Unable to return to their normal lives despite the end of the Clue hunt, new Madrigal leaders Amy and Dan anxiously prepare for a retaliatory strike by the Vespers, who kidnap a number of Cahill family members and demand that Amy and Dan steal a famous painting.

International bestseller David Baldacci pens the stunning conclusion to Cahills vs. Vespers! It started with a kidnapping. A shadowy organization known only as the Vespers snatched seven members of the Cahill family and demanded a series of bizarre ransoms from around the world. Thirteen-year-old Dan Cahill and his older sister, Amy, began a global treasure hunt, determined to bring back whatever Vesper One needed, so long as it kept the hostages safe.But when they deliver the last ransom, Amy and Dan discover Vesper One's terrifying endgame. The objects he demanded are vital pieces in a Vesper plot that will harm millions of innocent people. Now the two siblings and their friends are in an all-out sprint to stop Vesper One . . . before the whole world goes BOOM.

The New York Times–bestselling author of H is for Hawk explores the human relationship to the natural world in this “dazzling” essay collection (Wall Street Journal). In Vesper Flights, Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing the massive migration of songbirds from the top of the Empire State Building, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk’s poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds’ nests, and the unexpected guidance and comfort we find when watching wildlife.

Thaddeus Dupont has had over eighty years to forget... The vampire spends his nights chanting the Liturgy of the Hours and ruthlessly disciplines those unnatural urges he's vowed never again to indulge. He is at the command of the White Monks, who summon him at will to destroy demons. In return, the monks provide for his sustenance and promise the return of his immortal soul. Sarasija Mishra's most compelling job qualification might be his type O blood... The 22-year-old college grad just moved across the country to work for some recluse he can't even find on the internet. Sounds sketchy, but the salary is awesome and he can't afford to be picky. On arrival he discovers a few details his contract neglected to mention, like the alligator-infested swamp, the demon attacks, and the nature of his employer's "special diet". A smart guy would leave, but after one look into Dupont's mesmerizing eyes, Sarasija can't seem to walk away. Too bad his boss expected "Sara" to be a girl. Falling in love is hard at any age... The vampire can't fight his hungers forever, especially since Sara's brought him light, laughter and a very masculine heat. After yielding to temptation, Thaddeus must make a choice. Killing demons may save his soul, but keeping the faith will cost him his heart. ⚜Vespers is a complete novel with no cliffhanger. It can be enjoyed as a standalone or read as the first book in the Hours of the Night series.

When the Vespers continue their abductions and cross a line by kidnapping Atticus, an 11-year-old non-Cahill civilian and Dan's only friend, Dan and Amy confront their biggest challenge ever in order to keep Atticus alive.

Emily Webb is a Geek—and happy that way. She's never been the kind of girl who sneaks out for parties. And she definitely doesn't start fights or flirt with other girls' boyfriends. Until one night Emily finds herself doing exactly that . . . the same night a classmate—also named Emily—is found mysteriously murdered. Thing is, Emily doesn't know why she's doing this. Every night she gets wilder until it's no longer just her personality that changes; she's also becoming strong, and fast, and utterly fearless. Has she been bewitched by the soul of the other, murdered Emily? Or is Emily Webb becoming something else entirely—something not human?

This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.

Have you ever struggled to find the perfect monologue? Do you want to lose yourself in an unforgettable story? Do you want to be...transported? Philip Ridley's The Vespers is a major work by a major writer. 100 original, self-contained monologues for actors (and readers) of all genders, all ages, and all levels of experience. Varying in length, style and structure – from the surreally comic to the heartbreakingly tragic – this is an essential toolkit for any actor (or anyone who enjoys a good story) with an introduction by Cath Badham, Lecturer in Performance at the University of Derby, UK.