The Kroller-Muller Museum is one of the great art collections in Europe, yet it remains unknown to many Americans because of its remote location in the Hoge Veluwe National Park in rural southeast Netherlands. This beautifully illustrated book features highlights from the Museum's collection of late-nineteenth- and early-twentieth-century art, including more than a score of works by Vincent van Gogh. The Museum is the result of the passion of a singular collector: Helene Kroller-Muller (1869-1939). The wife of a Dutch shipping magnate, she used almost unlimited funds to amass an astounding collection in a short period of time. Beginning in the 1910s, she collected voraciously -- not only Van Gogh but Neo-Impressionist masters Seurat, Signac, and Denis, and Symbolists Redon and Toorop. She patronized and supported artists who were pioneering abstraction -- particularly Mondrian, Van Doesburg, and Van der Leck -- and collected the Cubists, including Picasso, Gris, and Leger. Mrs. Kroller-Muller had a consuming desire to create a museum where her collection could be displayed for the public. Over a period of more than twenty-five years, she worked with some of the leading architects of the early twentieth century -- H. P. Berlage, Mies van der Rohe, and Henry van de Velde -- and finally in 1938 her dream was realized with the opening of the institution that bears her name. Book jacket.

This richly illustrated volume explores mystical themes in European, Scandinavian, and North American landscape paintings from the late 1800s to the early 1900s. This book features works by Emily Carr, Marc Chagall, Arthur Dove, Paul Gauguin, Lawren Harris, Wassily Kandinsky, Gustav Klimt, Piet Mondrian, Claude Monet, Edvard Munch, Georgia O'Keeffe, Vincent van Gogh and James McNeill Whistler, among others. Common to their work is the expression of the spiritual crisis that arose in society and the arts in reaction to the disillusionments of the modern age, and against the malaise that resulted in the Great War. Many artists turned their backs on institutional religion, searching for truth in universal spiritual philosophies. This book includes essays investigating mystical landscape genres and their migration from Scandinavia to North America, with a focus upon the Group of Seven and their Canadian and American counterparts. Accompanying an exhibition at the Art Gallery of Ontario and the Musée d'Orsay, this book offers a penetrating look at the Symbolist influence on the landscape genre.

Including unpublished material recorded from Henri Nouwen's lectures, this book comes at the request of the Henri Nouwen's literary estate from someone who knew him as a teacher and friend. Carol Berry brings her own experience in both ministry and art education to bear as she unpacks the much misunderstood spiritual context of Vincent van Gogh's work, and reinterprets van Gogh's art in light of Nouwen's lectures.

Twenty-three missives — written from 1887 to 1889 — radiate their author's impulsiveness, intensity, and mysticism. The letters are complemented by reproductions of van Gogh's major paintings. 32 full-page black-and-white illustrations.

Incorporating recent discoveries about Vincent Van Gogh's life and work, including the only photograph of him as an adult, this updated biography investigates the creativity, successes, and frustrations of one of the world's most famous painters. With evidence accumulated from Van Gogh's European life, from Belgium, the Netherlands, England, and France, this illuminating account reveals sources of his unhappiness, terrible childhood illnesses, personal relationships, and even introduces his possible grandchildren. Fully illustrated with more than 70 photographs and art reproductions, these new facts show the seeds of Van Gogh's inspiration and shine light on one of the most enigmatic figures of 19th-century art. Ken Wilkie has followed van Gogh's trail around Europe for thirty years.Along the way Ken Wilkie has discovered the identity of Van Gogh's first love in London and the house they shared together in Brixton and uncovered evidence of the disease that led to the deaths of both Vincent and Theo Van Gogh. Following his journalist's nose Ken Wilkie finds a trail of clues Van Gogh left behind, which prompts his many adventures, fortunate meetings and accidental discoveries. Ken Wilkie gets as close to Van Gogh's presence as it is possible, from meeting his nephew who grew up sleeping in a bed that had Van Gogh's Sunflower paintings piled underneath to meeting the widow of a man who shared a flat with the Van Gogh brothers in Paris. Through meeting those whose lives have intersected with Van Gogh's we meet Vincent Van Gogh the man and artist, freed from the myths that have been created around him.Wilkie builds up a portrait of Van Gogh, finding the sources of his unhappiness and discovering the seeds of his inspiration. The secrets of Van Gogh's life are exposed, the possibility of the sexually-transmitted disease he suffered from, the masochistic torment Vincent went through as a missionary among Belgium's coalmines as we journey through Van Gogh's life, through Europe, in the shadow of the most enigmatic figure of modern art.

A parallel look at Hockney and Van Gogh's love of nature as expressed in their landscape paintings

“The best book yet written about this neglected and fascinating American painter” who anticipated abstract expressionism by more than fifty years (Gail Levin, The New York Times Book Review). At the dawn of the 20th century, Ralph Blakelock’s brooding, hallucinogenic paintings were a striking departure from the prevailing American tradition—and as sought after as the works of Winslow Homer and John Singer Sargent. In 1916, the record-breaking sale of Blakelock’s Brook by Moonlight made him famous. Yet at the time of his triumph, the troubled painter had spent fifteen years in a psychiatric hospital while his family lived in poverty. Released from the asylum, Blakelock fell into the dubious care of an eccentric adventuress, Beatrice Van Rensselaer Adams, who kept him a virtual prisoner while siphoning off the profits of his success, until his mysterious death. In this acclaimed biography, Glyn Vincent offers the first complete chronicle of Blakelock’s life. Vividly portraying New York in the nineteenth and early twentieth centuries, the narrative begins with his childhood in Greenwich Village and the years he spent peddling his canvases door-to-door and playing piano in vaudeville theaters. Vincent also delves into Blakelock’s journeys among the Sioux and Uinta Native Americans; his mental illness; and the way his exploration of mysticism informed his radical shift away from the Hudson River School of art.

Presents a collection of the drawings of Vincent Van Gogh, providing images of his works in charcoal, chalk, ink, graphite, and watercolor, and including essays the place each drawing in its historical context, explaining its significance.