For the first time available in English, two portraits of grief by Friederike Mayröcker, one of the significant European writers of our time. Friederike Mayröcker met Ernst Jandl in 1954, through the experimental Vienna Group of German writers and artists. It was an encounter that would alter the course of their lives. Jandl's death in 2000 ended a partnership of nearly half a century. As writers have for millennia, Mayröcker turned to her art to come to terms with the loss. Taking its cue from the André Breton's work of the same name, The Communicating Vessels is an intensely personal book of mourning, comprised of 140 entries spanning the course of a year and exploring everyday life in the immediate aftermath of Jandl's death. Rilke is said to have observed that poetry should begin as elegy but end as praise: taking this as a guiding principle, And I Shook Myself a Beloved reflects on a lifetime of shared books and art, impressions and conversations, memories and dreams. Masterfully translated by Alexander Booth, these two singular books of remembrance and farewell offer a stunning testament to a life of passionate reading, writing, and love.

What Freud did for dreams, André Breton (1896–1966) does for despair: in its distortions he finds the marvelous, and through the marvelous the redemptive force of imagination. Originally published in 1932 in France, Les Vases communicants is an effort to show how the discoveries and techniques of surrealism could lead to recovery from despondency. This English translation makes available "the theories upon which the whole edifice of surrealism, as Breton conceived it, is based." In Communicating Vessels Breton lays out the problems of everyday experience and of intellect. His involvement with political thought and action led him to write about the relations between nations and individuals in a mode that moves from the quotidian to the lyrical. His dreams triggered a curious correspondence with Freud, available only in this book. As Caws writes, "The whole history of surrealism is here, in these pages."

“A surprising page-turner...Compelling. Highly recommended.”—Library Journal (starred review), Debut of the Month An astronaut returns to Earth after losing her entire crew to an inexplicable disaster, but is her version of what happened in space the truth? Or is there more to the story…A tense, psychological thriller perfect for fans of Dark Matter and The Martian. After Catherine Wells’s ship experiences a deadly incident in deep space and loses contact with NASA, the entire world believes her dead. Miraculously—and mysteriously—she survived, but with little memory of what happened. Her reentry after a decade away is a turbulent one: her husband has moved on with another woman and the young daughter she left behind has grown into a teenager she barely recognizes. Catherine, too, is different. The long years alone changed her, and as she readjusts to being home, sometimes she feels disconnected and even, at times, deep rage toward her family and colleagues. There are periods of time she can’t account for, too, and she begins waking up in increasingly strange and worrisome locations, like restricted areas of NASA. Suddenly she’s questioning everything that happened up in space: how her crewmates died, how she survived, and now, what’s happening to her back on Earth. Smart, gripping, and compelling, this page-turning sci-fi thriller will leave you breathless.

brütt, or The Sighing Gardens is the hallucinatory tale of an obsessive writer’s love affair late in life as told through the daily journal entries of the writer—a montage of relentless observation interspersed with found materials from newspaper articles, literature, and private correspondence. The process of aging and the process of writing are two persistent and carefully intertwined themes, though it is apparent that plot and theme are subordinate to the linguistic experiments that Friederike Mayröcker performs as she explores them. Mayröcker is known for crossing the boundaries of literary forms and in her prose work she creates a hypnotic, slurred narrative stream that is formally seamless while simultaneously overstepping all the bounds of grammar and style. She is always pushing to expose the limits of language and explore its experimental potential, seeking a re-ordering of the world through the re-ordering of words. Her multilayered texts are reminiscent of the traditions of Surrealism and Dadaism and display influences from the works of Beckett, Hölderlin, Freud, and Barthes. Yet, much of Mayrocker’s writing simply has no corollary and the experience of reading Roslyn Theobald’s brilliant translation grants the English-speaking audience an unforgettable encounter with this completely original work.

This e-book will review special features of the cerebral circulation and how they contribute to the physiology of the brain. It describes structural and functional properties of the cerebral circulation that are unique to the brain, an organ with high metabolic demands and the need for tight water and ion homeostasis. Autoregulation is pronounced in the brain, with myogenic, metabolic and neurogenic mechanisms contributing to maintain relatively constant blood flow during both increases and decreases in pressure. In addition, unlike peripheral organs where the majority of vascular resistance resides in small arteries and arterioles, large extracranial and intracranial arteries contribute significantly to vascular resistance in the brain. The prominent role of large arteries in cerebrovascular resistance helps maintain blood flow and protect downstream vessels during changes in perfusion pressure. The cerebral endothelium is also unique in that its barrier properties are in some way more like epithelium than endothelium in the periphery. The cerebral endothelium, known as the blood-brain barrier, has specialized tight junctions that do not allow ions to pass freely and has very low hydraulic conductivity and transcellular transport. This special configuration modifies Starling's forces in the brain microcirculation such that ions retained in the vascular lumen oppose water movement due to hydrostatic pressure. Tight water regulation is necessary in the brain because it has limited capacity for expansion within the skull. Increased intracranial pressure due to vasogenic edema can cause severe neurologic complications and death.

Mad Love has been acknowledged an undisputed classic of the surrealist movement since its first publication in France in 1937. Its adulation of love as both mystery and revelation places it in the most abiding of literary traditions, but its stormy history and technical difficulty have prevented it from being translated into English until now. "There has never been any forbidden fruit. Only temptation is divine," writes André Breton, leader of the surrealists in Paris in the 1920s and '30s. Mad Love is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust." Celebrating breton's own love and lover, the book unveils the marvelous in everyday encounters and the hidden depths of ordinary things.

Communism, Poetry: Communicating Vessels reunites political thought with poetry, its true counterpart and companion in justice. Describing the background of present perpetual warfare, violence and mass lesions, Suvin opens up seemingly disparate subjects like the poetic mastery of Bertolt Brecht and the fate of the former Yugoslavia, and then relates them to each other. Through this approach, the book aims to lay bare the horizon of this current age of political crisis, and dares the reader to look beyond that horizon, to the serious, comprehensive alternative.