines worked together to engage in the major cultural and social debates of the period.

An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.