The book intends to be a short guide to Venice for lovers of arts, arriving here from distant places and with different cultural backgrounds but all with the same desire to better understand the unique character of this city. We offer to the reader a rich choice of images of some of the most relevant Venetian buildings, sculptures, and paintings, accompanied by brief historical remarks. We avoided describing them in an academic way. We are confident that, once arrived to the last page of this short guide, the readers will have acquired sufficient autonomy to be able to judge by themselves what they like best among the many artistic aspects of this special city.

In the tradition of Jane Jacobs’ The Death and Life of Great American Cities comes an urgent plea from internationally renowned art historian Salvatore Settis to preserve Venice’s future. What is Venice worth? To whom does this urban treasure belong? Venetians are increasingly abandoning their hometown — there’s now only one resident for every 140 visitors — and Venice’s fragile fate has become emblematic of the future of historic cities everywhere as it capitulates to tourists and those who profit from them. In If Venice Dies, a fiery blend of history and cultural analysis, internationally renowned art historian Savatore Settis argues that “hit-and-run” visitors are turning landmark urban settings into shopping malls and theme parks. He warns that Western civilization’s prime achievements face impending ruin from mass tourism and global cultural homogenization. This is a passionate plea to secure Venice’s future, written with consummate authority, wide-ranging erudition, and élan.

The identity of Venice, Queen of the Adriatic, is inseparable from the waters of the lagoon by which she is surrounded. Isabella Panfido takes us on an exploration of those waters that since time immemorial have been Venice's refuge and defence, visiting some of its many islands (the names of a few - Fisolo, Sant'Arian, Lio Piccolo, San Secondo - will be unknown even to the most assiduous visitors to the city), and introducing us to their elusive magic and their well-kept secrets.We learn of haunting illusions created by the peculiar geography of the lagoon under certain climatic conditions; of the devastating plague of 1630 that led to the loss of 47,000 Venetian lives over a period of sixteen months; of the destruction by a bitter north wind of baskets full of carefully harvested soft-shelled crabs and their seemingly miraculous rebirth and metamorphosis from one delicacy into another; of thwarted yearnings and ambitions, of jealous rivalries and revenge, of the terrible price of vanity - and much, much more.An expert guide and consummate storyteller, the author draws on a deep and extensive knowledge of her native city past and present, and on her own personal experiences, weaving together myth and legend, imagination and historical fact, to capture the mystique of the phenomenon that is Venice.Venice Noir is the winner of two literary prizes: the Latisana per il Nord-Est Prize and the Gambrinus Giuseppe Mazzotti Prize.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.