From celebrated gardens in private villas to the paintings and sculptures that adorned palace interiors, Venetians in the sixteenth century conceived of their marine city as dotted with actual and imaginary green spaces. This volume examines how and why this pastoral vision of Venice developed. Drawing on a variety of primary sources ranging from visual art to literary texts, performances, and urban plans, Jodi Cranston shows how Venetians lived the pastoral in urban Venice. She describes how they created green spaces and enacted pastoral situations through poetic conversations and theatrical performances in lagoon gardens; discusses the island utopias found, invented, and mapped in distant seas; and explores the visual art that facilitated the experience of inhabiting verdant landscapes. Though the greening of Venice was relatively short lived, Cranston shows how the phenomenon had a lasting impact on how other cities, including Paris and London, developed their self-images and how later writers and artists understood and adapted the pastoral mode. Incorporating approaches from eco-criticism and anthropology, Green Worlds of Renaissance Venice greatly informs our understanding of the origins and development of the pastoral in art history and literature as well as the culture of sixteenth-century Venice. It will appeal to scholars and enthusiasts of sixteenth-century history and culture, the history of urban landscapes, and Italian art.

Tracing the full history of traditionally white college fraternities in America from their days in antebellum all-male schools to the sprawling modern-day college campus, Nicholas Syrett reveals how fraternity brothers have defined masculinity over the course of their 180-year history. Based on extensive research at twelve different schools and analyzing at least twenty national fraternities, The Company He Keeps explores many factors--such as class, religiosity, race, sexuality, athleticism, intelligence, and recklessness--that have contributed to particular versions of fraternal masculinity at different times. Syrett demonstrates the ways that fraternity brothers' masculinity has had consequences for other students on campus as well, emphasizing the exclusion of different groups of classmates and the sexual exploitation of female college students.

The mysterious, highly influential hidden world of Yale’s secret societies is revealed in a definitive and scholarly history. Secret societies have fundamentally shaped America’s cultural and political landscapes. In ways that are expected but never explicit, the bonds made through the most elite of secret societies have won members Pulitzer Prizes, governorships, and even presidencies. At the apex of these institutions stands Yale University and its rumored twenty-six secret societies. Tracing a history that has intrigued and enthralled for centuries, alluring the attention of such luminaries as Ernest Hemingway, William Faulkner and F. Scott Fitzgerald, Skulls and Keys traces the history of Yale’s societies as they set the foundation for America’s future secret clubs and helped define the modern age of politics. But there is a progressive side to Yale’s secret societies that we rarely hear about, one that, in the cultural tumult of the nineteen-sixties, resulted in the election of people of color, women, and gay men, even in proportions beyond their percentages in the class. It’s a side that is often overlooked in favor of sensational legends of blood oaths and toe-curling conspiracies. Dave Richards, an alum of Yale, sheds some light on the lesser known stories of Yale’s secret societies. He takes us through the history from Phi Beta Kappa in the American Revolution (originally a social and drinking society) through Skull and Bones and its rivals in the nineteenth and twentieth centuries. While there have been articles and books on some of those societies, there has never been a scholarly history of the system as a whole.

Martin Garrett explores the extraordinary history, art and architecture of Venice and the islands of the lagoon. Looking at the legacy of the city's Jewish, Greek, Slav and Armenian minorities, he recalls the exploits of such legendary figures as Casanova and Byron. He also assesses the successful struggle to preserve the city in the face of flood and corruption, and its important modern role as host of the Biennale and film festival.MARTIN GARRETT is the author of literary companions to Italy and Greece, and has written or edited a number of works on Renaissance and nineteenth-century writers, including Sidney, Byron and the Brownings

