Bella A pact made. Two orphans who vowed to never part. I was selfish-for once, I had to be. The last time I saw Callum he was standing at the dormer window as I sat in the back seat of a car. His dark eyes foreign to me. The hatred that radiated from his glare shot through me with more force than a silver bullet. In a matter of minutes he had become a stranger. No longer my best friend. He was now a boy with a hollow heart who was headed down a dark path. A path I knew I'd never cross again. Or, so I thought. CallumWe had a deal-always stay together. The day Bella left, I vowed I would find her. And when I did, she would feel what I felt as I watched her pull away into a new life, with a new family. Leaving me behind to endure a life that was wrapped inside the hands of a monster.It's been twelve years, but I've finally found her. Now it's time for her to bask in the darkness she's created inside of me.

Black Hat Bureau, Book 1 Remember that old line about how the only way out of the organization is in a pine box? Well, Rue Hollis spent ten years thinking she had escaped the Black Hat Bureau, no coffin required. Then her former partner had to go and shatter the illusion by showing up on her doorstep with grim tidings. As much as Rue wants to kick him to the curb, she agrees to hear him out for old times' sake, and what he says chills her to the bone. The Silver Stag was the most notorious paranormal serial killer in modern history, and Rue brought him down. Now a copycat has picked up where the Stag left off, and the Bureau wants her on the case. She beat the Stag once. They think she can do it again. But they don't know she's given up black magic, and she's not about to tell them. White witches are prey, and Rue is the hunter, not the hunted. Always. But can she take down the protégé of the man who almost beat her at her black witch best? If she wants to keep her new town, her new home, her new life, then she has no choice but to find out.

Can Vellum make YOUR publishing life easier?The Vellum book formatting program is one of the front-runners in the self-publisher world today, and with good reason. Vellum takes on the big-publisher industry standards and implements them for the everyday user. It challenges the stigma that "ebooks always break and they have to be ugly" and gives you the chance to give your readers a beautiful, unbreakable ebook experience.Is Vellum the tool for you? This book shows you?- All the steps in a start-to-finish format- Best practices for ebook and print layouts- How to set up beautiful custom print book designs while keeping ebook delivery costs low- Tips for how PC users can access this Mac-based appWith two all-new chapters in this edition, setting up print page backgrounds plus common troubleshooting questions, this book will help demystify Vellum and set you up for success.

Being a writer is not just about typing. It's also about surviving the roller-coaster of the creative journey. Self-doubt, fear of failure, the need for validation, perfectionism, writer's block, comparisonitis, overwhelm, and much more. This book offers a survival strategy and ways to deal with them all.

When 16-year-old poetry blogger Tessa Dickinson is involved in a car accident and loses her eyesight for 100 days, she feels like her whole world has been turned upside-down. Terrified that her vision might never return, Tessa feels like she has nothing left to be happy about. But when her grandparents place an ad in the local newspaper looking for a typist to help Tessa continue writing and blogging, an unlikely answer knocks at their door: Weston Ludovico, a boy her age with bright eyes, an optimistic smile...and no legs. Knowing how angry and afraid Tessa is feeling, Weston thinks he can help her. But he has one condition -- no one can tell Tessa about his disability. And because she can't see him, she treats him with contempt: screaming at him to get out of her house and never come back. But for Weston, it's the most amazing feeling: to be treated like a normal person, not just a sob story. So he comes back. Again and again and again. Tessa spurns Weston's "obnoxious optimism", convinced that he has no idea what she's going through. But Weston knows exactly how she feels and reaches into her darkness to show her that there is more than one way to experience the world. As Tessa grows closer to Weston, she finds it harder and harder to imagine life without him -- and Weston can't imagine life without her. But he still hasn't told her the truth, and when Tessa's sight returns he'll have to make the hardest decision of his life: vanish from Tessa's world...or overcome his fear of being seen. 100 Days of Sunlight is a poignant and heartfelt novel by author Abbie Emmons. If you like sweet contemporary romance and strong family themes then you'll love this touching story of hope, healing, and getting back up when life knocks you down.

