This science fictiion novella follows the exploits of a young man and his telepathic dog as they struggle to survive in a post atomic universe following World War IV.

Harlan Ellison introduced you to Vic and Blood in 1969's Nebula Award-winning novella, "A Boy and His Dog." You thrilled to their on-screen adventures in the 1975 Hugo Award-winning feature film adaptation billed as "a kinky tale of survival." 1977 and 1980 brought brief reunions in "Eggsucker" and "Run, Spot, Run," and the promise of another story-and a third solo, Spike, to make the Dystopian Duo a Tribulation Trio-but only audiobooks and comics followed, revisiting the same tales.Now, nearly fifty years after they first set off across the blasted wasteland, Vic and Blood are back.Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author's files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben's graphic adaptation, and-for the first time-never-before-published material from the aborted 1977 NBC television series Blood's a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.And let's not forget...the wit and wisdom of Blood.

The acclaimed series of short stories around the adventures of Vic and his telepathic dog, Blood, by Harlan Ellison is brought together as one stunning graphic novel by Richard Corben, one of today's leading fantasy artists. This conjugation of talents forms a powerful saga of love, death, and the consequences of both in a devastated society.

Winner of the Nebula Award: A boy and his telepathic dog fight to survive in a war-torn, postapocalyptic world in this hard-hitting science fiction novella. In an alternate world in which John F. Kennedy survived and scientific breakthroughs in animal research and telepathy allow for advanced communication with animal companions, fifteen-year-old Vic and his telepathic dog, Blood, scavenge the wastelands of a war-torn United States, survivors of a nuclear World War III between the Americans and the Soviets. While Blood guides Vic toward women—to be used for sex—Vic ensures that Blood has food, but the symbiotic relationship is put at risk when the pair meets Quilla June Holmes, who lures the boy to an underground civilization. A piece of shocking, dystopic science fiction, A Boy and His Dog questions the boundaries and nature of love while crafting a vision of a dark future guaranteed to leave chills. Also included here is “Ahbhu: The Passing of One Man’s Inspiration and Best Friend,” a personal essay by author Harlan Ellison, which lovingly recounts the life of his canine companion, Ahbhu, the true-life basis for Blood. Ellison recalls rescuing Ahbhu from the West Los Angeles Animal Shelter and gives a brief chronicle of life with his furry friend, whom he stresses was both “a person” and “impossible to anthropomorphize.” The nostalgic in memoriam frames the author’s relationship with animals while casting a personal light on the inspiration for the novella with which it is paired. Winner of the Nebula Award for Best Novella and a Hugo Award finalist, A Boy and His Dog was adapted into a cult classic film and fully solidifies Ellison as a master of his craft. This volume combines a dark, dystopian future of animal telepathy, sex, and postapocalyptic underworlds with a real-life account of the author’s muse for the feisty but loyal Blood. Indispensible reading material for any fan of Ellison or dark science fiction, animal lovers will also delight over the relationship between Vic and Blood.

Three stories set in the post-apocalyptic world of a boy and his telepathically linked dog—inspiration for the Fallout video games and Mad Max movies. The cycle begins with “Eggsucker,” which chronicles the early years of the association between fourteen‐year‐old loner Vic and his brilliant, telepathic dog. The saga continues and expands in “A Boy and His Dog,” in which Blood shows just how much smarter he is than Vic, and Vic shows how loyal he can be. The story continues in “Run, Spot, Run,” the first part of Ellison’s promised novel of the cycle, Blood’s a Rover. Here Vic and Blood find surprising new ways to get into trouble—but getting out of it may be beyond even their combined talents.

German-born artist Vic Guhrs came to Africa at the age of twenty-two to fulfil his boyhood dream of a life in wild places among wild animals. He lived for twenty-five years in an isolated bush camp in the Luangwa Valley in Zambia and knows that, despite its paradoxes and its mysteries, he can never leave Africa. The trouble with Africa, he says, is that once it is in your blood, like malaria, it is almost impossible to get rid of. And the trouble with Africa is also the trouble with those of us who settle here: as long as we insist on judging it from a Western perspective, we will be the outsiders - we will be forever baffled by it. The complexities of African attitudes that seem to confound us are perhaps not so complex after all; it is their very simplicity that we fail to understand. On the road to our civilised enlightenment have we lost the ability to see life in its most fundamental essence?

The complete graphic novel cycle, with Ellison's short stories featuring illustrations by Corben. Beginning with Eggsucker, chronicling the early days between 14-year-old loner Vic and his brilliant, telepathic dog, Blood, the book continues and expands into A Boy and his Dog, showing how much smarter Blood is and how loyal Vic is. Each adaptation is followed by the actual Ellison short story, illustrated with previously unpublished art by Corben.

Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.