Western culture has long been fascinated by black women, but a history of enslavement and colonial conquest has variously labeled black women's bodies as "exotic" and "grotesque." In this remarkable cultural history of black female beauty, Janell Hobson explores the enduring figure of the "Hottentot Venus." In 1810, Saartjie Baartman was taken from South Africa to Europe, where she was put on display at circuses, salons, and museums and universities as the "Hottentot Venus." The subsequent legacy of representations of black women's sexuality-from Josephine Baker to Serena Williams to hip-hop and dancehall videos-continues to refer back to this persistent icon. This book analyzes the history of critical and artistic responses to this iconography by black women in contemporary photography, film, literature, music, and dance.

How the Dance of the Seven Veils led to 'the libel case of the century'. Maud Allan's rebellious life is set against an examination of the changing lives of women during a crucial period in the history of feminism.

In this riveting, heartfelt debut, a young woman assumes a new name to escape her dark past and find the redemption she desperately seeks. “It’s impossible not to root for this strong, willful girl as she finds her place in the world and for her brother as he tries to make sense of it.”—Kirkus Reviews “Charming, touching, and a host of other adjectives not often associated with a murderous thirteen-year-old.”—Booklist Venus Black is a straitlaced A student fascinated by the study of astronomy—until the night she commits a shocking crime that tears her family apart and ignites a media firestorm. Venus refuses to talk about what happened or why, except to blame her mother. Adding to the mystery, Venus’s developmentally challenged younger brother, Leo, goes missing. More than five years later, Venus is released from prison with a suitcase of used clothes, a fake identity, and a determination to escape her painful past. Estranged from her mother, and with her beloved brother still missing, she sets out to make a fresh start in Seattle, skittish and alone. But as new people enter her orbit—including a romantic interest and a young girl who seems like a mirror image of her former lost self—old wounds resurface, and Venus realizes that she can’t find a future while she’s running from her past. In this gripping story, debut novelist Heather Lloyd brilliantly captures ordinary lives thrust into extraordinary circumstances. Told through a constellation of captivating voices, My Name Is Venus Black explores the fluidity of right and wrong, the pain of betrayal, and the meaning of love and family. Praise for My Name Is Venus Black “Fans of realistic coming-of-age fiction will enjoy Lloyd’s fast-paced first novel for the freshly drawn original characters, compelling story line, and beautiful tribute to the healing power of love. It’s bound to have crossover appeal to older YA readers.”—Library Journal “A dark but ultimately uplifting story about family, love, and forgiveness, and how to find your place in the world, My Name Is Venus Black is a powerful debut novel from a fresh voice in fiction.”—New York Times bestselling author Sarah Jio

DIVExplores the treatment and image of the black female or "Black Venus" as seen in early 19th French literature./div

Aphrodite women always stand out. Go to any public venue and wait for the moment of recognition: There she is―the "it" girl. Tall and slim, or short and slim, blond or raven or red-haired, it matters not. Whether she dresses like a princess or a prostitute, she has the unmistakable spark that is the touch of Aphrodite. Aphrodite is the golden goddess of love and beauty in Greek mythology. Women who embody the Aphrodite archetype have much less choice in how they behave or react than they, or others, imagine. The myths tell us that Aphrodite qualities are essential for the joy of life, but the shadow side of Aphrodite manifests when a woman is completely identified with Aphrodite's powers, when other archetypal qualities of the feminine are unimportant to her. The tragedies that result from this are the subject of numerous well-known novels and films and exemplified in the lives of certain actresses and other celebrities, all considered here. The dark side of the pursuit of beauty is especially apparent with aging, when the Aphrodite woman must become something other than a source of beauty or dwindle to a bitter and lonely end. Those whose lives have been wounded by the shadow side of Aphrodite―or those who do not have enough of Aphrodite's joy in their personal makeup―may find understanding and rebirth through the consciousness gained in this real-life exploration of an ideal that has ballooned into a distortion. In these times, when the idolization of Aphrodite―and the tragedy that ensues―are perhaps more widespread than ever, the crucial key for women is consciousness.

Tom Van Flandern's book adds a new dimension to cosmology--not only does it present a novel approach to timeless issues, it stands up to the closest scientific scrutiny. Even the most respected scientists today will readily admit that the Big Bang Theory is full of holes. But it takes a new look, like Dark Matter, Missing Planets, and New Comets, to explain not only why the theory is wrong but what to substitute in its place. If you are curious about such things as the nature of matter and the origin of the solar system, but feel inadequately equipped to grasp what modern science has to say about such things, read this book. You will not get the all too common condescending attempt to water down the `mysteries' of modern science into a form intelligible to little non scientist you, but rather a straightforward new theory, logically derived in front of your eyes, which challenges the roots of many of today's complex accepted paradigms, yet whose essence is simple enough to be thoroughly communicated to the intelligent layman without "losing it in the translation."

In this second edition of the remarkable, and now classic, cultural history of black women’s beauty, Venus in the Dark, Janell Hobson explores the enduring figure of the "Hottentot Venus" and the history of critical and artistic responses to her by black women in contemporary photography, film, literature, music, and dance. In 1810, Sara Baartman was taken from South Africa to Europe, where she was put on display at circuses, salons, museums, and universities as the "Hottentot Venus." The subsequent legacy of representations of black women’s sexuality—from Josephine Baker to Serena Williams to hip-hop and dancehall videos—refer back to her iconic image. Via a new preface, Hobson argues for the continuing influence of Baartman’s legacy, as her image still reverberates through the contemporary marketization of black women’s bodies, from popular music and pornography to advertising. A brand new chapter explores how historical echoes from previous eras map onto highly visible bodies in the twenty-first century. It analyzes fetishistic spectacles of the black "booty," with particular emphasis on the role of Beyoncé Knowles in the popularization of the "bootylicious" body, and the counter-aesthetic the singer has gone on to advance for black women’s bodies and beauty politics. By studying the imagery of the "Hottentot Venus," from the nineteenth century to now, readers are invited to confront the racial and sexual objectification and embodied resistance that make up a significant part of black women’s experience.

The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves A Penguin Classic Considered "one of the great English-language novels of the twentieth century" (The Paris Review), The Transit of Venus follows Caroline and Grace Bell as they leave Australia to begin a new life in post-war England. From Sydney to London, New York, and Stockholm, and from the 1950s to the 1980s, the two sisters experience seduction and abandonment, marriage and widowhood, love and betrayal. With exquisite, breathtaking prose, Australian novelist Shirley Hazzard tells the story of the displacements and absurdities of modern life. The result is at once an intricately plotted Greek tragedy, a sweeping family saga, and a desperate love story.

The “Ashen Light” of Venus—a ghostly emission of light from the night side of our nearest planetary neighbor—is among the last unsolved mysteries of astronomical history. In the four centuries since the phenomenon was first reported, highly reputable visual observers of Venus have recorded seeing the Ashen Light, while others have spent a lifetime searching for it without once being convinced that they ever saw it. Is the Ashen Light a trick of the eye? The result of a defective lens? A real scientific event? Occasional references to the Ashen Light are scattered across the literature, yet no work to date has synthesized these records. This book therefore digs deep into the history of the mystery and our latest attempts to understand it, sifting through the clues that might explain whether it is caused by physics, is conjured up by the eye or brain, or a combination of both. This baffling story will appeal to amateur astronomers, hobbyists, and lay readers interested in joining the debate about one of the most elusive observable phenomena ever recorded in the night sky.