An original argument that environmental sustainability has been co-opted by the urban elite, along with examples from around the world of ways we can save our planet “Caring for the environment means reclaiming ecology for everyone.” —from the introduction A sustainability apartheid is emerging. More than ever, urban residents want to be green, yet to cater to their interests, a green-tech service economy has sprung up, co-opting well-intentioned concerns over sustainability to sell a resource-heavy and exclusive “lifestyle environmentalism.” This has made cities more unsustainable and inaccessible to the working class. The Sustainability Class is about those wealthy “progressive” urbanites convinced that we can save the planet through individual action, smart urbanism, green finance, and technological innovation. Authors Vijay Kolinjivadi and Aaron Vansintjan challenge many of the popular ideas about environmentalism, showing that it is actually the sustainability class itself that is unsustainable. The solutions they propose work to safeguard an elite minority, exclude billions of people, and ultimately hasten ecological breakdown, not reverse it. From Venice Beach, Los Angeles, to Neom in Saudi Arabia and beyond, the authors explore with biting humor how investors around the world are rushing to capitalize on going green. By contrast, real-world examples of movements for housing and food production, transport, and waste management demonstrate how ordinary people around the world are building a more ecological future by working together, against all odds. In doing so, they show us how sustainability can be reclaimed for everyone. Sustainability isn’t about vibes and superficial green facades. It’s about building people power to reimagine the world.

This edited volume explores the history of student life throughout the nineteenth and twentieth centuries. Chapter authors examine the expanding reach of scholarship on the history of college students; the history of underrepresented students, including black, Latino, and LGBTQ students; and student life at state normal schools and their successors, regional colleges and universities, and at community colleges and evangelical institutions. The book also includes research on drag and gender and on student labor activism, and offers new interpretations of fraternity and sorority life. Collectively, these chapters deepen scholarly understanding of students, the diversity of their experiences at an array of institutions, and the campus lives they built.

From celebrated gardens in private villas to the paintings and sculptures that adorned palace interiors, Venetians in the sixteenth century conceived of their marine city as dotted with actual and imaginary green spaces. This volume examines how and why this pastoral vision of Venice developed. Drawing on a variety of primary sources ranging from visual art to literary texts, performances, and urban plans, Jodi Cranston shows how Venetians lived the pastoral in urban Venice. She describes how they created green spaces and enacted pastoral situations through poetic conversations and theatrical performances in lagoon gardens; discusses the island utopias found, invented, and mapped in distant seas; and explores the visual art that facilitated the experience of inhabiting verdant landscapes. Though the greening of Venice was relatively short lived, Cranston shows how the phenomenon had a lasting impact on how other cities, including Paris and London, developed their self-images and how later writers and artists understood and adapted the pastoral mode. Incorporating approaches from eco-criticism and anthropology, Green Worlds of Renaissance Venice greatly informs our understanding of the origins and development of the pastoral in art history and literature as well as the culture of sixteenth-century Venice. It will appeal to scholars and enthusiasts of sixteenth-century history and culture, the history of urban landscapes, and Italian art.

Murderous intrigue in an unforgettable setting. “. . . [A] pleasure trip that quickly devolves into a nightmare . . . ” —AudioFile Magazine “A riveting whodunit . . . ” —Kirkus Reviews A money launderer. A seduction. An old rivalry. Murders. Fighting to forget a crumbling marriage, Anna, a US Treasury officer, comes to Venice on vacation. A choice she soon regrets. Blackmailed by a money-laundering count, Anna demands he return explicit photos taken during their affair. He refuses. Tracking him to a hotel gala blows up when he is murdered and a dogged police detective accuses Anna of the crime. Anna draws upon her talents in math and science to attack the intricate puzzle of finding the killer among many suspects. They stymie her efforts by hiding secrets and spinning lies in a city built on illusions. Whom can she trust? Pursued, gripped by terror, barely dodging death’s dark embrace, Anna struggles to clear her name before police can destroy her alibi and lock her up. But then, as attempts on her life mount, she just might be safer in prison. . . . Readers of psychological mystery will enjoy this story of a brainy heroine battling daunting odds.