Book 2 in the Vaults of Terra mini-series. Discover what happens when Chaos comes to the Throneworld itself for the first time in ten millennia..... Inquisitor Erasmus Crowl has discovered a terrible plot, its roots firmly planted in the very highest levels of Terra. Pursuing it is fraught with risk, but Crowl’s sense of duty compels him to persevere. He and his acolyte Spinoza run down their leads in secret, knowing that their every move invites danger, but even as they begin to reveal the truth, a greater peril is unfolding in the skies – the Great Rift is becoming manifest. During the madness that threatens to tear Terra asunder, Crowl’s Inquisitorial base of operations comes under attack and is badly ravaged. As his world begins to unravel and a new, bloody age dawns, can Crowl stay true to his course and expose the horror that lies at the heart of the Hollow Mountain?

Vellum and parchment have long been the papers of choice for wedding invitations and flyleaves in books. Artist Marie Browning presents a variety of techniques from image transfers and stamping, to embossing and flower pressing.

Poetry. Chelsea Woodard's VELLUM, a finalist for the 2013 Able Muse Book Award, propels the reader along new paths of discovery in the quotidian as in the mythical. Its scope is far-ranging: a flower press received as a gift in childhood, Tarot reading with a favorite aunt, unexpected reflections at a tattoo parlor, reminiscing about an old flame, the discovery of rare volumes at the local library, or auctioning off old toys on eBay. Woodward's insights and sensibilities in the visual and performing arts are deftly realized in fine or broad strokes as in "Coppelia," "The Painter and the Color-blind," "Degas's Nudes," or as in "Still Life," which muses that "It's difficult/ to give back life/ to what's been cut off from the living." Stories and scenes represented in popular artwork are reimagined in ekphrastics such as "Self Portrait as the Allegory of Painting." With excursions into the surreal, myth is made, lived or remade, as in "Philomela," "Pegasus" and "The Feral Child." This is an exquisite debut collection that rewards the mind and senses with its formal impetus and deft musicality, its precise and lively language, its emotional compass. "In her stunning first collection, VELLUM, Chelsea Woodard offers us poems whose lucidity of attention grounds an imaginative realism where narrative becomes speculation, witness becomes mystery, and the body a space where desire and dread complicate compassion's summons to the social order. The honed music here thus reveals a deeper vulnerability. Such is its gift, the way in which poems might be rooted to the difficulty and heartbreak of the physical and yet apart, 'their keel and gristle finally set/ into some deathless, disembodied flight.' An astonishing book." Bruce Bond "In addition to her emotional maturity, part of what makes these poems memorable is Woodard's obvious mastery of language, her flawless sentences, the surprising way those sentences function and 'mean' within the lines, the lines within the forms." Claudia Emerson, from the Foreword "Not the least of the attractions of this gifted young poet's first book is the exquisite, searing precision of her language the obsessively exact diction; the tropes that map with such stunning accuracy the emotional contours of her narratives; the gestural, almost tactile quality of her syntax all of these talents focused sharply on what Howard Nemerov said was the singular, most difficult achievement of poetry: 'getting something right in language.' I predict for Chelsea Woodard a long and enviable career." B.H. Fairchild"

It's 2017 and the End Days are coming, beings that were once human gathering to fight in one last great war for control of the Vellum - the vast realm of eternity on which our world is just a scratch. But to a draft-dodging Irish angel and a trailer-trash tomboy called Phreedom, it's about to become brutally clear that there's no great divine or diabolic plan at play here, just a vicious battle between the hawks of Heaven and Hell, with humanity stuck in the middle, and where the easy rhetoric of Good and Evil, Order versus Chaos just doesn't apply. Here there are no heroes, no darlings of destiny struggling to save the day, and there are no villains, no dark lords of evil out to destroy the world. Or at least if there are, it's not quite clear which is which. Here, the most ancient gods and the most modern humans are equally fate's fools, victims of their own hubris, struggling to save their own skins, their own souls, but sometimes . . . just sometimes . . . sacrificing everything in the name of humanity. "Vellum is a mind-blowing read that's genuinely like nothing you've ever read before. . . The imaginary worlds that he dreams up are stunning. . . Vellum has expanded fantasy's limits like nothing published in years." SFX