This work demonstrates the ways in which a complex of ideas with a misogynistic basis relates to the image of the venomous woman--the woman who uses poisons or potions, who has a relationship with a venomous animal, or who is herself poisonous. Hallissy suggests that the venomous woman is an image of feminine power reflected in masculine fear. The study concentrates on periods when ignorance of the medicinal effects of poisons exaggerated the potency of this image. It examines works of literature which span a large period of time but are linked by this persistent image. Through its examination of the venomous women, it clarifies the function of misogyny as an expression of masculine fear.

Sandy Bardsley examines the complex relationship between speech and gender in the fourteenth and fifteenth centuries and engages debates on the static nature of women's status after the Black Death. Focusing on England, Venomous Tongues uses a combination of legal, literary, and artistic sources to show how deviant speech was increasingly feminized in the later Middle Ages. Women of all social classes and marital statuses ran the risk of being charged as scolds, and local jurisdictions interpreted the label "scold" in a way that best fit their particular circumstances. Indeed, Bardsley demonstrates, this flexibility of definition helped to ensure the longevity of the term: women were punished as scolds as late as the early nineteenth century. The tongue, according to late medieval moralists, was a dangerous weapon that tempted people to sin. During the fourteenth and fifteenth centuries, clerics railed against blasphemers, liars, and slanderers, while village and town elites prosecuted those who abused officials or committed the newly devised offense of scolding. In courts, women in particular were prosecuted and punished for insulting others or talking too much in a public setting. In literature, both men and women were warned about women's propensity to gossip and quarrel, while characters such as Noah's Wife and the Wife of Bath demonstrate the development of a stereotypically garrulous woman. Visual representations, such as depictions of women gossiping in church, also reinforced the message that women's speech was likely to be disruptive and deviant.

Enjoy this story by historical fantasy romance author Anne Renwick where you'll unravel mysteries and defy conventions in a world where danger lurks around every corner. You’ll find forbidden romance, evil villains and mad science in these gaslamp and steampunk romances... When the boundaries between scientific pursuit and personal risk blur, love and danger intertwine in the most unexpected ways. Cait McCullough, venom expert, is trouble personified. Bored, she longs for excitement. And investigating a vicious fanged creature who stalks its victims by lamplight in darkest London offers the perfect opportunity. Working with a handsome, unmarried agent? A delightful bonus. Agent Jonathan “Jack” Tagert’s impending blindness threatens his line of work. The timing couldn’t be worse. When a deadly attack upon a lord at his brother’s engagement ball connects to a string of odd murders, the hunt begins for a seductive predator. Societal scandal binds them together, sending them on a perilous mission to trace the creature’s past, to separate fact from myth. As the venomous truth slithers near, time is running out. Can the pair untangle a mystery and stop the body count from rising? STEP INTO THE ELEMENTAL WEB! Venomous Secrets is the fourth story in the Elemental Web Chronicles, although all books in the Elemental Web (Chronicles, Tales & Stories) can be read as standalones. For fans of steampunk and gaslamp fantasy romance like SL Prater, AJ Lancaster and Jacquelyn Benson, this is a STEAMY romance with a guaranteed happily ever after for women in STEM and the men who are their match.

Grannies, geishas, warriors, mystics, recluses, and predators_these are the dangerous women of traditional China. Through her exploration of the myth and history of the Ming, Victoria B. Cass brings their world brilliantly to life. In a culture that is resoundingly patriarchal, these women are a vivid counterpoint. Violating state-sponsored orthodoxies, the granny mocks and mimics, the geisha charms with her intellect, the warrior rules in icy superiority. Using new and freshly interpreted sources, the author leads us confidently into this surprising world, bolstering her erudite and engaging text with stunning color and black and white art of the period.

