Vertue Rewarded; or, The Irish Princess, A New Novel, was first published in 1693 and has never been reprinted until now, almost 300 years since that first publication. An intriguing feature of the work is that its author is unknown and likely to remain so. Only two copies appear to have survived, one of which is in the Bodleian Library, the other in the British Museum. The present text is taken from the British Museum copy. Set in the year 1690, the story is of a foreign prince serving in the army of King William of Orange, billeted in the town of Clonmel, in Ireland. On his first day in the town, the prince falls heavily in love with a Clonmel girl. He is determined to have an affair with the girl and makes numerous attempts to seduce her. Finally, the girl's virtue is rewarded by the prince's agreeing to marry her, and she becomes an 'Irish Princess'.

Vertue Rewarded; or, The Irish Princess (1693) is one of the earliest examples of Irish prose fiction. Published in London, the novel is set in and around Clonmel, in August 1690, during the wars between the Jacobite James II and the Dutch Protestant William of Orange, later William III. Remarkably, the principal narrative concerning the young Irishwoman Marinda and the foreign Prince of S_______g, is interwoven with interpolated tales, including that of the Irish princess Cluaneesha, set in pre-Norman Ireland, and of the south American Indian Faniaca, whose story begins in Peru during the Spanish conquest of the Incas. Grounding its romance narrative in a detailed Irish setting, Vertue Rewarded draws American material from Royal Commentaries (1688), a translation by the diplomat and scholar, Sir Paul Rycaut, recently Chief Secretary for Ireland, of the Inca Garcilaso de la Vega's account of native resistance to Spanish imperialism. This edition presents an original-spelling text, with an introduction and extensive annotation designed to make the book readily accessible to scholars, postgraduate and undergraduate students.

The Irish novel has had a distinguished history. It spans such diverse authors as James Joyce, George Moore, Maria Edgeworth, Bram Stoker, Flann O'Brien, Samuel Beckett, Lady Morgan, John Banville, and others. Yet it has until now received less critical attention than Irish poetry and drama. This volume covers three hundred years of Irish achievement in fiction, with essays on key genres, themes, and authors. It provides critiques of individual works, accounts of important novelists, and histories of sub-genres and allied narrative forms, establishing significant social and political contexts for dozens of novels. The varied perspectives and emphases by more than a dozen critics and literary historians ensure that the Irish novel receives due tribute for its colour, variety and linguistic verve. Each chapter features recommended further reading. This is the perfect overview for students of the Irish novel from the romances of the seventeenth century to the present day.

Ireland was England's oldest colony. Making Empire revisits the history of empire in Ireland—in a time of Brexit, 'the culture wars', and the campaigns around 'Black Lives Matter' and 'Statues must fall'—to better understand how it has formed the present, and how it might shape the future. Empire and imperial frameworks, policies, practices, and cultures have shaped the history of the world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire re-examines empire as process—and Ireland's role in it—through the lens of early modernity. It covers the two hundred years, between the mid-sixteenth century and the mid-eighteenth century, that equate roughly to the timespan of the First English Empire (c.1550-c.1770s). Ireland was England's oldest colony. How then did the English empire actually function in early modern Ireland and how did this change over time? What did access to European empires mean for people living in Ireland? This book answers these questions by interrogating four interconnected themes. First, that Ireland formed an integral part of the English imperial system, Second, that the Irish operated as agents of empire(s). Third, Ireland served as laboratory in and for the English empire. Finally, it examines the impact that empire(s) had on people living in early modern Ireland. Even though the book's focus will be on Ireland and the English empire, the Irish were trans-imperial and engaged with all of the early modern imperial powers. It is therefore critical, where possible and appropriate, to look to other European and global empires for meaningful comparisons and connections in this era of expansionism. What becomes clear is that colonisation was not a single occurrence but an iterative and durable process that impacted different parts of Ireland at different times and in different ways. That imperialism was about the exercise of power, violence, coercion and expropriation. Strategies about how best to turn conquest into profit, to mobilise and control Ireland's natural resources, especially land and labour, varied but the reality of everyday life did not change and provoked a wide variety of responses ranging from acceptance and assimilation to resistance. This book, based on the 2021 James Ford Lectures, Oxford University, suggests that the moment has come revisit the history of empire, if only to better understand how it has formed the present, and how this might shape the future.

Gillespie looks at the role of religion in the shaping of early modern Ireland, taking a new approach which identifies the commonalities of religious thought and the differences between confessional groups.

Publisher Description

"The late nineteenth-century fin de siècle has proved an enduringly fascinating moment in literary and cultural history. It is associated with the emergence of intriguing figures -- such as the 'new woman' and 'uranian'; with contradictory impulses -- of decadence and decay on the one hand, and of experiment and renewal, on the other; as well as with unprecedented intercultural exchange, especially between Britain and France. The 22 newly-commissioned essays collected here re-examine some of the key concepts taken to define the fin de siècle, while also introducing hitherto overlooked cultural phenomena into the frame, such as the importance of humanitarianism. The impact of recent research in material culture is explored, particularly how the history of the book and the history of performance culture is changing our understanding of this period. A wide range of cultural activities is discussed -- from participation in avant-garde theatre to interior decoration and from the writing of poetry to political and religious activism. Together, the essays provide new scholarly insights into British fin de siècle and enrich our understanding of this complex period, while paying particular attention to the importance of regionalism."--

Early novelists such as Samuel Richardson, Daniel Defoe, and Laurence Sterne helped create the formula for the modern novel.