This is the 8th book in the popular Family Blood Ties series and continues the saga of Tessa and Cody as they battle both humans and vampires alike. This book ends in a cliffhanger the same as the other books in the series. Tessa's world exploded. She survived Deanna's inheritance. She sees more, hears more ... understands more. But more is not always better. Cody doesn't like what's happening around him. Tessa has walked through hell and she has a lot more to go before she's clear. He plans on standing by her side - her guardian - whether she wants him to be there for her or not. Jared can't believe all trails lead him into trouble. He'd escaped once. Tried to stay out of the mess since. But a friend is missing, and when he tries to get help, the person he confides in goes missing too. The vampire world was never ready for Tessa before. The new Tessa? No one is ready for her.

Her life wasn’t all bad until she woke up a vampire. Sabrina raised a daughter, started her own coffee shop, and bought her dream house in her hometown of New Orleans. If she had to complain about anything, it would be the seventh level of Hell hot flashes that come with being 53 years old. That is, until she wakes up a vampire. Her body has never been more perky and her hair is a dream. Problems? Several. A vampire shouldn’t have hot flashes, mood swings that rival a rollercoaster ride, and the urge to drop into a dead sleep at 9:00 pm. There is a God and he goes by the name of Christoph, the king of the New Orleans coven and a vampire who is hotter than her night sweats. Ready to jump his ancient bones, she manages self control. Barely. When she learns he can cure more than her animalistic urges, she will promise anything. Enter the misfits. A succubus kicked out of Hell, an old as dirt reaper, a purple dragon whose hiccups light eyebrows on fire, and a cute as can be pooch that’s really a Hellhound. All occupants of the B&B, Fangri-La and Sabrina’s job is to turn Christoph’s new acquisition into a thriving business. Holy hot flashes, she may have sunk her fangs into more than she can handle. Also available as audiobooks! Keywords: paranormal romance, steamy romance, paranormal romantic comedy, paranormal romantic comedy book, vampire romance comedy, vampire romance books for adults, vampire romance books, paranormal romance books for adults, paranormal romance adult, menopause humor, women’s humor

“Vampires. Why do we care? In these pages you will find what is very simply, the most literate, imaginative, and just plain fascinating answer to that question ever written.” ?Whitley Strieber In a culture that does not do death particularly well, we are obsessed with mortality. Margot Adler writes, “Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury.” As Adler, a longtime NPR correspondent and question asker, sat vigil at her dying husband’s bedside, she found herself newly drawn to vampire novels and their explorations of mortality. Over the next four years—by now she has read more than 270 vampire novels, from teen to adult, from gothic to modern, from detective to comic—she began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England’s fear of outsiders and of disease seeping in through its large ports. In 1960s America, Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. Think Spike and Angel, Stefan and Damon, Bill and Eric, the Cullens. Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us.

5m, 2f / Comedy / Unit set Count Zescu, a Vampire from the old country, takes up residence in the American southwest accompanied only by his coffin and Mattie, who is an all too amorous co-ed he can't seem to lose. Hot on the heels of this colorful entourage is Joyce Lyonhartt, a plucky and determined reporter who excels in disguises to get close to what seems to be a once in lifetime story. The Count settles down in dreary house near a secret army base, and witnesses a bat seemingly explode spontaneously. He stumbles upon a weapons experiment, which involves turning living bats into flying bombs, headed by old foe, Dr. Gunter. An escaped war criminal ironically hiding out in the country whose army is pursuing him, Dr. Gunter continues to wage his private little war, though now aware that his new nemesis may inform on him. On his way to challenging the commander of the Army base, however, the Count discovers he is the uncle of Mattie, and is himself looking to do in the "older man" his niece has run off with. New and old accounts are on their way to being settled during a late night dinner at the Count's estate.

Includes a "Reading group guide" ([12] p.).

Warning - this book contains some swearing and has a cliffhanger ending! Blood doesn't just make her who she is...it also makes her what she is. Like being a sixteen-year-old vampire isn't hard enough, Tessa's throwback human genes make her an outcast among her relatives. But try as she might, she can't get a handle on the vampire lifestyle and all the...blood. Turning her back on the vamp world, she embraces the human teenage lifestyle--high school, peer pressure and finding a boyfriend. Jared manages to stir something in her blood. He's smart and fun and oh, so cute. But Tessa's dream of having the perfect boyfriend turns into a nightmare when vampires attack the movie theatre and kidnap her date. Once again, Tessa finds herself torn between the human world and the vampire one. Will blood own out? Can she make peace with who she is as well as what?

This book argues that in recent decades an unrestrained vampire-capitalism has emerged, disengaged from the needs of citizens and workers, leading to a deepening of social class, generational, gender, educational and ethnic divisions. The author explores how our cultural obsession with self-realization undermines our capacity for collective action and ability to confront threats such as climate change and the impact of the rapid advance of technology on labour. Drawing on sociology and political economy as well as worldwide case studies, the chapters interrogate how we arrived at these dilemmas and how we might escape them through establishing alternative social economies. Vampire Capitalism will be of interest to students and scholars across a range of disciplines, including sociology, social theory, globalisation studies, development studies, political economy, geography, politics and social policy.

This book explores the idea that while we see the vampire as a hero of romance, or as a member of an oppressed minority struggling to fit in and acquire legal recognition, the vampire has in many ways changed beyond recognition over recent decades due to radically shifting formations of the sacred in contemporary culture. The figure of the vampire has captured the popular imagination to an unprecedented extent since the turn of the millennium. The philosopher René Girard associates the sacred with a communal violence that sacred ritual controls and contains. As traditional formations of the sacred fragment, the vampire comes to embody and enact this ‘sacred violence’ through complex blood bonds that relate the vampire to the human in wholly new ways in the new millennium.

The Trouble With Twilight is an informative, well-documented, and up-to-date commentary about not only the Twilight book series and movies, but also the culture of occultism and its particular enticements for today’s youth and young adults. Revealed are little-known facts that will surprise many parents, grandparents, aunts, uncles—whoever loves children and youth. Forces greater than authors or Hollywood are influencing millions of young people, yet they know it not. You should understand these forces. The Trouble With Twilight: • Exposes the lure and dangers of occultism. • Explains how even “ethical vampirism” fuels interest in Wicca, magick, spells, and covens. • Demonstrates how authors, publishing companies, and young people are being subtly manipulated by an ancient intelligence. • Reveals a cosmic controversy over blood. • Exalts an Eternal Lover—Who loves you! Includes modern-day stories, facts, and findings that bring the seriousness of today’s vampire craze right to the kitchen table of life in your very own neighborhood—or home.