Jim was born in England and grew up in South Africa. He trained as a mechanical engineer in England and Canada and returned to RSA in 1974 where he was employed by Eskom for 16 years He married Phyllida, a Cape Town girl in 1981. Since then, they have lived in several places in RSA, initially for Eskom before retiring in 1990 on the grounds of poor health. After this, they pursued their Christian call in Middelburg, Worcester, Fish Hoek, Weltevreden Park and Randburg. Their connections with various churches include Bryanston Baptist Fellowship (now known as New Covenant Fellowship), Rhema Randburg, Ermelo Christian Fellowship, the Methodist Church of SA in: 1) Middelburg, 2) Worcester, 3) Fish Hoek and 4) Weltevreden Park. They also served the Lord in Weltevreden Chapel, Oak Tree Fellowship and Riversong Family Church. (RFC). In RFC, they were lead elders from 2008 to 2010 when they retired. Jims passion has been Bible teaching. He has concentrated on Survey reading in order to help ordinary men and women gain a better understanding of the Scriptures. He has assisted Phyllida in presenting her course, Hearing from God in various places in RSA. This was done to help ordinary Christian men and women become more confident in hearing God for themselves rather than through others. For the past 32 years, Jim has been a prophetic poet, taking Gods Word to others in verse and rhyme. He is largely self-taught, but attended Evening Bible School in Randburg in 1982. Jim and Phyllida are qualified as Local Preachers in the Methodist Church. They are also ordained ministers in World Christian Network. Jims ministry has been influenced by such men as Dr A W Tozer, Paris Riedhead, Gene Edwards, Derek Prins, Malcolm Smith and in particular David Pawson.

Welcome wildebeest / and beetle, / Oxpecker and lion. / This water hole is yours. / It offers you oasis / beside its shrinking shores. Spend a day at a water hole on the African grasslands. From dawn to nightfall, animals come and go. Giraffes gulp, wildebeest graze, impalas leap, vultures squabble, and elephants wallow. Fact sidebars support the poems about the animals and their environment. Imaginative illustrations from Anna Wadham complete this delightful collection.

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis

This bilingual Ukrainian-English collection brings together the most interesting experimental works by Mykola (Nik) Bazhan, one of the major Ukrainian poets of the twentieth century. As he moved from futurism to neoclassicism, symbolism to socialist realism, Bazhan consistently displayed a creative approach to theme, versification, and vocabulary. Many poems from his three remarkable early collections (1926, 1927, and 1929) remain unknown to readers, both in Ukraine and the West. Because Bazhan was later forced into the straitjacket of officially sanctioned socialist realism, his early poetry has been neglected. This collection makes these outstanding works available for the first time.

Psalm 29, a sacred text in Jewish and Christian Bibles, has been understood in a variety of ways through time and in different traditions. This volume presents a sample of the use and meaning derived from a single biblical text. From the earliest translations to contemporary African Independent Churches, this psalm has been an integral part of synagogue and church; but what it has meant and how it is used is a fascinating journey through human culture. Not only the understanding of the written word, but also the liturgical use and the musical adaptations of a biblical text are considered here. This is a book for anyone - scholar, student, or laity - with an interest in the Bible in its many contexts.