"Vancouver in the Seventies presents 149 exclusive photos from the Vancouver Sun's extensive collection along with fascinating essays."--

The story of a year-long confrontation in 1972 between the Vancouver police and the Clark Park gang, a band of unruly characters who ruled the city’s east side. Corrupt cops, hapless criminals, and murder figure in this story that questions which gang was tougher: the petty criminals, or the police themselves. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

A collection of photographs documenting the moments Vancouver stood up, took to the streets, rallied for change, or exploded in anger.

Fred Herzog's bold use of colour in the 1950s and 60s set him apart at a time when the only art photography taken seriously was in black and white. His early use of color make him a forerunner of "New Colour" photographers such as Stephen Shore and William Eggleston, who received widespread acclaim in the 1970s. Herzog images were all taken on Kodachrome, a slide film with a sharpness and tonal range that, until recently, could not be reproduced in prints, and his choice of medium limited his exhibition opportunities. However, recent advances in digital technology have made high-quality prints of his work possible, and in the past few years his substantial and influential body of work has been available to a wider audience. Fred Herzog: Photographs showcases this innovative artist's impressive oeuvre in a beautifully crafted volume of early color and urban street photography. Providing authoritative texts are four titans of the art community: Jeff Wall anchors Herzog's place in the history of photography, Claudia Gochmann sets his work in an international context and Sarah Milroy and Douglas Coupland provide additional commentary.

In the spring of 1970, seventeen women set out from Vancouver in a big yellow convertible, a Volkswagen bus, and a pickup truck. They called it the Abortion Caravan. Three thousand miles later, they “occupied” the prime minister’s front lawn in Ottawa, led a rally of 500 women on Parliament Hill, chained themselves to their chairs in the visitors’ galleries, and shut down the House of Commons, the first and only time this had ever happened. The seventeen were a motley crew. They argued, they were loud, and they wouldn't take no for an answer. They pulled off a national campaign in an era when there was no social media, and with a budget that didn't stretch to long-distance phone calls. It changed their lives. And at a time when thousands of women in Canada were dying from back street abortions, it pulled women together across the country.

"The publication "Beginning with the Seventies" binds together four exhibitions (GLUT, Radial Change, Collective Acts, Hexsa'am) held at the Morris and Helen Belkin Art Gallery between 2018-2019. Part art exhibition, part research project, the book investigates the 1970s, an era when social movements of all kinds--feminism, environmentalism, LGBTQ rights, Indigenous rights, access to health services and housing--began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of art practice involved with social activism and an increasing interest in the 1970s from younger producers, the Belkin connected with diverse archives and activist networks to bring forward these histories, to commission new works of art and writing and to provide a space for discussion and debate. Categorized by exhibition, each section of "Beginning with the Seventies" takes a different approach to the theme, curating together over 70 artists and writers."--

A history of the music entertainment venues in Vancouver, British Columbia.

Vancouver's Commodore Ballroom is, like New York's CBGB's and Los Angeles's Whiskey a Go-Go, one of the most venerated rock clubs in the world; originally built in 1930, it's hosted a who's-who of music greats before they made it big: The Police, The Clash, Blondie, Talking Heads, Nirvana, New York Dolls, U2, and, more recently, Lady Gaga and the White Stripes. Filled with never-before-published photographs, posters, and paraphernalia, Live at the Commodore is a visceral, energetic portrait of one of the world's great rock venues. Aaron Chapman is a musician and journalist, and the author of Liquor, Lust, and the Law.

Author Margaret Cadwaladr traces her time working as a grocery cashier at Woodward's Food Floor, 101 West Hasting Street, Vancouver in the 1960s.This memoir contains historical and contemporary b & w and colour images. The book was completed during the COVID-19 pandemic and is dedicated to frontline grocery cashiers and clerks.