In the unceasing war against Chaos, the doom-seeking dwarf, Gotrek and his human companion, Felix are beset by a new, terrible foe--an evil which threatens to reach out from darkest Sylvania. Reissue.

An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.

Buffy Summers is the Chosen One. Born with unnatural strength and instincts, she alone must fight off the vampires of the world to save humankind. Not to mention the fact that she mustalsodeal with the usualteen nightmares: dating, friends, and high school. Buffy, along with her best friends Willow and Xander, strugglesto save the world one fiesty vamp at a time. Halloween Rain ~ Even without a maniacal scarecrow, a Sunnydale Halloween is a truly horrific happening. There are enough zombies and vampires about, ready to party hearty and eat some brains, to keep the Slayer and her friends up all night. But then the rain starts to fall... Bad Bargain ~ All hell breaks loose when Sunnydale High is once again the focus for channelled evil - but is the infestation of strange demonic vermin a harbinger of something much worse to come…? AfterImage ~ A mysterious stranger has designs on Sunnydale as the town prepares for an all-night session of horror films at the Drive-in - and that's when things get very weird indeed.

As long as there have been vampires, there has been the Slayer. One girl in the all the world, to find them where they gather and to stop the spread of their evil and the swell of their numbers. Around Sunnydale, they say a scarecrow saturated with Halloween rain will come alive and slaughter anyone in sight. (Lovely place, Sunnydale.) Buffy's best friends, Xander and Willow, used to think the tale was nonsense -- but after a few adventures with Buffy, they're not so sure. Even without a maniacal scarecrow, a Sunnydale Halloween is a truly horrific happening. There are enough zombies and vampires about, ready to party hearty and eat some brains, to keep the Slayer and her friends up all night. And then rain starts to fall....

"We're Slayers, girlfriend. The Chosen." -- Faith From a place of nightmares -- which Buffy and Faith share -- a terrible evil invades Sunnydale, setting off disaster. Clearly, the big evil is linked to the Slayers' nightmares, which revolve around four figures: one burning, one dripping wet, one covered in mud, one shrouded in windswept linen. Each carries a box of grafted skin and bone. Giles learns that the last Slayer to encounter a similar container was India Cohen -- Buffy's immediate predecessor. Strangely, Buffy has never given much thought to the young girl whose death activated her own Slayerdom, but now she must draw on the strength of those who came before her. For Buffy is being stalked by a monstrous force that journeys through time, fortifying itself by draining the primal power of a Slayer. Buffy must orient herself on a continuum against evil that predates even humanity itself....

The cult classic TV show is now a charming picture book for the youngest fans in the Buffyverse! In this new picture-book story brought to life with cute and colorful illustrations, young readers see what the world's strongest vampire slayer was like back when she was a kid! Join not-so-brave little Buffy, Willow, and Xander as they investigate strange sounds coming from the closet, seek advice from their school librarian Giles, and encounter everyone's favorite Buffyverse monsters. Charmingly illustrated by Pop Classics artist Kim Smith, this sweet, silly, and not-so-scary book borrows Joss Whedon's beloved characters to tell an endearing bedtime story.

As long as there have been vampires, there has been the Slayer. One girl in all the world, to find them where they gather and to stop the spread of their evil and the swell of their numbers... Night of the Living Rerun~ As if real life wasn't already overflowing with vampire-staking, Buffy is now dreaming about slaying! Night after night, it's the same thing... What could it mean? When Xander and Giles start acting like they have ancient alter egos, Buffy begins to realise what's going on. Can Buffy prevent the Master from escaping his supernatural prison before Sunnydale becomes history! Coyote Moon~ The seedy carnival looks like just the thing to give Buffy and her friends, Xander and Willow, a break from staking bloodsuckers. Some greasy food, a few cheap thrills - what more could a Slayer ask for? But then Buffy senses something evil behind this carnival. Could it be connected to the corpses that are turning up around Sunnydale. CanBuffyfind out what's going on in time to save her friends? Or has the Slayer become the prey? Portal of Time~ The Master, Buffy's nemesis, may be gone, but he is by no means forgotten. One of his devotees has set out to alter the past, killing off Slayers in order to change the future. With the Slayer line extinguished, there will be no Buffy. And without Buffy, no one will be able to prevent him as he resurrects The Master. Having opened a portal through time he is about to send his minions into the past to murder the most influential Slayers in history. Buffy is forced to follow them through the portal in a race against time and evil. But the problem is... you can't change the past without altering the present...

Thess is all grown up, having taken up the mantle as the new Slayer! But with new responsibilities comes new enemies, and a mysterious clan will do anything to get to her, even if it means using her friends as bait. Fans won’t want to miss this brand new mini series from veteran Buffy scribe Casey Gilly, set after the events of Buffy The Last Vampire Slayer Special #1!

BIGGEST BADDEST BUFFY OF THEM ALL The First has come to Sunnydale and set its sights on taking down the Slayer. On the side of the White Hats: Buffy, Xander, Willow, Anya, Dawn, Giles, Spike, Faith, Angel, and an assortment of young, innocent, untried Potentials. In this season-spanning storyline, Buffy Summers will learn about the primeval origins of her own strength, and have the opportunity to train those would succeed her. And as the forces of evil find their way back to the Hellmouth -- where it all began -- the Slayer will uncover what being the Chosen One is all about: Power. "She's laid down her life -- literally -- to protect the people around her. This girl has died, two times, and she's still standing. You're scared, that's smart. You got questions, you should. But you doubt her motive, you think Buffy is about the kill...then you take the little bus to battle. I've see her heart -- this time not literally -- and I'll tell you right now she cares more about your lives than you will ever know. You gotta trust her. She's earned it." -- Xander, "Dirty Girls"

Could there have been television without California? California without television? The one shows the other: the ostentatiously novel singularity of the place and the seemingly self-effacing transparency of the medium. Yet if television and California both promise again and again to offer us something new, young, immaculate in its transience - a pure surface that will never get caught in the ditch of time - they are also both haunted through and through: by the itinerant contents of the past that they cannot banish, by memories of the infantile-perverse utopian fantasies that taunt us in constant replay ("If you're going to San Francisco...," "two girls for every guy"), by the contradiction played out in the very gesture of dismissing history and leaving the dead to bury the dead. California and television, as it were, conspire in a vampirologic: the forever-young is what has been there the longest, what really "takes us back." And so we also will take ourselves back: to Buffy the Vampire Slayer, already almost charmingly quaint, and Walter Benjamin's magnum opus The Origin of the German Mourning-Play. What can come of this improbable conjunction? It will not seem too strange that Benjamin, posthumous wanderer across the textures of Americana, should again take up lodging at the Hotel California. But more is at stake than just another hapless visitation from the on high of high theory: reading Buffy as the remediated afterlife of the dead-on-arrival genre of the baroque German mourning play, Adler's book records the first broken, awkward steps toward a project that, with the recent rise of "quality television," seems more urgent than ever before: a political-theological characteristic of the television series.