Everything seems to go wrong for Vera on her first day at a new school, until a classmate shares one of her mishaps.

Everything seems to go wrong for Vera on her first day at a new school, until a classmate shares one of her mishaps.

It is estimated that three to five percent of the adult male population of the United States feels the need, at least occasionally, to dress in women's clothing. Judging from enrollment at her academy, Miss Vera would say that figure is low. Veronica Vera founded Miss Vera's Finishing School for Boys Who Want to Be Girls in 1992 and started a gender revolution. Working from the pink palace of the Academy's intimate Manhattan campus, she has helped hundreds of students embrace and master Venus Envy through her expert instruction in the arts of dressing up, making up, going out, and acting like a lady. In her new book, she shares her priceless wisdom with the world. With sparkling wit and dazzling insight, Miss V gives us the 411 on body hair, foundation garments, make-up, and dressing, as well as offering invaluable advice on Creating a Herstory (finding the real life story of the femmeself within) speech, manners, walking in high heels, and--that biggest step of all--going out in the real world all dressed up. Amply illustrated and filled with the real stories of students and graduates, Miss Vera's Finishing School also offers a fascinating history of how the Academy came to be, as well as Miss Vera's own incisive gender manifesto. "As we step boldly toward the new millennium, many more of us will be doing it in high heels," says Veronica Vera. In Miss Vera's Finishing School for Boys Who Want to Be Girls, she proves conclusively that, after a long day in wingtips, there's nothing like slipping into a pair of spiked heels.

When her family seems to be too busy to appreciate her good report card, first-grader Vera decides to find somewhere else to live.

You can teach yourself to play the cello. This comprehensive, authoritative guide covers basics to Bach. Including 116 selections, it explains reading music, playing-by-ear and theory. Play-along CD.

Vera is finally big enough to go trick-or-treating after dark, and this year she is dressed as a mummy! When one of her tissue bandages unravels, she stops to fix it only to discover that her family accidentally left her behind. As Vera searches for them, it starts to rain. How will she keep her bandages from falling apart? How will she find her way home? Getting separated from loved ones can be a scary experience for children. In her reassuring way, Vera Rosenberry evokes the atmosphere of a spooky yet magical Halloween, and the comfort that comes when reuniting with loved ones.

Providing a lively snapshot of the state of art and social justice today on a global level, Entry Points accompanies the inaugural Vera List Center Prize for Art and Politics, launched at The New School on the occasion of the center’s twentieth anniversary. This book captures some of the most significant worldwide examples of art and social justice and introduces an interested audience of artists, policy makers, scholars, and writers to new ways of thinking about how justice is defined, advanced, and practiced through the arts. In so doing, it assembles some of the latest scholarship in this field while refining our vocabulary for speaking about social justice, social engagement, community enhancement, empowerment, and even art itself. The book's first half contains three essays by Thomas Keenan, João Ribas, and Sharon Sliwinski that map the field of art and social justice. These essays are accompanied by more than twenty profiles of recent artist projects that consist of brief essays and artist pages. This curated and carefully considered map of artists and projects identifies key moments in art and social justice. The book's second half consists of an in-depth analysis of Theaster Gates's The Dorchester Projects, which won the inaugural Vera List Prize for Art and Politics. Produced to complement the project’s exhibition at the Sheila C. Johnson Design Center, Parsons School of Design in September 2013, this analysis illuminates Gates's rich, complex, and exemplary work. This section includes an interview between Gates and Vera List Center director Carin Kuoni; essays by Horace D. Ballard Jr., Romi N. Crawford, Shannon Jackson, and Mabel O. Wilson; and a number of responses to The Dorchester Projects by faculty in departments across The New School. Published by Duke University Press and the Vera List Center for Art and Politics at The New School

The acclaimed work that debunks our myths and false assumptions about race in America Maurice Berger grew up hypersensitized to race in the charged environment of New York City in the sixties. His father was a Jewish liberal who worshiped Martin Luther King, Jr.; his mother a dark-skinned Sephardic Jew who hated black people. Berger himself was one of the few white kids in his Lower East Side housing project. Berger's unusual experience--and his determination to examine the subject of race for its multiple and intricate meanings--makes White Lies a fresh and startling book. Berger has become a passionate observer of race matters, searching out the subtle and not-so-subtle manifestations of racial meaning in everyday life. In White Lies, he encourages us to reckon with our own complex and often troubling opinions about race. The result is an uncommonly honest and affecting look at race in America today--free of cant, surprisingly entertaining, unsettled and unsettling.

Third grader Vera Vance has signed up for the comics camp after-school program, but her mother would much rather she focus on academics, athletics, music. . . anything but comics! Vera loves all things comic books, so she can't wait for the comics after-school class to start--even though her mother wonders whether it's educational enough. But Vera is determined to participate, and starts developing her own comic about Big Spoon and Little Spoon with the encouragement of her enthusiastic friend Nixie and instruction from teachers who are accomplished cartoonists themselves. As the weeks go by, the after-school teachers announce that for the final class, students will go on a field trip to a local comic-con--and they can even enter a page from their comics in a contest that will be judged there! Vera isn't surprised when her mother says she can't go. But maybe Big Spoon and Little Spoon can convince her mother to accept her passion. Vera Vance: Comics Star follows Nixie Ness: Cooking Star in the After-School Superstars chapter book series. Perfect for fans of Judy Moody, Ivy and Bean, and Clementine, the series is illustrated in black and white and each book includes a bonus activity that corresponds to the book's plot. A Junior Library Guild Selection!

Rosa is excited that her Aunt Ida is having a baby-she's going to have a cousin! But when the baby comes, Grandma suggests they get rid of the family's beloved armchair so that baby Benji can play on a nicer one. But Rosa puts her foot down: this chair is a member of the family, she says, and it will be with them always.