In 1988, Dave Thomas was an unemployed plumber in Gloucester with a seemingly impossible dream: to enter the world of fashion. He moved to London, worked weekends as a caf dishwasher and evenings as a toilet attendant in a West End nightclub, and in every spare moment he hammered on the doors of fashion editors until one of them finally opened a tiny crack. Thomas seized the chance to be an unpaid dogsbody at Riva magazine, where he worked with legends of style Judy Blame and Isabella Blow and dressed artists like Lisa Stansfield, Boy George, and Kylie Minogue. Soon after, he was hired by Esquire UK and became the youngest fashion editor in the world. He ultimately moved on to edit fashion at Vogue Hommes, Vanity Fair, and Interview, and his work has since been published in a raft of international magazines. In the intervening decades, the business of styling ascended from the pavement to the penthouse. What began as kids playing dress up with ribbons and safety pins evolved into the backbone of a multibillion-dollar style and clothing industry. And Thomas, now one of Hollywood's most successful stylists, rose along with it. Covering more than thirty years of fashion and celebrity, Vanity Project traces the evolution of celebrity styling from the streets of London in the 1980s to the red carpets of Hollywood today. Featuring interviews conducted by Boy George alongside 250 full-color images, the book gives readers a behind-the-curtain look at more than three decades' worth of glamour and tantrums, friendships and rivalries, and the surprisingly hard graft of celebrity styling.

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.

UNLOCK THE MAGIC OF THEATRE THIS CHRISTMAS - GO BEHIND THE CURTAIN WITH WEST END LEGEND, MICHAEL BALL IN HIS FIRST MEMOIR 'Love, laughter and tears abound in this warm, entertaining read' Woman and Home 'Glittering' Daily Mail 'Wonderful' The Sun In 1989, a young Michael Ball landed the lead role in the musical Aspects of Love. It was a moment that changed his life forever. It was the first time he worked with legends of the stage like Andrew Lloyd Webber and Trevor Nunn; the show featured his smash hit song, Love Changes Everything, which rode high in the charts for 15 weeks; it was then, also, that he first met his long-term partner Cathy McGowan and battled back against the stage fright that had threatened his career. Over three decades later, Michael returned to a new production of the same show where he made his name, and with a lifetime's worth of stories to tell. In Different Aspects, Michael takes us backstage inside the making of a West End hit, while also diving back into his memories to share untold anecdotes and explore a glittering career that has made him a household name - from his first stage experiences in Les Misérables and Phantom of the Opera, to delighting and shocking his audiences in equal measure in Hairspray and Sweeney Todd, as well as his chart-topping musical success (and some howlers too!). Exploring Michael's life, career and relationships alongside the pitfalls and pratfalls of modern theatre, Different Aspects is the story of a life lived on the stage. There will be laughter, tears and an abundance of heart. There's even some Roger Moore, though, famously, not quite enough. Take your seats ladies and gentlemen, the lights are dimming, the performance is about to start. Readers are loving Different Aspects... 'A very funny, insightful glimpse of the highs and lows of a musical theatre star' 'If you love Michael Ball, you'll love this' 'His story made me smile' 'Filled with wonderful little stories' 'Interesting, honest and revealing'

In contrast to literary or cultural studies linguistics is not taught in the EFL classroom, yet, it plays a major role in any English language teaching degree. Given this discrepancy it does not come as a surprise that students sometimes ask: "I want to be a teacher! Why do I need all this?" The main goal of this textbook is to demonstrate the relevance of linguistic expertise for the EFL classroom. It explores a wide range of topics (phonetics/phonology, lexis, corpus linguistics, text linguistics and the power of language) with a clear focus on providing a convincing answer to the question above. With its highly accessible style and layout, a wealth of examples and exercises as well as a large range of additional innovative online materials this textbook sets out to convince its readers that they will be better teachers if they are good linguists.

