Featuring a rare story by Anne Rice, a classic chiller by Edith Wharton, and song lyrics by Sting, this eclectic and original collection of vampire stories covers the gamut of genres, from the dark pleasures of Shakespeare to the twilight terrors of Rod Serling.

While vampire stories have been part of popular culture since the beginning of the nineteenth century, it has been in recent decades that they have become a central part of American culture. Vampire Legends in Contemporary American Culture looks at how vampire stories—from Bram Stoker's Dracula to Blacula, from Bela Lugosi's films to Love at First Bite—have become part of our ongoing debate about what it means to be human. William Patrick Day looks at how writers and filmmakers as diverse as Anne Rice and Andy Warhol present the vampire as an archetype of human identity, as well as how many post-modern vampire stories reflect our fear and attraction to stories of addiction and violence. He argues that contemporary stories use the character of Dracula to explore modern values, and that stories of vampire slayers, such as the popular television series Buffy the Vampire Slayer, integrate current feminist ideas and the image of the Vietnam veteran into a new heroic version of the vampire story.

**Read the book and watch the original TV series, now streaming on Peacock!** Join the legion of fans who skyrocketed this six-book series to the top of the charts. Start here, with the first book that kicked off the international #1 bestselling Vampire Academy series. Love and loyalty run deeper than blood. St. Vladimir’s Academy isn’t just any boarding school—it’s a hidden place where vampires are educated in the ways of magic and half-human teens train to protect them. Rose Hathaway is a Dhampir, a bodyguard for her best friend Lissa, a Moroi Vampire Princess. They’ve been on the run, but now they’re being dragged back to St. Vladimir’s—the very place where they’re most in danger. . . . Rose and Lissa become enmeshed in forbidden romance, the Academy’s ruthless social scene, and unspeakable nighttime rituals. But they must be careful lest the Strigoi—the world’s fiercest and most dangerous vampires—make Lissa one of them forever. **cover image may vary** “We’re suckers for it.” — Entertainment Weekly

Carl has loved astronomy ever since he can remember. He is still waiting to experience some form of phenemenon. One night while sitting in his attic with his telescope pointed toward the sky, Carl finally gets his wish as a meteor shower begins. After an egg-shaped meteorite lands in his yard, Carl rescues the object without any idea that inside is a hungry alien baby who needs a human host. Moments later, the alien breaks out of the meteorite and claws its way into Carls brain where it begins feasting. The alien has no idea where it is or what it is supposed to do there. All it knows is that it needs to feed on blood. As the alien attempts to acclimate to its strange new world and learns to speak, it searches for hosts, leaving destruction in its path. When a detective is assigned to investigate multiple bizarre deaths, he quickly realizes he is not dealing with an ordinary killer. As he is led down a path he never could have imagined, now only time will tell if he will find the elusive little alien or if the alien will find him first. In this horror novel, an alien baby crashes to earth during a meteorite shower and begins a killing spree to survive that attracts the attention of a determined police detective.

This sensational novel tells the darkly seductive tale of Dracula's first bride, Constanta. This is my last love letter to you, though some would call it a confession. . . Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death. "A dizzying nightmare of a romance that will leave you aching, angry and ultimately hopeful." --Hannah Whitten, New York Times bestselling author of For the Wolf

Written across the disciplines of art history, literature, philosophy, sociology, and theology, the ten essays comprising the collection all insist on multidimensional definitions of evil. Taking its title from a moment in Shakespeare's Tempest when Prospero acknowledges his responsibility for Caliban, this collection explores the necessarily ambivalent relationship between humanity and evil. To what extent are a given society's definitions of evil self-serving? Which figures are marginalized in the process of identifying evil? How is humanity itself implicated in the production of evil? Is evil itself something fundamentally human? These questions, indicative of the kinds of issues raised in this collection, seem all the more pressing in light of recent world events. The ten essays were originally presented at the First Global Conference on Perspectives on Evil and Human Wickedness, held in March 2000 in Lady Margaret Hall, Oxford University.

The author of Drawing Down the Moon offers a "literate, imaginative, and just plain fascinating” exploration of the enduring allure of vampires (Whitley Strieber, author of The Hunger). Author and NPR correspondent Margot Adler found herself newly drawn to vampire novels while sitting vigil at her dying husband’s bedside. Intrigued by the way this ever-evolving myth lets us contemplate mortality, she embarked on a years-long journey of reading hundreds vampire novels—from teen to adult, from gothic to modern, from detective to comic. She began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England’s fear of outsiders and of disease seeping in through its large ports. In 1960s America, the television show Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. From Bram Stoker to Ann Rice; from vampire detective thrillers to lesbian vampire fiction; and from Buffy the Vampire Slayer to Twilight and True Blood, Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us.

Bianca, a 17 year old has to choose between living her own teenage life, or a life that was planned for her since before her birth. Sometimes we don't always get to choose. With the society breathing down her back to make a decision, and her family and friends forgetting about who she is, the choice may seem clear, but is it? Will Bianca pick the right choice or will others suffer from the consequences of her decision? Either way, a price will be paid, but whose will it be?

The last of three novels featuring Ewers' semi-autobiographical character, Frank Braun. Chronicles Braun's eventual transformation into a vampire.

A fun, sassy, sexy vampire romance where a case of mistaken identity leads to the love of a lifetime.