What does Venice look like when observed from the perspective of climate change, environmental collapse, and human-animal relations in an age of industrialization and mass extinction? That is, as a privileged observatory of the Anthropocene? This guide, composed of several voices, forms a new, illuminating and disturbing mosaic of Venice and its Lagoon. What does the Venetian School of Painting tell us about our relationship with the environment and animals? What do peripheral places in the Lagoon like Porto Marghera and Pellestrina reveal about the advent and impact of modernity? What stories of extinction lie behind local delicacies like baccalà mantecato? What does the centuries-old relationship of Venetians with water tell us about other cities threatened by an increasingly hostile climate? The guidebook, accompanied by a map, is intended as a tool for learning about the city in a new way. Venice emerges here as a unique ecosystem at risk, but also as a key to understanding our increasingly vulnerable world. Preface by Serenella Iovino

This book is an investigation of the ideological dimensions of the disciplinary discourses on science in line with the scholarly tradition of historical epistemology. It offers a programmatic treatment of the political-epistemological problematic along three entangled lines of inquiry: socio-historical, epistemological and historiographical. The book aims for a meta-level integration of the existing scholarship on the social and cultural history of science in order to consider the ways in which struggles for hegemony have constantly informed scientific discourses. This problematic is of primary relevance for scholars in Science Studies, philosophers, historians and sociologists of science, but would also be relevant for anybody interested in scientific culture and political theory.

Was wäre, wenn wir das multistabile, ambivalente und anpassungsfähige Verhalten aktiver Materie als offenen Gestaltungsspielraum verstehen? Die Beiträge dieses Bandes erkunden das formbildende Potenzial des Prozessua-len und Unverfügbaren - von mikrobi-ellem Co-Design über morphogeneti-sche Experimente und atmosphärische Kreationen bis hin zu Plastizität und Lebendigkeit in Architektur, Kunst und Begriffsentwicklung. Im Grenzgang zwischen analogen und digitalen For-men überschreiten die hier vorgestell-ten 19 Perspektiven disziplinäre und methodologische Grenzen und zielen darauf ab, ein neues Paradigma des Materiellen zwischen den Kulturen der Natur- und Geisteswissenschaften und des Designs zu begründen. Interdisziplinäre Beiträge zu aktiven Strukturen, adaptiven Materialien und Nachhaltigkeit Analoge Codes und Praktiken im Zeitalter des Digitalen Forschungsergebnisse des Exzellenzclusters "Matters of Activity. Image Space Material" an der Humboldt-Universität zu Berlin

Where did the term ?amplifying nature? come from? What does it mean that light oscillation, gravity and water circulation are materials of architecture? Where in the history of Polish architecture do we look for planetary design? Can a building be as dynamic as a climate? What has the roof got us used to and can we get unused to it?0The book that accompanies the Amplifying Nature exhibition, presented with the participation of CENTRALA ? Malgorzata Kuciewicz and Simone De Iacobis, with the collaboration of Iza Tarasewicz and Jacek Damiecki at the 16th International Architecture Exhibition ? La Biennale di Venezia, uses examples of local Warsaw projects, proposing a reconfiguration of the narratives on architecture-in-nature and nature-in-architecture. In its optics, a planetary scale is necessary for architectural analysis: the Earth in a geological-astronomical system as a system supporting life as we know it.00Exhibition: Polish Pavilion, 16th Architecture Biennale, Venice, Italy (26.05. - 25.11.2018).

What can a pesticide pump, a jar full of sand, or an old calico print tell us about the Anthropocene—the age of humans? Just as paleontologists look to fossil remains to infer past conditions of life on earth, so might past and present-day objects offer clues to intertwined human and natural histories that shape our planetary futures. In this era of aggressive hydrocarbon extraction, extreme weather, and severe economic disparity, how might certain objects make visible the uneven interplay of economic, material, and social forces that shape relationships among human and nonhuman beings? Future Remains is a thoughtful and creative meditation on these questions. The fifteen objects gathered in this book resemble more the tarots of a fortuneteller than the archaeological finds of an expedition—they speak of planetary futures. Marco Armiero, Robert S. Emmett, and Gregg Mitman have assembled a cabinet of curiosities for the Anthropocene, bringing together a mix of lively essays, creatively chosen objects, and stunning photographs by acclaimed photographer Tim Flach. The result is a book that interrogates the origins, implications, and potential dangers of the Anthropocene and makes us wonder anew about what exactly human history is made of.

Today we live in what geologists have named the Anthropocene. The Earth has entered a new geological epoch, and the climate crisis is a reality. The crisis is so substantial and complex that our existing knowledge of environmental disasters is insufficient. Without the realization that we, as human beings, are intimately connected to all other kinds of life, we are guilty of a collective sin of omission by ignoring the fundamental connectedness of humanity and nature. We are not just part of the same cycle, we are nature. And since everything affects and is affected by everything else, it seems sufficient to consider the Anthropocene from many perspectives and fields.00'Connectedness' includes a diverse selection of contributions, including Björk, Greta Thunberg, Donna Haraway and Tomas Saraceno, that brings many perspectives and disciplines into the discussion to the crucial period in which we are currently living.

In this edited volume, authors from multiple academic and creative disciplines interrogate constructionist and new materialist paradigms to assess their adequacy when analysing entanglements and weavings of gender and love in diverse contexts where discursive and material elements intra-act.

The first study to look at the intersection of the discourse of the Anthropocene within the two highly influential storytelling modes of fantasy and myth, this book shows the need for stories that articulate visions of a biocentric, ecological civilization. Fantasy and myth have long been humanity's most advanced technologies for collective dreaming. Today they are helping us adopt a biocentric lens, re-kin us with other forms of life, and assist us in the transition to an ecological civilization. Deliberately moving away from dystopian narratives toward anticipatory imaginations of sustainable futures, this volume blends chapters by top scholars in the fields of fantasy, myth, and Young Adult literature with personal reflections by award-winning authors and illustrators of books for young audiences, including Shaun Tan, Jane Yolen, Katherine Applegate and Joseph Bruchac. Chapters cover the works of major fantasy authors such as J. R. R. Tolkien, Terry Prachett, J. K. Rowling, China Miéville, Barbara Henderson, Jeanette Winterson, John Crowley, Richard Powers, George R. R. Martin and Kim Stanley Robinson. They range through narratives set in the UK, USA, Nigeria, Ghana, Pacific Islands, New Zealand and Australia. Across the chapters, fantasy and myth are framed as spaces where visions of sustainable futures can be designed with most detail and nuance. Rather than merely criticizing the ecocidal status quo, the book asks how mythic narratives and fantastic stories can mobilize resistance around ideas necessary for the emergence of an ecological civilization.

A comprehensive treatment of the human role in modifying geomorphological forms and processes and their influence on the Earth's systems.

Graeme Laurie stepped down from the Chair in Medical Jurisprudence at the University of Edinburgh in 2019. This edited collection pays tribute to his extraordinary contributions to the field. Graeme often spoke about the importance of 'legacy' in academic work and forged a remarkable intellectual legacy of his own, notably through his work on genetic privacy, human tissue and information governance, and the regulatory salience of the concept of liminality. The essays in this volume animate the concept of legacy to analyse the study and practice of medical jurisprudence. In this light, legacy reveals characteristics of both benefit and burden, as both an encumbrance to and facilitator of the development of law, policy and regulation. The contributions reconcile the ideas of legacy and responsiveness and show that both dimensions are critical to achieve and sustain the health of medical jurisprudence itself as a dynamic, interdisciplinary and policy-engaged field of thinking.