In 1988, Dave Thomas was an unemployed plumber in Gloucester with a seemingly impossible dream: to enter the world of fashion. He moved to London, worked weekends as a caf dishwasher and evenings as a toilet attendant in a West End nightclub, and in every spare moment he hammered on the doors of fashion editors until one of them finally opened a tiny crack. Thomas seized the chance to be an unpaid dogsbody at Riva magazine, where he worked with legends of style Judy Blame and Isabella Blow and dressed artists like Lisa Stansfield, Boy George, and Kylie Minogue. Soon after, he was hired by Esquire UK and became the youngest fashion editor in the world. He ultimately moved on to edit fashion at Vogue Hommes, Vanity Fair, and Interview, and his work has since been published in a raft of international magazines. In the intervening decades, the business of styling ascended from the pavement to the penthouse. What began as kids playing dress up with ribbons and safety pins evolved into the backbone of a multibillion-dollar style and clothing industry. And Thomas, now one of Hollywood's most successful stylists, rose along with it. Covering more than thirty years of fashion and celebrity, Vanity Project traces the evolution of celebrity styling from the streets of London in the 1980s to the red carpets of Hollywood today. Featuring interviews conducted by Boy George alongside 250 full-color images, the book gives readers a behind-the-curtain look at more than three decades' worth of glamour and tantrums, friendships and rivalries, and the surprisingly hard graft of celebrity styling.

Fortunes of Officials is a story about the whole process of StrongIdeal Gao to become the most powerful person-- the secretary from deputy secretary of municipal committee of Near Violet City with a population of seven million people and to resign from the post. Like other place, Near Violet was filled opportunities, restlessness and uneasiness in the transformation period. As the most powerful person in the city, StrongIdeal Gao had to face various enticements and schemes and sufferings, but he withstood various challenges, took the great opportunities of the Reform and Opening Door Policy, and made a great contribution to the economic development of the city under the tenet: As the most powerful person in the place, local people must benefit from his performance, thus he was well loved by the people of the city. The novel described the officials working at the city level using a documentary method about their political fortunes and personal trails from a positive angle with the ups and downs and lively scenes. The novel was a signature novel which laid foundation for the author to become the well-known author about officialdom in China.

In contrast to literary or cultural studies linguistics is not taught in the EFL classroom, yet, it plays a major role in any English language teaching degree. Given this discrepancy it does not come as a surprise that students sometimes ask: "I want to be a teacher! Why do I need all this?" The main goal of this textbook is to demonstrate the relevance of linguistic expertise for the EFL classroom. It explores a wide range of topics (phonetics/phonology, lexis, corpus linguistics, text linguistics and the power of language) with a clear focus on providing a convincing answer to the question above. With its highly accessible style and layout, a wealth of examples and exercises as well as a large range of additional innovative online materials this textbook sets out to convince its readers that they will be better teachers if they are good linguists.

From the New York Times bestselling author of Fair Play and "the Marie Kondo of relationships" comes an inspirational guide for setting new personal goals, rediscovering your interests, cultivating creativity, and reclaiming your Unicorn Space. With her acclaimed New York Times bestseller (and Reese’s Book Club pick) Fair Play, Eve Rodsky began a national conversation and launched a movement toward greaterequality on the home front. But she soon realized that even when the domestic workloadbecame more balanced, women were still reporting dissatisfaction in their lives—that is,unless they used the precious time they carved out for activities that filled not just theircalendar but also their soul. Rodsky calls this vital time our “Unicorn Space”—the active pursuit of creative selfexpressiondoing the thing that makes you uniquely YOU. To help readers embrace allthe unlikely, surprising, and delightful places where their own Unicorn Space may befound, she speaks with thought leaders and countless real women who have discoveredtheirs everywhere—from activism to artistic endeavors to second careers. Rodsky revealswhat researchers already know: Creativity is not optional. It’s essential. Though most ofus do need to remind ourselves how (and where) to find it. With her trademark mix of how-to advice and big-picture inspirational thinking, Rodskyshows us a clear plan to reclaim the lost art of having fun, manifest your own UnicornSpace in an already too-busy life, and unleash your talents into the world.

