The third and final volume in the House of Serpents trilogy, from New York Times–bestselling author Lisa Smedman Medusanna is a priestess of terrifying power and ambition. Never satisfied, she convinces the Se’sehen—a yuan-ti tribe from the distant jungles of Chult—to serve her growing cult of Sseth, who specialize in dangerous games of deception, poison, and murder. It is in the Sseth’s foul plane of Smaragh that Karell, a yuan-ti half-blood, lies trapped and desperate. Her only hope for rescue and survival is Arvin, a mind-mage of growing psionic gifts. But time is quickly running out for Arvin to find her—and with each passing minute, the House of Serpents slithers closer to destroying their last hope for freedom.

From the "New York Times" bestselling author of "Extinction"--the fourth volume in R.A. Salvatore's War of the Spider Queen series--comes the latest installment in her own House of Serpents saga. Original.

A periodical in part famous for the cartoon portraits of politicians and public figures. These were mainly by "Spy" (i.e. Sir Leslie Ward) and "Ape" (i.e. Carlo Pellegrini).

Written in 1848, Vanity Fair is an excellent satire of English society in the early 19th Century. Thackeray states several times that it is a novel "without a hero", and at a couple of points tries to claim that Amelia, a good person but who inevitably comes across as rather wishy-washy, is the heroine. Thackeray apparently saw people as "abominably selfish and foolish", and this negative view comes across loud and clear with his use of vicious vocabulary, and his unremittingly dark portrayal of human nature. The author's voice is continually present, and his wry observations do contribute to making the novel vastly entertaining. They were also intended to make it instructive to his readers.

'I think I could be a good woman if I had five thousand a year.' Becky Sharp is sharp, calculating, and determined to succeed. Craving wealth and a position in society, she charms, hoodwinks, manipulates everyone she meets, rising in the world as she attaches herself to a succession of rich men. Becky's fortunes are contrasted with those of her best friend Amelia, who has none of Becky's wit and vitality but whose gentle-heartedness attracts the devotion of the loyal Dobbin. Set during the Napoleonic wars, Vanity Fair follows Becky as she cuts a swathe through Regency society. Thackeray paints a panoramic portrait of the age, with war, money and national identity his great subjects. The battle for social success is as fierce as the battle of Waterloo, and its casualties as stricken. The satire is at once biting and profound, sparing none in a clear-eyed exposure of a world on the make. Thackeray's scepticism of human motives borders on cynicism yet Vanity Fair is among the funniest novels of the Victorian age. This new edition includes all Thackeray's original illustrations. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.