With the U.S. armed forces playing an ever increasing central role in American foreign policy, surprisingly little attention has been paid to the role of regional Commanders-in-Chief (CINCs) in both implementing and shaping relations with various countries. Wielding tremendous power and substantial resources, both military and economic, these officers are also diplomats, advisors, and intermediaries between other countries and the Washington policy process. This book explores the role these military commanders play in contemporary U.S. foreign policy.

Bruce Chatwin’s debut novel: “Conrad’s Heart of Darkness seen through a microscope” (The Atlantic) In this vivid, powerful novel, Chatwin tells of Francisco Manoel de Silva, a poor Brazilian adventurer who sails to Dahomey in West Africa to trade for slaves and amass his fortune. His plans exceed his dreams, and soon he is the Viceroy of Ouidah, master of all slave trading in Dahomey. But the ghastly business of slave trading and the open savagery of life in Dahomey slowly consume Manoel's wealth and sanity.

"Ïn this volume an attempt is made to embody, in narrative form, the results of a collation of printed and unpublished documents and chronicles, bearing upon the chief administrators of the English government in Ireland, from its establishment to the termination of the reign of Henry VII in 1509"--Preface.

A lost literary classic, written in 1894, The Viceroys is one of the most acclaimed masterworks of Italian realism. The novel follows three generations of the aristocratic Uzeda family as it struggles to hold on to power in the face of the cataclysmic changes rocking Sicily. As Garibaldi’s triumphs move Italy toward unification, the Uzedas try every means to retain their position. De Roberto’s satirical and mordant pen depicts a cast of upper-class schemers, headed by the old matriarch, Donna Teresa, and exemplified by her arrogant and totally unscrupulous son, Consalvo, who rises to political eminence through lip service, double-dealing, and hypocrisy. The Viceroys is a vast dramatic panorama: a new world fighting to shrug off the viciousness and iniquities of the old.

Between 1858 and 1947, twenty British men ruled millions of some of the most remarkable people of the nineteenth and twentieth centuries. From the Indian Mutiny to the cruel religious partition of India and the newly formed and named Pakistan, the Viceroy had absolute power, more than the monarch who had sent him. Selected from that exclusive class of English, Scottish and Irish breeding, the aristocracy, the Viceroys were plumed, rode elephants, shot tigers. Even their wives stood when they entered the room. Nevertheless, many of them gave everything for India. The first Viceroy, Canning, exhausted by the Mutiny, buried his wife in Calcutta before he left the subcontinent to die shortly afterwards. The average Viceroy lasted five years and was granted an earldom but rarely a sense of triumph. Did these Viceroys behave as badly as twenty-first century moralists would have us believe? When the Raj was over, the legacy of Empire continued, as the new rulers slipped easily into the offices and styles of the British who had gone. Being 'British' was now a caste. Viceroys is the tale of the British Raj, the last fling of British aristocracy. It is the supreme view of the British in India, portraying the sort of people who went out and the sort of people they were on their return. It is the story of utter power and what men did with it. Moreover, it is also the story of how modern British identity was established and in part the answer to how it was that such a small offshore European island people believed themselves to have the right to sit at the highest institutional tables and judge what was right and unacceptable in other nations and institutions.

Between 1858 and 1947, twenty British men ruled millions of some of the most remarkable people of the nineteenth and twentieth centuries. From the Indian Mutiny to the cruel religious partition of India and the newly formed and named Pakistan, the Viceroy had absolute power, more than the monarch who had sent him. Selected from that exclusive class of English, Scottish and Irish breeding, the aristocracy, the Viceroys were plumed, rode elephants, shot tigers. Even their wives stood when they entered the room. Nevertheless, many of them gave everything for India. The first Viceroy, Canning, exhausted by the Mutiny, buried his wife in Calcutta before he left the subcontinent to die shortly afterwards. The average Viceroy lasted five years and was granted an earldom but rarely a sense of triumph. Did these Viceroys behave as badly as twenty-first century moralists would have us believe? When the Raj was over, the legacy of Empire continued, as the new rulers slipped easily into the offices and styles of the British who had gone. Being 'British' was now a caste. Viceroys is the tale of the British Raj, the last fling of British aristocracy. It is the supreme view of the British in India, portraying the sort of people who went out and the sort of people they were on their return. It is the story of utter power and what men did with it. Moreover, it is also the story of how modern British identity was established and in part the answer to how it was that such a small offshore European island people believed themselves to have the right to sit at the highest institutional tables and judge what was right and unacceptable in other nations and institutions.

On Viceroy Special, colonial style heritage passenger train service powered by steam locomotive in Sri Lanka.

The lives of the three daughters of Lord Curzon: glamorous, rich, independent and wilful. Irene (born 1896), Cynthia (b.1898) and Alexandria (b.1904) were the three daughters of Lord Curzon, Viceroy of India 1898-1905 and probably the grandest and most self-confident imperial servant Britain ever possessed. After the death of his fabulously rich American wife in 1906, Curzon's determination to control every aspect of his daughters' lives, including the money that was rightfully theirs, led them one by one into revolt against their father. The three sisters were at the very heart of the fast and glittering world of the Twenties and Thirties. Irene, intensely musical and a passionate foxhunter, had love affairs in the glamorous Melton Mowbray hunting set. Cynthia ('Cimmie') married Oswald Mosley, joining him first in the Labour Party, where she became a popular MP herself, before following him into fascism. Alexandra ('Baba'), the youngest and most beautiful, married the Prince of Wales's best friend Fruity Metcalfe. On Cimmie's early death in 1933 Baba flung herself into a long and passionate affair with Mosley and a liaison with Mussolini's ambassador to London, Count Dino Grandi, while enjoying the romantic devotion of the Foreign Secretary, Lord Halifax. The sisters see British fascism from behind the scenes, and the arrival of Wallis Simpson and the early married life of the Windsors. The war finds them based at 'the Dorch' (the Dorchester Hotel) doing good works. At the end of their extraordinary lives, Irene and Baba have become, rather improbably, pillars of the establishment, Irene being made one of the very first Life Peers in 1958 for her work with youth clubs.

Wavell's three and a half year tenure as Viceroy was arguably the most difficult, momentous, and misunderstood that any Viceroy had to face. His journal helps to correct a number of misconceptions concerning this period and leads to a better appraisal of his qualities as a Viceroy and as a man.