In 1906 Atlanta, after a summer of inflammatory headlines and accusations of black-on-white sexual assaults, armed white mobs attacked African Americans, resulting in at least twenty-five black fatalities. Atlanta's black residents fought back and repeatedly defended their neighborhoods from white raids. Placing this four-day riot in a broader narrative of twentieth-century race relations in Atlanta, in the South, and in the United States, David Fort Godshalk examines the riot's origins and how memories of this cataclysmic event shaped black and white social and political life for decades to come. Nationally, the riot radicalized many civil rights leaders, encouraging W. E. B. Du Bois's confrontationist stance and diminishing the accommodationist voice of Booker T. Washington. In Atlanta, fears of continued disorder prompted white civic leaders to seek dialogue with black elites, establishing a rare biracial tradition that convinced mainstream northern whites that racial reconciliation was possible in the South without national intervention. Paired with black fears of renewed violence, however, this interracial cooperation exacerbated black social divisions and repeatedly undermined black social justice movements, leaving the city among the most segregated and socially stratified in the nation. Analyzing the interwoven struggles of men and women, blacks and whites, social outcasts and national powerbrokers, Godshalk illuminates the possibilities and limits of racial understanding and social change in twentieth-century America.

The Veiled Discord is an epic fantasy novel and the first book in the The Visions of Lodas series. There are several diverse kingdoms in the World of Lodas, each with its own history, culture and citizenry. While these kingdoms have enjoyed peace for a long time, an epidemic threatens the prosperity of the most powerful kingdom, Gofon, and fuels the lustful ambitions of the rulers of other kingdoms of Lodas. Treachery, deceit, espionage, assassinations and the insatiable thirst for power of the kings and queens of certain kingdoms are the cause of escalating tensions and growing conflict in Lodas. Behind the scenes, other dominating forces are competing for power and will stop at nothing to conquer kingdoms and even the entire World of Lodas. Opposing these evil forces are the kings, queens and ordinary citizens of other kingdoms, from the big cities to the small villages. Mages, jesters, gladiators and majestic creatures all play a role in the conflict, supporting one side or the other, or representing their own self-motivated interests. The book's various storylines, and many twists and turns, develop into a blended plot that immerses the reader into the magical World of Lodas. 10 illustrations in the novel, which are in color in the ebook and are in black and white in the print.

When Madiera Cutler returns home to Mystick Falls, Connecticut, for her sister's wedding, she must magically unravel the secrets that an antique wedding dress holds to bring the real killer of her sister's arch enemy to justice before everything falls apart at the seams. Original.

“A near-future layering of East and West, of religion and technology . . . and of love and its loss—all woven into an intriguing tapestry.” —Diana Gabaldon, bestselling author of the Outlander series Winner of the Homer Award for Best Science Fiction Novel A renowned prima ballerina, Lucia del Mar is far more comfortable expressing herself through dance than with words. Shy and introverted, she spends most of her spare time on her laptop. Still, Lucia’s job forces her out of her comfort zone, which is how she winds up at a White House reception where she meets Rashid al-Jazari, the wealthy CEO of a multinational corporation. Although attracted to him, Lucia can’t help but feel awkward and shrugs off their encounter as a one-time event. Not realizing he feels a similar attraction, she never imagines Rashid will seek out her performances; he is the last person she expects to see when her dance company travels to Italy. Their reunion takes an even more unexpected turn when they’re both drugged and kidnapped. Although they overcome their abductors, it leaves them stranded in North Africa. For her own safety, Lucia agrees to marry Rashid, at least for the time being. As she recovers at his family compound in Morocco, reeling from their brush with danger, she struggles to fit into a culture she knows nothing about—and to deal with her growing feelings for Rashid. At the same time, at his secret office there, Rashid is developing a dramatic leap forward in artificial intelligence combined with virtual reality. He finds himself plunged into a fight for control of his work against powerful international forces, and caught in the middle, Lucia is swept into that battle . . . “A terrific novel, ripping a path from today’s headlines to tomorrow’s realities.” —Robert J. Sawyer, Nebula Award–winning author

Beggars…Outcasts…Homeless Such were the forgotten, uneducated children in China when the Spirit of God fell upon their humble orphanage, the Adullam Home. The boys spent days in powerful meetings, praying and praising God. Under the anointing of the Holy Spirit, they prophesied, saw visions, and discovered: Angels…how they operate and protect us Unbelievers…and their fate Heavenly occupations…what our jobs will be Paradise…revealed through the eyes of children The throne of God…experiencing true worship Death…what happens when we die Demons…and their evil works This mighty outpouring was a fulfillment of God’s promise: “And it shall come to pass in the last days, saith God, I will pour out of My Spirit upon all flesh: and your sons and your daughters shall prophesy, and your young men shall see visions.” Acts 2:17

The Lifted Veil by George Eliot is a gothic novella in the vein of other Victorian horror stories like Mary Shelley's Frankenstein, Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, and Bram Stoker's Dracula. In The Lifted Veil, the unreliable narrator, Latimer, believes that he is cursed with an otherworldly ability to see into the future and the thoughts of other people. This leads to tragedy as his obsession with his brother's fiancee. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Enter a “gorgeously realized world”* and meet a mage destined for greatness in the first novel in the national bestselling Alex Verus series. Alex is part of a world hidden in plain sight, running a magic shop in London that caters to clientele who can do much more than pull rabbits out of hats. And while Alex’s own powers aren’t as showy as some mages, he does have the advantage of foreseeing the possible future—allowing him to pull off operations that have a million to one chance of success. But when Alex is approached by multiple factions seeking his skills to crack open a relic from a long-ago mage war, he knows that whatever’s inside must be beyond powerful. And thanks to his abilities, Alex can predict that by taking the job, his odds of survival are about to go from slim to none....

Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

Concerned with physical experience, pain, and disability, Veil and Burn illuminates an intense desire to feel through the Other, embrace it, become it, and in the transformation, to understand the suffering body. In poems about animals, artifacts, and monsters, Lambeth displays a fascination for all bodies while exploring their pain, common fate, alienation, and abilities. Hovering between poem and prose fragment, between the self and fellow creatures, Laurie Clements Lambeth celebrates physical sensation, imbuing it with lyric shape, however broken, however imprisoned the shape may be.