The Salviati Collection of Venetian glass was presented to the Leland Stanford Junior Museum, California, at the end of the 19th century by Maurizio Camerino and Silvio Salviati. The gift, which encompasses virtually all the colors, styles and techniques marketed under the celebrated name, has been for the most part under wraps since the 1906 San Francisco earthquake and is to be displayed for the first time. This collection forms the basis of this lavish book which accompanies its exhibition at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, California. 245 pieces are illustrated and described in this the most comprehensive publication on Salviati glass yet published. An introductory essay explores the art of Venetian glass blowing, a tradition that goes back more than a thousand years.

Identifies the artisans and styles which have made the history of Venetian glass

Carol M. Osborne was Associate Director and Chief Curator of the Stanford University Museum of Art from 1978 to 1993.

Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.

The vast and variegated de Boos-Smith Collection offers a comprehensive and fascinating panorama of 19th-century Murano glass production, from filigree to millefiore, from avventurine to chalcedony, that will also appeal to a non-expert audience.

A superbly illustrated and meticulously researched standard work for connoisseurs and collectors of Venetian art glass. Includes a marks table and a glossary.

Overzicht van het glaswerk gemaakt door de Venetiaanse familie.

The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.