Published to accompany the exhibition held at Tate Britain, London, 18 Feb.-17 May 2009.

The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.

A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.

Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.

During his reign, King Charles I (1600-1649) assembled one of Europe's most extraordinary art collections. Indeed, by the time of his death, it contained some 2,000 paintings and sculptures. Charles I: King and Collector explores the origins of the collection, the way it was assembled and what it came to represent. Authoritative essays provide a revealing historical context for the formation of the King's taste. They analyse key areas of the collection, such as the Italian Renaissance, and how the paintings that Charles collected influenced the contemporary artists he commissioned. Following Charles's execution, his collection was sold. This book, which accompanies the exhibition, reunites its most important works in sumptuous detail. Featuring paintings by such masters as Van Dyck, Rubens and Raphael, this striking publication offers a unique insight into this fabled collection. AUTHORS: Desmond Shawe-Taylor is Surveyor of the Queen's Pictures. Per Rumberg is Curator at the Royal Academy of Arts, London. David Ekserdjian is Professor of Film and Art History at the University of Leicester. Dr Barbara Furlotti is Associate Lecturer at the Courtauld Institute of Art, London. Gregory Martin, formerly Curator of Baroque Paintings and Assistant Keeper of the National Gallery, London, is Editor of the Corpus Rubenianum. Guido Rebecchini is Lecturer and Head of the Renaissance Section at the Courtauld Institute of Art, London. Vanessa Remington is Senior Curator of Paintings at The Royal Collection. Dr Karen Serres is the Schroder Foundation Curator of Paintings at the Courtauld Gallery, London. Lucy Whitaker is Assistant Surveyor of the Queen's Pictures. Jeremy Wood is Professor Emeritus of Art History at the University of Nottingham. Helen Wyld is Curator at National Museums Scotland. SELLING POINTS: * The compelling story of the British monarch who created one of the most stupendous art collections ever assembled * Accompanies the once-in-a-lifetime exhibition that brings together astonishing works by Van Dyck, Rubens, Titian, Holbein, Mantegna and Rembrandt, among many others * A major BBC TV series on the Royal Collection and a documentary on Charles I is planned 200 colour illustrations

In Afghanistan is the story of a young man, searching for adventure and self-discovery in war-torn Afghanistan during the time of the Soviet invasion. It is also a portrait of an exotic land and people desperately struggling for survival during that war, as they are today. In 1981, with a letter and some financial backing from The New York Times, Van Dyk, bearded and dressed as an Afghan, sneaked into Afghanistan , then off-limits to foreigners, and lived in the ruggedly-beautiful mountains and desert of this country with the Mujahideen, the men then fighting the Soviet Union. “My spine tingled like a boy’s. I felt the sensation of adventure…The Turbans of ten laughing young men, armed to the teeth, flapped in the wind…I would not have traded this moment for all the money in the world. It was suicidal, magnificent, and I knew we’d be all right.” But it was close. He lived through Soviet ground and helicopter attacks, saw death and suffering, but also laughter. He had much to learn about Islam, tribal traditions and the holy war the guerrillas were waging. He was accused of being a Soviet spy, but ultimately won the trust of his Afghan guides. He saw a strong, courageous, often frightened people fighting to protect the only thing they knew--their homes, their families, their way of life. The author, a former runner, a fledgling politician and writer, who grew up in a fundamentalist Christian family in a small town in the Northwest, also went looking for something deep among these men who shouted “God is Great” and went into battle against the Red Army. His story is about the people he met and his journey.

There is no such thing as a small genealogical research project. Family histories, like precocious children, always challenge their authors with more and more questions. Paul C. Van Dyke discovered this fact when he wrote a genealogy of his branch of the Van Dyke family in the late 1950s. That project led Mr. Van Dyke to explore and research the whole history of the Van Dyke family in America. This excellent book, based on primary sources recounting the Dutch settlement of New Jersey, is the fruit of those years of research. It is fundamentally a Dutch-American history. Incorporating a wide variety of historical accounts, original documents and illustrations, Mr. Van Dyke has written a compelling and richly informative account of nine generations of Van Dykes and the nearly three centuries of American history that serve as a backdrop. Thomas Van Dyck of Amsterdam was the 16th-century patriarch whose story opens the book, and the author also includes helpful background information on Holland's golden age of exploration and the Dutch East India Company. Thomas' son, Jan Van Dyck, and his family immigrated to New Amsterdam in 1652, eventually settling in New Utrecht on Long Island. Jan Jansen Van Dyck was the third generation, and his son John Van Dyck participated in the large Dutch migration (c.1711) to the Millstone Valley in Middlesex and Somerset Counties in the prerevolutionary province of New Jersey. The subsequent generations of Van Dyck farmers in New Jersey were well-respected, patriotic members of such communities as New Brunswick, Princeton, Trenton, Ten Mile Run, Penns Neck, Rocky Hill, Harlingen, Griggstown, Bridgepoint, Kingston, Millstone, Somerville, Franklin, Montgomery and West Windsor. When they deemed the time appropriate, some of these hard-working and versatile Dutch broke with the farm tradition to enter upon various commercial occupations and the professions, as exemplified in the final chapter and appendices of the book. Every chapter opens with a genealogical note that provides vital statistics such as birth, marriage and death dates. The names of spouses and children are always included in the narrative accounts of the subjects. Numerous appendices furnish additional details, often through transcriptions of original wills, deeds, military records, etc. A bibliography and separate indices for subjects and surnames are included. (