Revisiting C. Wright Mills' classic, an analysis of power structures in the neoliberal era and America's drift toward authoritarianism. In 1956, radical icon C. Wright Mills wrote The Power Elite, a scathing critique of elite power in the United States that has become a classic for generations of nonconformists and students of social and political inequality. With rising rates of inequality and social stratification, Mills' work is now more relevant than ever, revealing a need for a fresh examination of American elitism and the nature of centralized power. In The New Power Elite, Heather Gautney takes up the problem of concentrated political, economic, and military power in America that Mills addressed in his original text and echoes his outrage over the injustices and ruin brought by today's elites. Drawing from years of experience at the highest levels of government and in the entertainment industry, Gautney examines the dynamics of elite power from the postwar period to today and grounds her analysis in political economy, rather than in institutional authority, as Mills did. In doing so, she covers diverse, yet interconnected centers of elite power, from the US State and military apparatus, to Wall Street and billionaires, to celebrities and mass media. Gautney also accounts for changes in global capitalism over the last forty years, arguing that neoliberalism and the centering of the market in political and social life has ushered in ever more extreme forms of violence and exploitation, and a drift toward authoritarianism. A contemporary companion to Mills' work through a fresh critique of elites for the new millennium, The New Power Elite offers a comprehensive look at the structure of American power and its tethers around the world.

Is it ethical to pass yourself off as black if you are Caucasian, as Rachel Dolezai, the president of a local chapter of the NAACP, did in 2015? Was it ethical for Donald Sterling, the former owner of the NBA team, to use racially inflammatory language? Is it ethical to exaggerate or fabricate the importance of one’s role, as Brian Williams apparently did when he anchored the NBC nightly news? Is it ethical for a journalist to pay a source for a story, tips, and photos, as TMZ, Gawker and others do regularly? The above questions as well as other questions definitely illustrate the need for studying ethics. Real-World Media Ethics provides a wide showcase of real ethical issues faced by professionals in the media field. Numerous case studies allow readers to explore multiple perspectives while using realistic ethical principles. This book includes the basics in ethical journalism, as well as the tools to navigate through the landscape of mass media such as public relations, entertainment and other forms of visual communication. The second edition has been updated to encompass globalization, new media platforms, current copyright issues, net neutrality, sports ethics, and more. An accompanying companion website provides additional interviews demonstrating ethical principles in practice. Being a former ABC executive, author Philippe Perebinossoff gives readers an inside look at circumstances with an ethical, experienced eye.

The complete boxed set of the intriguing Masters of the Savoy series! Welcome to the opulent world of the Masters of the Savoy, where the men and women might be a little different - more than human. The men appeared out of nowhere one day determined to grab life and look for love. But watch out ... you never know what darkness lurks in the shadows. Includes: Advance - As fiction crashes into reality, the lines blur when the hero from the pages of Sage Matthews’ bestselling steamy romance novel, Roark Samuels, emerges to save her from the brink of death. Negotiation - He's a respected DSI with Scotland Yard; she's a dishonored history professor running from a scandal. Submission - She has watched through the veil for centuries… now it's her time to escape. Contract - He is the Head Concierge at the Savoy; she’s an Irish witch haunted by a little girl in Victorian-era dress. He is convinced that her obsession with one of the Savoy’s famous ghostly residents could be dangerous. Bound - There is a legend that when the Big Ben chimes thirteen times, the lions in Trafalgar Square will come alive to roam the City of London. When the stars align to cause Big Ben to strike thirteen, Corinne knows she and the lions must defeat the demons and keep the city safe. But the veil has become strained and the demons more clever. Can Eddy come to Corinne’s aid and keep the forces of evil at bay? Release - She only knows me from the online games she plays… What happens when the online world tries to push through the Veil to perpetuate its evil in the real world? They say my kind keeps the evil spirits at bay… but what if I’m one of them

The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.

This is the first study of the shape and diversity of the literary career in the 20th and 21st centuries. Bringing together essays on a wide range of authors from Australia, Canada, the United States and the United Kingdom, the book investigates how literary careers are made and unmade, and how norms of authorship are shifting in the digital era.

Hugely acclaimed author of THIS IS UNCOOL and FEAR OF MUSIC turns his attention to rock 'n' roll movies. From BLACKBOARD JUNGLE to QUADROPHENIA, from 8 MILE to ABBA: THE MOVIE, no one has seriously looked at the strange phenomenon that is the rock 'n' roll movie. Garry Mulholland turns his focus away from classic records to the best, the worst, the weird and the completely deranged from the world of the rock movie. Part serious critical appreciation, part celebration of B-movie trash, Garry Mulholland's inclusive approach is the key to his success. He is as comfortable deconstructing the likes of PERFORMANCE, GIMME SHELTER or JUBILEE as he is celebrating FOOTLOOSE or JAILHOUSE ROCK. As he writes: '... Anyone who rejects the joy that the likes of GREASE or DIRTY DANCING or FAME have brought millions of people without even attempting to engage with why such unapologetic trash works can't really be that interested in filmgoers at all.'