What if you could change your life and write your own story? What if you could make your dreams come true? To say Bones isn't thrilled with his dead-end job at the Venus Motel would be an understatement. But when you're fifteen with no family, expecting any prospects for your future feels pretty pointless. You just have to roll with the whims of the powers that be. And the motel owner, Calico Foster, can't keep herself afloat, much less rescue a lost kid. A job is all she can offer. Why Jimmy La Roux chooses the Venus to land at when he rolls out of the desert and into the parking lot is more than anyone knows. But with a rattle of Harley pipes and a cloud of dissipating dust, he roars in, fresh from blasting through the cosmos, ready to change all of their lives. Complete with jeans, boots, hair and muttonchops swept back from cosmic winds, and muscles like ropes, he looks like he could take on any sorrow and wrestle it into submission. And he's wielding a magic box that makes anything that goes into it disappear forever… Welcome to the Venus Motel, where a million stars dance above the neon and things are almost never what they seem. With a cast of characters including a blues-playing magician biker, a broken singer running away from her past, a couple of down-and-out crooks, a lovelorn cowboy, and a famous author drowning his demons in a bottle of rum, Venus Sings the Blues is vivid, quirky ride into the desert Southwest. Like all of Buck Storm's stories, it's full of humor and depth, and takes a lyrical look at God's love and his pursuit of man in a style reminiscent of an engaging blend of Jimmy Buffet and Gabriel García Márquez.

A NEW YORK REVIEW BOOKS ORIGINAL Notorious for a misspent life full of binges, blackouts, and unimaginable bad luck, Malcolm Lowry managed, against every odd, to complete and publish two novels, one of them, Under the Volcano, an indisputable masterpiece. At the time of his death in 1957, Lowry also left behind a great deal of uncollected and unpublished writing: stories, novellas, drafts of novels and revisions of drafts of novels (Lowry was a tireless revisiter and reviser—and interrupter—of his work), long, impassioned, haunting, beautiful letters overflowing with wordplay and lament, fraught short poems that display a sozzled off-the-cuff inspiration all Lowry’s own. Over the years these writings have appeared in various volumes, all long out of print. Here, in The Voyage That Never Ends, the poet, translator, and critic Michael Hofmann has drawn on all this scattered and inaccessible material to assemble the first book that reflects the full range of Lowry’s extraordinary and singular achievement. The result is a revelation. In the letters—acknowledged to be among modern literature’s greatest—we encounter a character who was, as contemporaries attested, as spellbinding and lovable as he was self-destructive and infuriating. In the late fiction—the long story “Through the Panama,” sections of unfinished novels such as Dark as the Grave Wherein My Friend Is Laid, and the little-known La Mordida—we discover a writer who is blazing a path into the unknown and, as he goes, improvising a whole new kind of writing. Lowry had set out to produce a great novel, something to top Under the Volcano, a multivolume epic and intimate tale of purgatorial suffering and ultimate redemption (called, among other things, “The Voyage That Never Ends”). That book was never to be. What he produced instead was an unprecedented and prophetic blend of fact and fiction, confession and confusion, essay and free play, that looks forward to the work of writers as different as Norman Mailer and William Gass, but is like nothing else. Almost in spite of himself, Lowry succeeded in transforming his disastrous life into an exhilarating art of disaster. The Voyage That Never Ends is a new and indispensable entry into the world of one of the masters of modern literature.

Literary Americana fiction filled with humor and heart When his wife, Angel, is killed in a head-on collision, Gomez Gomez feels he can't go on--so he doesn't. He spends his days in the bushes next to the crash site drinking Thunderbird wine, and his nights cradling a coffee can full of Angel's ashes. Slow, sure suicide, with no one for company but the snakes, Elvis's ghost, and a strange kid named Bones. Across town, Father Jake Morales plays it safe, haunted by memories of the woman he left behind, hiding his guilt, loss, and love behind a thick wall of cassock and ritual. Then a shady business deal threatens the town--and his good friend Gomez Gomez--and Father Jake can't just stand by and watch. But what happens when the rescuer is the one in need of saving? The Beautiful Ashes of Gomez Gomez is quirky, heartfelt, and deeply human. Lives and hopes collide in the town of Paradise, stretching across decades and continents in this epic story of forgiveness, redemption, and love.

Here is Gayl Jones's classic novel, the tale of blues singer Ursa, consumed by her hatred of the nineteenth-century slave master who fathered both her grandmother and mother.

The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.

Encounter the trailblazers whose recordings expanded the boundaries of technology and brought “popular” music into America's living rooms! Popular American Recording Pioneers: 1895--1925 (winner of the 2001 Association for Recorded Sound Collections Award of Excellence in Historical Recorded Sound Research) covers the lives and careers of over one hundred musical artists who were especially important to the recording industry in its early years. Here are the men and women who brought into American homes the hits of the day--Tin Pan Alley numbers, Broadway show tunes, ragtime, parlor ballads, early jazz, and dance music of all kinds. Popular American Recording Pioneers: 1895--1925 compiles rare information that was scattered in hundreds of record catalogs, hobbyist magazines, newspaper clippings, phonograph trade journals, and other sources. Look no further! This volume is the ultimate resource on the subject! You will increase your knowledge in these areas: the recording industry's formative years artists’personalities and musical styles popular music history history of recording technology Popular American Recording Pioneers: 1895--1925 provides a unique “who's who” approach to popular music history. It is the definitive work on the music that was popular during America's coming of age. No music historian should be without this volume.

Welcome to Paradise, a sleepy, backwater town in the mountains of Southeastern Arizona where police chief Luke Hollis is perfectly content to concentrate on nothing but issuing the occasional speeding ticket. Well that and working up the nerve to approach his dispatcher, Ruby Brooks, for a date. When an unexplained healing occurs during a service at the Mount Moriah Pentecostal Church of God, Hollis finds his simple belief system challenged and his life changed forever. Throw in a struggling minister, a world-class grifter, and a stranger with an unbelievable story of love and redemption and the stage is set for The Miracle Man. By the time it's all over everyone involved will come face to face with a power that's greater and more wonderful than any of them could have ever imagined. Selah Awards Finalist Written for the General Market (G) (I) Contains little or no; sexual dialogue or situations or strong language. May also contain content of an inspirational nature.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

Here Peacocke and Pederson compose a rhapsody on divine creativity in three movements. Through an extended analogy, they reveal how Christian understandings of creation can be brightly lit by scientific insights and approached analogously through examining musical creativity. They also include relevant selections on an accompanying CD-ROM. Composition, fugal arrangement, rhythm and tempo, jazz improvization all shed light on creation. Creation from nothing, continual creation, incarnate creativity, communal or ecclesial creativity, open-ended future creativity--new ways of thinking about the Christian teaching are illumined and exemplified in musical creativity from Bach to Monk: Prelude First Movement: Creation with Time Second Movement: Creation in Time Bridge Passage: Creation Fulfilled Third Movement: Working at Creation Coda: Ongoing Creation