Fortunes of Officials is a story about the whole process of StrongIdeal Gao to become the most powerful person-- the secretary from deputy secretary of municipal committee of Near Violet City with a population of seven million people and to resign from the post. Like other place, Near Violet was filled opportunities, restlessness and uneasiness in the transformation period. As the most powerful person in the city, StrongIdeal Gao had to face various enticements and schemes and sufferings, but he withstood various challenges, took the great opportunities of the Reform and Opening Door Policy, and made a great contribution to the economic development of the city under the tenet: As the most powerful person in the place, local people must benefit from his performance, thus he was well loved by the people of the city. The novel described the officials working at the city level using a documentary method about their political fortunes and personal trails from a positive angle with the ups and downs and lively scenes. The novel was a signature novel which laid foundation for the author to become the well-known author about officialdom in China.

Is it ethical to pass yourself off as black if you are Caucasian, as Rachel Dolezai, the president of a local chapter of the NAACP, did in 2015? Was it ethical for Donald Sterling, the former owner of the NBA team, to use racially inflammatory language? Is it ethical to exaggerate or fabricate the importance of one’s role, as Brian Williams apparently did when he anchored the NBC nightly news? Is it ethical for a journalist to pay a source for a story, tips, and photos, as TMZ, Gawker and others do regularly? The above questions as well as other questions definitely illustrate the need for studying ethics. Real-World Media Ethics provides a wide showcase of real ethical issues faced by professionals in the media field. Numerous case studies allow readers to explore multiple perspectives while using realistic ethical principles. This book includes the basics in ethical journalism, as well as the tools to navigate through the landscape of mass media such as public relations, entertainment and other forms of visual communication. The second edition has been updated to encompass globalization, new media platforms, current copyright issues, net neutrality, sports ethics, and more. An accompanying companion website provides additional interviews demonstrating ethical principles in practice. Being a former ABC executive, author Philippe Perebinossoff gives readers an inside look at circumstances with an ethical, experienced eye.

The complete boxed set of the intriguing Masters of the Savoy series! Welcome to the opulent world of the Masters of the Savoy, where the men and women might be a little different - more than human. The men appeared out of nowhere one day determined to grab life and look for love. But watch out ... you never know what darkness lurks in the shadows. Includes: Advance - As fiction crashes into reality, the lines blur when the hero from the pages of Sage Matthews’ bestselling steamy romance novel, Roark Samuels, emerges to save her from the brink of death. Negotiation - He's a respected DSI with Scotland Yard; she's a dishonored history professor running from a scandal. Submission - She has watched through the veil for centuries… now it's her time to escape. Contract - He is the Head Concierge at the Savoy; she’s an Irish witch haunted by a little girl in Victorian-era dress. He is convinced that her obsession with one of the Savoy’s famous ghostly residents could be dangerous. Bound - There is a legend that when the Big Ben chimes thirteen times, the lions in Trafalgar Square will come alive to roam the City of London. When the stars align to cause Big Ben to strike thirteen, Corinne knows she and the lions must defeat the demons and keep the city safe. But the veil has become strained and the demons more clever. Can Eddy come to Corinne’s aid and keep the forces of evil at bay? Release - She only knows me from the online games she plays… What happens when the online world tries to push through the Veil to perpetuate its evil in the real world? They say my kind keeps the evil spirits at bay… but what if I’m one of them

This is the first study of the shape and diversity of the literary career in the 20th and 21st centuries. Bringing together essays on a wide range of authors from Australia, Canada, the United States and the United Kingdom, the book investigates how literary careers are made and unmade, and how norms of authorship are shifting in the digital era.

Hugely acclaimed author of THIS IS UNCOOL and FEAR OF MUSIC turns his attention to rock 'n' roll movies. From BLACKBOARD JUNGLE to QUADROPHENIA, from 8 MILE to ABBA: THE MOVIE, no one has seriously looked at the strange phenomenon that is the rock 'n' roll movie. Garry Mulholland turns his focus away from classic records to the best, the worst, the weird and the completely deranged from the world of the rock movie. Part serious critical appreciation, part celebration of B-movie trash, Garry Mulholland's inclusive approach is the key to his success. He is as comfortable deconstructing the likes of PERFORMANCE, GIMME SHELTER or JUBILEE as he is celebrating FOOTLOOSE or JAILHOUSE ROCK. As he writes: '... Anyone who rejects the joy that the likes of GREASE or DIRTY DANCING or FAME have brought millions of people without even attempting to engage with why such unapologetic trash works can't really be that interested in filmgoers at all.'