An unforgettable portrait of a marriage tested to its limits. When Dan, a writer with a passion for underground comics, and his wife Bekah, a potter dedicated to traditional Japanese ceramics, met through a mutual friend, they swiftly fell in love. “Of all the women I’ve ever met,” Dan told a friend, “she’s the first one who felt like family.” But at Christmas, as they prepared for the birth of their first child, tragedy struck. Based on Daniel Raeburn’s acclaimed New Yorker essay, Vessels: A Love Story is the story of how he and Bekah clashed and clung to each other through a series of unsuccessful pregnancies before finally, joyfully, becoming parents. In prose as handsomely unadorned as his wife’s pottery, Raeburn recounts a marriage cemented by the same events that nearly broke it. Vessels is an unflinching, enormously moving account of intimacy, endurance, and love.

NOT EVERY SPIRIT SEEKS REDEMPTION. NOT EVERY VESSEL WILL SURVIVE. What if you could help those who've passed on get a second chance--but at the risk of your own life? Four broken strangers volunteer to become the first humans in North America to join the international VESSELS program. Their bodies will host the Spirits who seek to right past wrongs and earn a chance at Elysium. Disguised inside a homeless shelter in Reno, the program is facilitated by a retired Army officer, a former ER Doctor, and a tech-savvy teen who tracks the Spirits merged with their Vessels through an ancient ritual on the Anaho Reservation. The Vessels only have seven days to succeed--and to survive. But when the vengeful spirit of a serial killer enters one of them, they learn not all Spirits are here for redemption.

“A surprising page-turner...Compelling. Highly recommended.”—Library Journal (starred review), Debut of the Month An astronaut returns to Earth after losing her entire crew to an inexplicable disaster, but is her version of what happened in space the truth? Or is there more to the story…A tense, psychological thriller perfect for fans of Dark Matter and The Martian. After Catherine Wells’s ship experiences a deadly incident in deep space and loses contact with NASA, the entire world believes her dead. Miraculously—and mysteriously—she survived, but with little memory of what happened. Her reentry after a decade away is a turbulent one: her husband has moved on with another woman and the young daughter she left behind has grown into a teenager she barely recognizes. Catherine, too, is different. The long years alone changed her, and as she readjusts to being home, sometimes she feels disconnected and even, at times, deep rage toward her family and colleagues. There are periods of time she can’t account for, too, and she begins waking up in increasingly strange and worrisome locations, like restricted areas of NASA. Suddenly she’s questioning everything that happened up in space: how her crewmates died, how she survived, and now, what’s happening to her back on Earth. Smart, gripping, and compelling, this page-turning sci-fi thriller will leave you breathless.

When the goddess Bayla fails to take over Liyana's body, Liyana's people abandon her in the desert to find a more worthy vessel, but she soon meets Korbyn, who says the souls of seven deities have been stolen and he needs Liyana's help to find them.

For the first time available in English, two portraits of grief by Friederike Mayröcker, one of the significant European writers of our time. Friederike Mayröcker met Ernst Jandl in 1954, through the experimental Vienna Group of German writers and artists. It was an encounter that would alter the course of their lives. Jandl's death in 2000 ended a partnership of nearly half a century. As writers have for millennia, Mayröcker turned to her art to come to terms with the loss. Taking its cue from the André Breton's work of the same name, The Communicating Vessels is an intensely personal book of mourning, comprised of 140 entries spanning the course of a year and exploring everyday life in the immediate aftermath of Jandl's death. Rilke is said to have observed that poetry should begin as elegy but end as praise: taking this as a guiding principle, And I Shook Myself a Beloved reflects on a lifetime of shared books and art, impressions and conversations, memories and dreams. Masterfully translated by Alexander Booth, these two singular books of remembrance and farewell offer a stunning testament to a life of passionate reading, writing, and love.

WINNER OF THE MIDWEST BOOK AWARD The imagination of a girl, the retelling of family stories, and the unfolding of a rich and often painful history: Parneshia Jones’s debut collection explores the intersections of these elements of experience with refreshing candor and metaphorical purpose. A child of the South speaking in the rhythms of Chicago, Jones knits “a human quilt” with herself at the center. She relates everything from the awkward trip to Marshall Fields with her mother to buy her first bra to the late whiskey-infused nights of her father’s world. In the South, “lard sizzles a sermon from the stove”; in Chicago, we feast on an “opera of peppers and pimento.” Jones intertwines the stories of her own family with those of historical black figures, including Marvin Gaye and Josephine Baker. Affectionate, dynamic, and uncommonly observant, these poems mine the richness of history to create a map of identity and influence.