The intricacy, elegance, and charm of Victorian decorative art continue to attract a broad spectrum of contemporary artists, designers, and craftspeople. Now they can draw on this treasury of excellent royalty-free Victorian designs to add nineteenth-century ambiance to almost any project. The author has selected over 160 designs from a variety of periodicals, books, and catalogs from England, France, Germany, and America, including the Album de l'ornemaniste, L'Art pour toous, Foremschatz, Decorative Vorbilder, The Studio, Art-Journal, and Decoration. The motifs reproduced were taken from or intended for fabric, carpets, mosaics, lace, tapestries, metalwork, manuscripts, ceramics, stained glass, architectural details, paintings, and much else. Drawing on native European design tradition as well as the exoticism of the East, the patterns in this volume are predominantly florals and foliates, although there is also abundant abstract figuration, especially from Islamic sources. Textile, package, and graphic designers — any artist or craftsperson in search of authentic Victorian decorative design — will find these designs inspirational and exceptionally useful.

This selection of royalty-free designs from a rare 1882 catalog of transferable designs for carriages and buggies includes ornamental crests, coats of arms, shields, mottos, and a wealth of other eye-catching designs — many incorporating dogs, handsome steeds, various birds, wild beasts, mythical creatures, and other eye-catching images.

Reflecting the broad range of accomplishment common among Victorian gentlemen, Frederick Edward Hulme (1841-1909) was the author of works on art, plants, heraldry, cryptography, proverbs, flags, wildflowers and other topics. In this rare volume of floral designs, he drew upon his botanical and artistic knowledge to create a host of motifs designed to instruct art students in the proper treatment of floral forms. Over 230 copyright-free illustrations depict an attractive array of floral and foliate motifs in a striking variety of colors matched to a broad range of fanciful designs. Formats include borders, repeats, geometric forms, allover patterns and much more. Bold in form and striking in their inspiration, these authentic Victorian designs are carefully reproduced here for practical and inspirational use by today's artists and craftspeople. Illustrators and graphic designers will also find a wealth of material for use in interior, advertising and textile design.

These royalty-free full-color allover patterns include numerous subjects and styles from 15th-century through 20th-century sources — geometrics, florals and foliates, animal and nature motifs, other decorative repeat patterns.

A treasury of hard-to-find Inca artwork, this compilation features hundreds of striking designs. The images are drawn from the collections of a 19th-century anthropologist whose expeditions to Peru yielded a remarkable store of artifacts that reside today in museums throughout Germany. Designs, paintings, and relief representations depict ancient people, animals, and rituals. Reprint of selections from Ancient Peruvian Art, Dodd, Mead & Co., New York, 1902–03.

From floral patterns to cityscapes, the boldest book designs of a golden age are gathered here in full color.

Throughout history, patterns have come in countless permutations of motif, colour-way and scale. Yet what all have in common is the regularity of repetition, that insistent rhythm that animates a flat surface with a sense of movement and vitality and gives it depth. Evident in the arrangement of petals on a flower head, the branching growth of stems and vines, the spirals of a seashell - pattern is inherent in the natural world that surrounds us. Powerful and transformative, pattern has an irrepressible joie de vivre. With more than 1,500 illustrations of patterns from all ages and cultures, Pattern Design is a visual feast. This comprehensive compendium is arranged thematically according to type, with chapters on Flora, Fauna, Pictorial, Geometric and Abstract designs. These broad categories are supplemented by in-depth features highlighting the work of key designers from the rich history of pattern-making - such as William Morris, Sonia Delaunay, Charles and Ray Eames, Lucienne Day and Orla Kiely - along with sections detailing the characteristic motifs of key period styles from Baroque to Art Deco.

This Bulletin discusses the Met's extensive collection of Renaissance textile pattern books, used primarily by women to embroider clothes and accessories. The practice of embroidery was seen as a virtuous endeavor, and textile pattern books, published with great frequency from the 1520s onward, were designed to inspire, instruct, and encourage "beautiful and virtuous women" in this esteemed practice. Straddling the disciplines of early printmaking, ornament design, and textile decoration, these works help shed light on the crucial period when the concept of fashion as a means of distinguishing individual identity became fixed in Western society.

Wood engraved illustrations of a variety of species of animals, both wild and domestic, and positioned in an assortment of poses, are presented