Writing very bad poetry requires talent. It helps to have a wooden ear for words, a penchant for sinking into a mire of sentimentality, and an enviable confidence that allows one to write despite absolutely appalling incompetence. The 131 poems collected in this first-of-its-kind anthology are so glaringly awful that they embody a kind of genius. From Fred Emerson Brooks' "The Stuttering Lover" to Matthew Green's "The Spleen" to Georgia Bailey Parrington's misguided "An Elegy to a Dissected Puppy", they mangle meter, run rampant over rhyme, and bludgeon us into insensibility with their grandiosity, anticlimax, and malapropism. Guaranteed to move even the most stoic reader to tears (of laughter), Very Bad Poetry is sure to become a favorite of the poetically inclined (and disinclined).

A hysterical collection of bad poetry. It includes such work as: "Tea For Two" ("A Tragedy"); "Nietzsche And The Ice-Cream Truck"; "Capitalism Can Fall Not Like I Fell For You"; "Inappropriately Touched By An Angel"; and, "Love Is Like A Toilet Bowl."

This book will leave you in silence. Whether it be from tears of laughter or from a single recurring thought: "WTF did I just read?", The Worst Poetry Book Ever, is quite literally the worst poetry book ever. I hope you like it! Or hate it!

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

Comedian Gabbie Hanna brings levity to the twists and turns of modern adulthood in this exhilarating debut collection of illustrated poetry. In poems ranging from the singsong rhythms of children’s verses to a sophisticated confessional style, Gabbie explores what it means to feel like a kid and an adult all at once, revealing her own longings, obsessions, and insecurities along the way. Adultolescence announces the arrival of a brilliant new voice with a magical ability to connect through alienation, cut to the profound with internet slang, and detonate wickedly funny jokes between moments of existential dread. You’ll turn to the last page because you get her, and you’ll return to the first because she gets you.

Teen Angst: A Celebration of Really Bad Poetry is the first, the best, and the biggest collection of teen angst poetry ever to be published. Inspired by the popularity of her interactive website, editor Sara Bynoe has compiled the definitive teen angst reader. Divided into 12 categories, including I am Alone and No One Understands My Pain and Obvious Metaphors, this book is for anyone who has ever written truly terrible, meditative, or self-indulgent poetry. Actually, this book is for anyone who survived being a teenager. All of the poets featured in this collection are now adults, living happy, angst-free lives. However, for this special book, they are willing to reveal excerpts from their old tattered notebooks or leather bound journals. Along with the poems, each poet has included a short introduction, giving background information for each work. As Sara Bynoe says, looking back on teen angst poetry brings people together in a "poetry reading meets stand-up comedy meets AA" sort of way.

Instant New York Times Bestseller The debut collection of poetry from Lili Reinhart, the actress and outspoken advocate for mental health awareness and body positivity. I seem to be your new favorite novel. One that keeps you up at night, turning my pages. Fingers lingering on me so you don’t lose your place. Swimming Lessons explores the euphoric beginnings of young love, battling anxiety and depression in the face of fame, and the inevitable heartbreak that stems from passion. Relatable yet deeply intimate, provocative yet comforting, bite-sized yet profound, Lili's poems reflect her trademark honesty and unique perspective. Accompanied by striking and evocative illustrations, Swimming Lessons reveals the depths of female experience, and is the work of a storyteller who is coming into her own.

The editors of this legendary and hilarious anthology write: "It would seem at a hasty glance that to make an anthology of Bad Verse is on the whole a simple matter . . . On the contrary . . . Bad Verse has its canons, like Good Verse. There is bad Bad Verse and good Bad Verse. It has been the constant preoccupation of the compilers to include in this book chiefiy good Bad Verse." Here indeed one finds the best of the worst of the greatest poets of the English language, masterpieces of the maladroit by Dryden, Wordsworth, and Keats, among many others, together with an index ("Maiden, feathered, uncontrolled appetites of, 59;. . . Manure, adjudged a fit subject for the Muse, 91") that is itself an inspired work of folly.