Toxic Airs brings together historians of medicine, environmental historians, historians of science and technology, and interdisciplinary scholars to address atmospheric issues on a spectrum of scales from body to place to planet. The chapters analyze airborne and atmospheric threats posed to humans, and contributors demonstrate how conceptions of toxicity have evolved and how humans have both created and mitigated toxins in the air. Specific topics discussed include medieval beliefs in the pestilent breath of witches, malarial theory in India, domestic and military use of tear gas, Gulf War Syndrome, Los Angeles smog, automotive emissions control, the epidemiological effects of air pollution, transboundary air pollution, ozone depletion, the contributions of contemporary artists to climate awareness, and the toxic history of carbon "die"-oxide. Overall, the essays provide a wide-ranging historical study of interest to students and scholars of many disciplines.

Libby has a good life with a gorgeous husband and a home by the sea. But over time she is becoming more unsure if Jack has ever loved her - and if he is over the death of Eve, his first wife. When fate intervenes in their relationship, Libby decides to find out all she can about the man she hastily married and the seemingly perfect Eve. But in doing so she unearths some devastating secrets. Frightened by what she finds and the damage it could cause, Libby starts to worry that she too will end up like the first woman Jack loved...

Because they are so often told as news, contemporary legends force us to reevaluate life as we know it. They confront us with macabre, fantastic, horrific, or hilarious characters and events that seem to come straight out of myths and folktales, but are presented as present day events. The difficulty is that it is not at all easy to decide whether these often disturbing stories should be treated as reliable or dismissed as fantasy. The legends explored in this book are some of the most bizarre, gruesome, and politically sensitive stories in the contemporary legend canon. At any moment a body may be invaded by noxious creatures, deliberately infected with deadly disease, or raided to provide donor organs for sick foreigners. These are "winter's tales," the stuff of nightmares. In this book Gillian Bennett traces the cultural history of six legends, well-known in Europe and America from medieval times to the present day. Appearing in broadsides, ballads, myths, ancient and modern legends, novels, plays, films, television shows, and stories told in the oral tradition, these legends are not just silly tales which can be dismissed as trivial and untrue. They reveal much about the concerns and fears of everyday life and demonstrate the limits of knowledge and power in the modern world.

al capital, but also with two illegitimate children?The whole world waits to see Miss Su's jokes. Spent However...... Unexpectedly miss Su unexpectedly seems to change a person, return strong. Her medical skill double unique, once through, not only became a straw miss, but also with two drag bottles? ! All right, these two dolls will be cute smart niang, full of intimate little padded jacket. Who knows halfway out of the next country tyrant, not only to rob her children, but also have the cheek to let her be responsible! Don't! A tyrant with a black face.

“Articulations and expressions of gender can be destabilising, transgressive, revolutionary and radical, encompassing both a painful legacy of oppression and a joyous exploration of new experience.” Analysing key texts from the 19th to 21st centuries, this book explores a range of British and Anglophone authors to contextualise women’s writing and feminist theory with ongoing debates in consciousness studies. Discussing writers who strive to redefine the gendered world of “sexualized” space, whether internal or external, mental or physical, this book argues how the “delusion” of gender difference can be addressed and challenged. In literary theory and in representations of the female body in literature, identity has increasingly become a shifting, multiple, renegotiable—and controversial—concept. While acknowledging historical and cultural constructions of sexuality, “writing the body” must ultimately incorporate knowledge of human consciousness. Here, an understanding of consciousness from contemporary science (especially quantum theory)—as the fundamental building block of existence, beyond the body—allows unique insights into literary texts to elucidate the problem of subjectivity and what it means to be human. Including discussion of topics such as feminism and androgyny, agency and entrapment, masculinities and masquerade, insanity and emotion, and individual and social empowerment, this study also creates a lively engagement with the literary process as a means of fathoming the “enigma” of consciousness. Daphne Grace is Professor of English, specializing in postcolonial and transnational literature, gender and women’s studies, in addition to British literature of the 19th to 21st centuries. She currently teaches at the University of the Bahamas, and has also previously taught at Sussex University, England, and Eastern Mediterranean University in Cyprus.